CCpedia
Have you ever wondered about the pedigree of the artists you are listening to or are going to see? Then this is the place to find out!
Adam Harding
Amy Morgan
Badlands
Billy Bubba King
Billy Curtis
Billy Levin Band
Black Steel
Bob Keeley
Buntline Special
Capricorn
Cardy & Coke
Carolann B
Chris Harris
Chris Johno Johnson
Cliff Weston
Clint Bradley Band
Dan Thornhill
Darren Busby Duo
Darren Flack
Dave Anderson
Dave Lesley
Ed Cox
Gary Leonard
George McIntosh
George Payling & Texas Gun
G Force
Hayley Oliver
Henry Smith
Honky Tonk Strangers
Ian Highland
James & Wood
Jeff Gallant
Joe Keeley
John Doherty
Johnny Holland
John Douglas
John Permenter
Jon Rowdy
Julie Dawn
Kay D
Kenny Jr
Kevin Barry
LA Country
Lee Hodgson
Little Rock
Memphis Roots
Mick Sweetman
Nadine Somers
Nikki Jo Brown
Peter Barlow (aka Pedro)
Pete Brazil
Pete Jones
PJ (Paul James)
Plain Loco
Rancher
Ray Peters
Ridgeway Country
RJ Montana
Rob Childs
Rocky Road Ramblers
Souls ‘n’ Stone
Spread Your Wings
Steve Hanks
Stonecold Country
Stubby
Tanya Turner
The Barhoppers
Theresa Coupland
Texas Tornados
The Long Haul
The Thornhills
Tony Rouse
Vic Oakley
Warren Dewitt
Wayne T
Rocky Road Ramblers
Research by Nick Catford.
Jonny Williams and Lynnette Marie were both successful solo country singers until they decided to form a duo together in 2009. Since then this husband and wife duo, who were married in 2014, have been much in demand with their traditional style of country music that has earned them a CNN duo of the year award in 2116 and 2019, a female vocalist of the year award for Lynnette in 2017 and 2019 and a CCN for Services to Industry in 2023. Completely different in style to any other duo on the circuit today they have a unique presentation with Lynnette playing a slap bass affectionately called Maybelle, an instrument we see far too infrequently these days and Jonny who plays a classic Gretsch guitar which gives the duo an authentic ‘50s sound.
The band initially got together for a one-off show at Walesby’s Golden Buckle festival in the summer of 2017 and from that performance one thing led to another and the band found themselves on the road heading north to the Broken Spoke festival and the rest is history.
In 2018 their debut album ‘In The Jailhouse Now’ was short listed for a BCMA ‘Album of the Year’ award and the following January saw the band head over to America to record a second album The Sun Sessions at the legendary Sun Studios in Memphis Tennessee.
Badlands
Research by Nick Catford.
Russel Kitchin didn’t have a musical upbringing although his parents were lovers of Country music, rock ‘n’ roll and in particular Elvis Presley. Russ first got into Country as a child when he listened to his mum’s compilation Country albums on the family radiogram. The only member of his family who played an instrument was his grandmother who played piano and he started to play when he was 8. He continued playing into his teens, taking lessons and achieving London College of Music grades to grade 5. He quit the piano in his later teens as it was no longer considered ‘cool’, but he never lost his love of music and eventually had thoughts about playing guitar.
Russ liked the idea of becoming a working musician at that time and decided to explore the possibilities of achieving this. Having a young family, it took him a lot longer until he was finally able to fulfil his ambition in his mid 20s. By this time, his musical direction had changed and included classic rock and blues and he started working in pub bands but it was really just for fun. One of these was a band called Counterfeit, which he joined with his buddy Jonathan Slater.
Eventually he realised he wasn’t actually enjoying it and in the early 2000s when he was in his early 30s he rediscovered Country and joined an existing trio called Rollin’ Steel as lead guitarist. Rollin’ Steel were originally formed in 1984 and by 1995 the line up was Phil Steele (rhythm guitar and lead vocal), Pete Steele (lead guitar and vocals) and Terry Hayward (bass and vocals). Pete Steele and Russ were already good friends. At first Russ joined as a dep for their guitarist Jason Wood (who had previously played for Dave Berry) having rehearsed with Phil and Pete. By this time Pete had moved on and was playing with some bigger named bands in Liverpool.
Alongside the duo Russ, also formed a blues rock band with his good friend Jonathan Slater. They were called Sloe Gin, named after US blues/rock musician Joe Bonamassa’s album of the same name. They quickly became very popular and got plenty of work around South Yorkshire. The band stayed together for about 5 years, and at one point included Tris Bradder on bass. Russ and Phil continued to do duo and trio gigs as Rollin’ Steel but the name was soon changed to the Phil Steel Duo. At this time, Phil was the lead singer and Russ was the lead guitarist but it wasn’t long before Russ started adding harmonies and then he began to take lead vocal on a few songs. By about 2012 they were sharing lead vocals and decided on a name change to 2 Dollars More. From time to time they were asked to perform as a trio and would draft in Tim Orchard on banjo/mandolin and acoustic guitar. Phil Steel Duo and 2 Dollars More played mainly traditional Country although Russ gradually introduced a few modern songs. He stayed with them until 2016.
Ever since he realised that he could play and sing he knew that one day he wanted to have his own band and perform Country his way. He still however considers himself to be a guitarist who sings. He always wanted to play more modern material (many Country bands stick to traditional Country and Western songs) and bring his rock influence into the band. His philosophy, which was instilled into him by his guitar teacher Martin Smith and still holds true today is, “If it sounds good, it is good as long as it’s a country song”. This led to the formation of Badlands in 2017. The band took its name from Marty Stuart’s 2005 concept album of the same name. After the formation of Badlands, Russ went back to 2 Dollars More and continued to play with them as well as Badlands for another two years. Phil eventually decided to pursue a solo career allowing Russ to concentrate on Badlands.
Initially he had no thoughts of his daughter Heather joining the band as a musician. As a young teenager, Heather had no interest in music but when she was 15 she told her dad that she wanted to start playing guitar. Russ bought her a guitar and she asked him to teach her how to play. He taught her to play a Muse (rock band) song. He heard no more of it but, two weeks later; he heard her playing the song and making an excellent job of it. It wasn’t long before music was taking over her life. She did music A level at school which included some guitar lessons and went on to do a degree in popular music and performance at Middlesbrough University achieving a 1st. At her passing out ceremony, she and a group of other musicians performed the entire Michael Jackson Thriller album.
At that time, she was heavily influenced by progressive rock and heavy metal but she always liked some Country songs. Once Badlands was established Heather joined as sound engineer. On one occasion their rhythm guitarist Phil Holden let them down for a run of three gigs following an accident and Heather was drafted in as his stand in with little notice. She spent 48 hours cramming and learning the band’s material and stood in on the gigs, the last of which was at the Malvern showground in front of 2,500 people. She joined the band as a guitarist and singer and she and her dad were quickly able play off each other really well with a lot of unrehearsed banter enhancing their performance. Russ considers himself very lucky being able to play music which he loves to do and also having his family around him. His other daughter Natalie is also an integral part of the band coming to all gigs replacing Heather as their sound engineer.
The band has a very good attitude; they want to be a band that put on a show and not just a band that stands there and repeats the songs they have learnt. Therefore the interaction between Russ and Heather and a certain amount of stage antics are an important part of their presentation and they feel stands them apart from many other acts. They both know they are in the entertainment business so there must be an entertainment factor in everything they do. Russ and Heather also started working together as the Russel K Duo in March 2019 to cater for those clubs that couldn’t afford a full band. Badlands describe themselves as a modern country band and there are no others like them on the circuit. They won a CNN award for Newcomer Of The Year in 2018.
Drummer Ash Thompson has been with the band since the beginning. He had previously played with a signed band but the singer disappeared and left the band with nothing – they quickly folded. Julian Widdop is the third bass player. Their first bass player Pete Morgan retired and was replaced by Russ’ old band mate Tris Bradder. He sadly had a bad stroke in 2024 and although he recovered it finished his playing career. Russ has known Julian for as long as he has been playing and he has been a musician since the 1960s and has played all over the world. When Russ was looking for a new bass player Julian approached him and volunteered to take on the roll. He has fitted into the team very well.
Russ does write songs but he doesn’t consider himself a prolific songwriter. He can’t write to order but has to have a feeling for a song and then it will flow. Songs come slowly and then they get worked on. He has recorded an 11 track solo album, Wherever You Are, which was released in 2023. 9 of the 11 songs on the album are self penned. 6 of his songs have featured on radio stations across the world, and a number have been number 1 most listened on UKCountryRadio.com since the album’s release. They also won their Album Of The Year award in 2024. A second album will be completed in 2025. Original songs are rarely included in the Badlands show but Russ and Heather do occasionally sing Strongest Hands Of All acoustically. More original songs are included when Russ and Heather work as a duo.
Russ is keen to perform his original songs but feels it will be with a different band and probably not on the Country Music Club circuit where people are more used to hearing covers. There is another Country circuit where songwriters are much in demand. For some reason unknown to many of us the two don’t easily mix. Neither myself or Russ understand this and Russ added “County music is Country music – if it sounds good it is good”
Russ and Heather will be appearing at C2C at the O2 in 2025. They are performing on the Thursday night at The Observatory. There’s a Nashville songwriters show at The Indigo and immediately after that, there is the afterparty at The Observatory where they will be performing for two hours. They were booked for this in 2024 standing in for Pete Stothard; everyone loved it so they have been booked again for 2025. They ended up emptying the venue as everyone joined in with a conga to Brad Paisley’s Mona Lisa which took them right round the complex. Even the security guards joined the conga!
I asked Russ about the future for Badlands and he is somewhat disillusioned saying ‘the CMC circuit is in a slow transition with a lot of solo artists and duos but not many bands. What bands there are do not have a huge number of venues where they can play with the festival circuit getting smaller. The audience numbers at many country clubs are in decline and inevitably budgets are smaller and we are heading towards the stage where bands can’t exist which would be very sad. The audiences have become accustomed to seeing a solo act with everything played at low volume.’ Russ is really unsure about the band’s future on the CMC circuit which at the moment is surviving but not thriving, at least not for bands. He added ‘If I am honest I think our future is uncertain’. He thinks the duo will last longer as it is more affordable There is currently more work for Russel K Duo but where they take the band they go down well as you always get a much better atmosphere with a live band. They are particularly popular in the north east and Scotland where everyone is always up for a party.
The Phil Steel Duo released one CD album, My Kinda Place in 2012. Badlands have released two albums Welcome in 2017 and an eponymously named album in 2024. Both albums have been produced by Russ’ guitar teacher and friend Martin Smith at Mu Studios in Sheffield.
RJ Montana
Research by Nick Catford.
RJ Montana (Rob) is a new name on the Country circuit but most people will be familiar with his dad, Dave Montana who has been singing in clubs and at festivals since the early 1990s. Rob was born in 1982 and grew up listening to Country music liking artists like Alan Jackson, George Strait, Eagles and Vince Gill but he also liked blues and later became a big fan of indie rock. As a teenager, he was fully aware of Dave’s career and saw him performing on many occasions but he was never invited to join him on stage. He also saw a lot of other Country bands.
It was perhaps inevitable that Rob would eventually also become a singer but when he first considered forming a band when he was 18, it wasn’t Country. He considered himself a bit of a rebel and he was by now a big fan of Indie music (and he still is today).
Indie is a type of rock music that emerged in the early – mid 1980s. The name was originally used to describe rock music released through independent record labels, but by the 1990s it became more widely associated with the music such bands produced. During the 90s, bands like Sonic Youth, The Pixies and Radiohead were all considered to be Indie. Rob was a huge fan of a Glastonbury indie band called Reef. He considers now that he attended far too many gigs and even has a tattoo of them. Rob and some friends formed a 5-piece indie band called the B2s; Rob sung and played bass. He never thought the band was that good and although his dad did hear them he didn’t encourage them and Rob told me “he just let us get on with it.” The band only lasted for a couple of years and they only ever did a few gigs and just played for fun.
In about 2002 Rob joined his dad on a 25 day tour of the north of England. Dave was told he needed to have a duo rather than perform as a soloist so Rob joined his dad playing bass but he didn’t sing. This was his first experience playing Country and the first time he played with his dad. He really enjoyed the experience.
It wasn’t however until 2024 that Rob considered playing again. His wife organised a surprise 40th birthday party with a Country theme. His dad was booked for the party and he invited Rob to join him on stage. Rob had never considered himself a good singer but it was his party so he did a 45 minute set. There was a family friend in the audience who ran a Country music club in Southampton. She suggested to Rob that he should come and sing at her club. Rob was flattered but declined saying “I’m not a singer” to which she responded “you’re very good Rob”, he replied “No I’m not, I’m rubbish” Rob eventually agreed to do the gig, his dad provided an iPad with backing tracks for songs he wanted to do and to Rob’s surprise the gig was very well received and he even got paid! This was the first time he got paid for singing or playing.
With the success of this debut gig it dawned on him for the first time that singing was something he might consider doing after a bit of practice and rehearsal. Another gig came in from someone who saw him and this time he rehearsed before the gig and did three 45 minute sets which went down extremely well. It was then that he decided that he would become a Country singer and to his surprise working stated coming in almost immediately.
His 4th gig was Hayden Junction festival in Gloucestershire in front of 300 people. Bobby Reed was booked for the festival; he was by this time working as a soloist following Bob Dixon’s retirement from playing. Bobby was very ill at this time and he pulled out of the festival. The festival organiser Dawn Kennedy, asked Rob if he could take Bobby’s place on the Saturday night. This for Rob was a turning point being what he considered a “proper gig”. With so much good feedback he now knew that this was what he wanted to do. His dad was fully supportive and gave him the PA system used for his 40th birthday party. R J Montana started his Country journey in March 2024.
Initially he only worked locally in the Southampton area but as work began to come in this quickly boosted his confidence. Rob is a very visual performer and believes his appearance on stage is a very important part of his act. He uses a wireless mic and guitar pick up which allows him to move about the stage. A change of shirt each set is also important and he has recently invested in a Garth Brooks Stetson Tyler hat. He said to me “I am being employed to entertain people for the evening and it is important that I do my best and make everyone feel special”
Rob likes to play a very well balanced mix of old a new songs, some of the newer songs by artists that people might not be familiar with but the important thing is that everything is Country. “It’s not just George Strait, Garth Brook, Alan Jackson, Randy Travis” he told me, “there are lots of other good Country singers out there”.
Rob currently has a very full diary for 2025 and it’s starting to fill up for 2026. He still has a day job with a very accommodating boss when it comes to taking time off for gigs. He is happy to travel anywhere in the country and his tour van has been fitted with a double bed which helps keep costs down to a minimum. He admits to enjoying sleeping in the van which is fully insulated and sound deadened and “very comfortable.” He added “I have even slept in the van on my drive at home on one occasion!” If bookings continue to go as well, he is prepared to give up the day job and go fully pro to further his career.
In December 2023 Rob and his dad launched a new duo called Jackson Country. Unfortunately ill health has put the duo on the back burner for now but they hope to be taking bookings in the near future.
Robs first CD, Out Of The Shadows, released in 2024 and engineered and mixed by his dad, includes A Bobby Reed Song, All The Way With You which includes Bobby Reeds voice. Bob
Ed Cox
Click here to see Thrillbillies in New Zealand in 2007.
Research by Nick Catford.
Ed Cox was born in 1969 and although he wasn’t brought up in a musical family he has always enjoyed singing. He first sang ‘in public’ when he stood up in front of his infant school class with his cousins and sang Elvis Presley’s Can’t Help Falling In Love.
His aunt Sharon particularly liked music and in the 1970s he would sit with her in her bedroom listening to music on her record player. She would record songs on cassette by placing a microphone in front of the speaker which she would later play back on her walkman walking to work.
Sharon was killed in a motorcycle accident when she was 19 and her love of music was Ed’s early inspiration honouring the kind of music she loved. She particularly liked Elvis Presley and that was the kind of music Ed would later go on to sing.
After leaving school in the mid 1980s, Ed started singing and this is when he first considered singing professionally. Initially he was just doing karaoke but then, in his early 20s he started singing solo, mainly middle of the road and covers and then formed a duo with a friend. His first gig started at 8pm, and although his dad came he told his housemate he’d be back at 8.15 because “it’ll probably be crap”. He got back at 1am, happy and proud. Unfortunately the duo only lasted for a few gigs as his friend didn’t have the commitment that Ed had to pursue a career in music.
By now Ed and Spencer James had become good friends. Ed would often look after the house while Spencer was away touring with The Searchers. He caught glandular fever and was really ill for a while but as he was recovering, he asked Spencer if he could do some recording in his studio once he was fully fit and well. Spencer suggested that he should come round immediately and have a tinker. Ed felt okay that day and he sung Bette Midler’s iconic song The Rose. Spencer was gobsmacked and said to him “how is it I’ve not heard you sing until now?” He immediately began speaking to local pubs saying “can my mate come and sing in your pub” and that is how Ed’s career started in about 1994.
Spencer knew local Country Singer Dave Anderson who has played pedal steel, guitar and sung on some of Spencer’s Country influenced albums. Dave formed The Thrillbillies Duo after the demise of his band Wishbone at the Millennium. Within a year, he mentioned to Spencer that he was looking for new partner in the duo and Spencer immediately thought of Ed. At that time, Ed didn’t know a lot about Country music so Spencer gave him a crash course playing him a large selection of Country songs and Ed quickly knew Country was the direction he wanted to go.
On Spencer’s recommendation, he spoke to Dave Anderson and in 2001 he joined The Thrillbillies replacing Neil Lusk. The duo quickly established themselves as one of the best Country duos with two good singers, good vocal harmonies and good playing. While working with the Thrillbillies, Ed did some other work in a duo with his friend, bass player Paul Gunn.
Dave knew a former British DJ Max McFarland, who had emigrated to New Zealand. During the 1990s he took his band Wishbone there on tour. When Max later brought his family to England on holiday he went to see the Thrillbillies performing at Chichester. He told Dave that the duo would be well received in New Zealand and suggested they come over and he would arrange a tour. They did one six week tour in 2007 and another in 2009. They stayed with Max and toured the North Island extensively. Both tours were a huge success and they got a lot of new fans and sold a lot of CDs. They also toured in Spain.
The Thrillbillies released four CD albums during Ed’s time. The first with 11 tracks was called Talk Of The Town which included Ed singing The Rose. Spencer James played acoustic guitar on some tracks. The second album with 16 tracks was Chills & Thrills followed by a 13 track album As Seen On TV which was engineered by Country singer Paul Wright. The last a double album called Twice As Nice was released about 2010. The first album, Middle Of The Road, had 18 tracks and the second album Live had 12. In 2009 he also recorded a 17 track solo album called Love Joy and Commitment – songs inspired by April 5th; the day his Aunt Sharon was killed. One of the tracks was again The Rose.
Ed stayed with the Thrillbillies for 18 years but by 2019 he knew it was time to move on as he was keen widen his Country repertoire and include a lot of newer material. Both Ed and Dave decided to continue as soloists and The Thrillbillies disbanded after 19 years in 2020 when lockdown began. With the forthcoming end of the duo, Ed had already launched his solo career and solo bookings were filling his diary, but in March 2020, covid struck.
Ed now has a very full diary and is in the happy position of being able to turn work down if it involves travelling all over the country leaving him shattered when he gets on stage. He now considers he is doing the amount of work that he wants to do and really loves what he is doing. He feels he is much happier as a soloist than he was in the later years with The Thrillbillies. He doesn’t like driving through the night anymore but is still happy to travel to gigs all over the country but prefers to stay with friends or in a hotel rather than driving home.
Ed has now taken up songwriting. His first song, a ballad about the day his aunt died, was written and recorded in 2016 and it will be included on an album of original songs planned for release on CD and download maybe by the end of 2024 or next year. He also hopes to include some of these original songs in his Country act, one in particular called I Didn’t Know. Ed considers himself to be a perfectionist when it comes to recorded material and he says it has got to be right before he considers it finished.
During lockdown he bought some additional studio equipment and did a lot of writing. A friend, Vicki Church who has been a fan of Country music all her life has helped with some of the lyrics and Spencer James has gone through his songs as well. Ed and Spencer are still good friends and Ed says of him “he’s my big brother, whether he wants one or not”. Ed does support shows with Spencer including the Searchers Christmas party (fan club event) in 2023 (and booked again for 2025). Spencer is now touring as a solo, or with The Spencer James Band.
Since starting his solo career, Ed has recorded a 24 track double CD album called the Fitdog Sessions. The album was produced by Chris Furner at the Fitdog Recording Studio. Ed first met Chris in 2005 and they have been friends ever since. Only some of the tracks are Country. Before recording the album, Ed put feelers out to see what people wanted him to record and he tried to fit some of those songs onto the album which includes songs by George Michael, Prince, Elvis (three of his all time favourite artists) and Spandau Ballet, as well as country’s Tim McGraw, Merle Haggard and Jake Owen. It is an easy listening album, exceedingly well produced by Chris Furner and available at gigs or through Ed’s web site or Facebook.
Lee Hodgson
Here is my video (2hrs 15 mins) of Memphis Roots with the Czech Country Girls at the H-Bar-C Country Music Club, 26th November 1992
Research by Nick Catford.
Lee Hodgson is one of our best Country guitarists and is listed in the International Who’s Who of Popular Music.
Lee bought his first acoustic guitar around 1973 when he was 12, but found it difficult to play and he didn’t initially take playing seriously. However, around 1975, he bought a no-brand electric guitar for £7 from York Road Market in Southend-on-Sea. He found this instrument easier to play, so he bought some guitar books for beginners and started to teach himself lead guitar and was soon making good progress. He upgraded to various budget brand electric guitars and enjoyed jamming and “practising” (Status Quo songs and others) in a garage or lounge around Shenfield (Essex) with his cousin Bernard and his friends.
Lee’s introduction to Country music came, around 1976, when he joined a charity group that used to rehearse on Monday nights at the Haystack pub on Canvey Island. Lee enjoyed playing Buck Owens songs with the group as well as other classic Country songs by both male and female singers. He also played some Shadows instrumentals. In 1977, aged 16, he joined Bonanza, an Essex-based band which played a mixture of pop and Country. In the late 1970s, Lee was a member of a function band called Jade for a while.
Lee turned fully pro on 4th May 1979 when he started touring the UK with a pop/disco band called Whiskey Mac. It wasn’t long however before he was invited to join George Moody’s Country Squires to replace Rae England on lead guitar. In c1971 Rae England and Peter Waknell formed a new band. The first gig was at the Tilbury Irish Club but the band had no name. When Rae was asked what the band was called he looked at the drinks behind the bar and saw Squires Gin “The Country Squires” was his reply. In 1977 George Moody joined the band and they became George Moody and The Country Squires.
Lee had seen and admired the Country Squires many times when they played the Haystack pub on Canvey Island. Rae continued to play with The Country Squires from time to time as a dep. Later that year, the band was expanded to a five piece with the addition of Ric Boland on pedal steel guitar, 6-string dobro, harmonica and vocals. Lee played on the bands next album, Country News which was released in 1979. The band quickly proved very popular on the Country club circuit and by 1980 they were working up to six nights a week with many of the gigs being in East Anglia. During the previous year, they received 12 ‘top band’ club awards.
The Country Squires line up was quite fluid as musicians came and went in quick succession. Lee Hodgson stayed for less than two years although he did play other gigs with George a year or so later including a tour of Scotland; Ric Boland had left by this time. Lee was replaced by Keith Chinnery on lead guitar. In 1981, Ric Boland recorded a solo album called Memories which included Lee Hodgson, George Moody on rhythm guitar and Peter Waknell on bass.
While working with The Country Squires, many of the bands bookings were in East Anglia which allowed Lee to begin teaching guitar to people of all ages during the day. His pupils included a member of Radiohead.
After leaving The Country Squires, Lee worked with the De Cruz brothers, Doug and Don. They often played in the small hall at The Paddocks at Canvey Island. In the main hall there was a regular country music club, The Mustang CMC on Monday night. The club was run by Alan Woodhouse and his brother Vic would often turn up. Vic fronted the award winning Hickory Lake band and presented a Country show on BBC Radio Essex.
Lee joined Essex based Phoenix Country band around the same time. Pete Ryder fronted the band with Ron Meggs on pedal steel guitar and Mick Hoares on bass. Not everything Lee did was Country. In c1979 he joined Kenny Baxter’s Turntable as a guitarist. They were a ‘Sunday lunchtime’ jazz-funk band. He stayed with the band for 5 years but was later invited to re-join the band for occasional reunion gigs with Turntable II in 2002. In 1981 he joined Barley, a comedy showband (guitar, lead and harmony vocals) fronted by Paul Da Vinci former lead singer with the Rubettes. They played corporate events, plus a variety of nightclubs, theatres and social events. He stayed with Barley for 6 years. He recently reconnected with Paul joining his current band around 2018, and they are still regularly working together in Paul Da Vinci’s 60s/70s Explosion, mostly at Warners Leisure venues around the UK, but they have also worked at Benidorm Palace and Villamartin in Spain. Also in the early 1980s he worked on the country scene with a female country singer called Jeannie Sinclair.
Moving through the 1980s, Lee was proud to work with another Essex band called Black Gold, which played an eclectic mix of pop, rock, plus quite a few Country songs. The lead singer, Wendy Roberts, sang Linda Ronstadt’s version of Blue Bayou with great feeling. The band’s original lead guitarist, the late Ian Pearce, used to showcase his phenomenal guitar skills by performing Albert Lee’s Country Boy – which he taught Lee the intro to in Tim Gentle’s Music Store in Leigh-on-Sea. It was with this outfit that Lee met and worked with top local session players including genius pianist, the late Pete Jacobsen and Dave Bronze, who went on to become the bassist with Eric Clapton and Tom Jones. The band morphed into The Wendy Roberts Band and Lee still performs in a duo with Wendy to this day.
Lee remained very busy during the 1980s touring for a month with chart topping New York trio Odyssey who later settled in the UK. Off of the back of that tour, he toured the UK with top 10 soul singer Bobby Thurston. A highlight of his playing career came in 1981, after one of Bobby’s gigs at Gullivers in Piccadilly. Stevie Wonder’s Wonderlove (Stevie’s band) had an end of their Hotter Than July tour after-show party upstairs at the venue and 20 year old Lee got to jam with Wonderlove, which he told me was “just incredible”. He went up to Stevie and told him how good he was! He also worked in a Carpenters tribute show (authorized by Richard Carpenter) in which Wendy Roberts played Karen Carpenter. Lee has played prestigious venues such as Wembley Arena and the Royal Albert Hall, plus countless festivals, theatre concerts and clubs, often featuring his MIDI-guitar, piano, strings and brass sounds etc. In the mid 1980s he did a number of single concerts playing guitar with chart acts such as George McRae, Limmie & The Family Cooking, plus tribute act, Salute The Supremes.
In 1987, Lee was invited to join the newly formed Memphis Roots. The band was formed by Jon Keys and Barry Westbrook and the first line-up was Barry Westbrook (vocals), Lee Hodgson (lead guitar), Frank Boswell (bass guitar) and Jon Keys (drums). This line up came about because Barry knew Lee and Jon knew Frank. All were experienced musicians and with the exception of Frank Boswell, had played in other Country bands. Barry Westbrook had been a member of Cody and he had played with a number of other Country bands including, on one occasion, singing lead with Spellbound when Jenny Speller was unavailable.
Jon Keys’ career as a country drummer started with the Jonny Young 4 in 1969. He joined Deadwood in 1970 and was a member of Whisky, which was fronted by Roger Humphries, from 1971-1974. Between 1979-1982 he was drummer in the Ned Porridge Band with Ed Pearson. Frank Boswell had previously played in a Kent-based function band called High Society.
The band’s first cassette album featuring the four founding members was called Highway to Heaven. Early in their career the band made several gig cassette albums that were co-engineered and produced by Lee and featured some of his original compositions.
Barry Westbrook was the first to leave in June 1989 when he formed Mean Business and he was replaced as lead singer by Ed Pearson. Ed was older than the others, being born in 1937, and his musical career stretched back to the late 50s when he started playing skiffle at the legendary 2i’s coffee bar at 59 Old Compton Street in London’s Soho. Through the 60s he played the London East End clubs in the evening whilst working at the London docks during the day.
He joined his first country band, Country Cousins, in the 1970s and at the end of 1975 he formed his own Ned Porridge Band quickly establishing the band in clubs in London and the south-east. They supported Billy Jo Spears on tour in 1979. Their popularity quickly grew as they made new friends wherever they performed in the UK and further afield in France, Germany and Holland. After the demise of the Ned Porridge Band, Ed joined Spellbound as a replacement for Jenny Speller; reforming the Porridge Band briefly in 1987 before joining Memphis Roots in 1989.
While working with Memphis Roots during the evenings, Lee continued with his guitar teaching during the day. He also began teaching at London’s prestigious Institute of Contemporary Music Performance aka ICMP (formerly known as the Guitar Institute) in 1990. He wrote a 200-page tutorial, Hot Country (with a foreword by Albert Lee) in 1997, and was a regular columnist for both Guitarist and Guitar Techniques magazines for 16 years (1984-2010) and has more recently contributed as a reviewer and interviewer (Hank Marvin, Bruce Welch, Jerry Donahue, Richard Thompson and Albert Lee) for Guitar Interactive. Lee has made many guitar tutorial videos for Lick Library and more recently became a featured artist at Jam Track Central, while also conducting regular masterclasses in various styles for Guitar Weekends Ltd. Lee is an Ernie Ball Strings and Fret-King guitar endorsee.
Back to Memphis Roots, after four years, Frank Boswell left the band in May 1991 to concentrate on running his hairdressing business and he continued as a semi pro-musician with the Kent based Peter Elligate Band, another function band. Frank was replaced by another experienced musician Clive Grant. Clive began his musical career playing lead guitar in Beatles / Rolling Stones cover bands in the 1960s. In the 1970s and early 1980s he was a member of Freeride, a 6-piece jazz funk band. He joined his first Country band playing bass in Spellbound with Ed Pearson, Glyn Long and Tony Caldwell. When they disbanded in 1986, he and Glyn Long joined Rio which was fronted by Steve Scott.
This is probably Memphis Roots’ definitive line-up remaining stable for the next seven years. During this period, they played at every major UK and European festival including Wembley Arena, The Royal Albert Hall and Notts Americana. They backed touring American artistes like Joe Sun, Judy Lindsey, Pinto Bennett and John Permenter and shared the bill with Jerry Lee Lewis, Willie Nelson, Emmylou Harris and David Allan Coe. They also signed recording contracts with Ritz Records and Carlton Sounds. Their well respected Best of Memphis Roots 20-track album (CD and cassette) was released by Ritz in 1993. Between 1996 – 1998 they made three line dance albums for Carlton, two with other artists and the third Good Noise – The best of western line dancing on their own. A by-product of this album, on the Hallmark label, shot to no.1 in the budget charts in April 1997. Lee sang lead vocal on several of the tracks.
During his time with Memphis Roots, in 1998 Lee played guitar for a 6-day residency of Patsy Cline – the Musical at the Theatre Royal, Newcastle.
Ed Pearson left Memphis Roots in 1998. By that time he was becoming disillusioned with the club scene following the upsurge of line dancing. He felt the music was becoming more important than the artist and he was finding it more and more difficult to strike up a rapport with his audience. After leaving the band, he spent the next ten years as a soloist working in listening venues. In 2009, Ed was the 20th inductee into the British Country Music Hall of Fame. Two years later he passed away from liver cancer on 26 February 2011.
After the departure of Ed Pearson, Memphis Roots continued as a trio until August 1999 when Jon Keys was forced to retire following a heart attack. His replacement was Wol Webster another musician with an impressive pedigree. Wol has been a professional drummer since the 1970s and was staff drummer with Pye Records for 15 years; there he played on many records from Jeff Beck to Max Bygraves. In the 1990s he had periodic engagements and depping jobs with various popular country bands including Steve Scott & Rio, Barry Westbrook & Mean Business and A Band Named Sioux.
After 14 years of touring, Memphis Roots finally came off the road in 2001. Lee wanted to concentrate on guitar teaching; and Clive and Wol felt it was time for them to move on to other things. There was a Memphis Roots reunion for one show in 2008.
Despite the end of Memphis Roots, Lee remained very busy as a teacher and playing in various bands etc. As none of these bands were as busy as The Country Squires (up to 6 days a week) and Memphis Roots he was a member of many acts at the same time. Not all them were Country.
In 2002 he joined Longshot / Midnite Oasis. (guitar + MIDI, lead and harmony vocals.) They were a long-established Country band fronted by drummer Glyn Long. Longshot regularly transformed into a dinner-suited function band. As Midnite Oasis they played at corporate events and unusual gigs such as The Royal College of Surgeons’ Banquet and The Tower of London. He stayed with Longshot for 6 years. Glyn Long is still working as Longshot Duo today. In 2007 he joined the Steve Cherelle Band (guitar + MIDI and harmony vocals.) playing at festivals and clubs. He stayed with the band for 7 years. Also in 2007 he had three years as a member of Benny & The Jetts (guitar + MIDI, lead and harmony vocals.). They were a rock ‘n’ roll / 60’s band fronted by Ian Geast. The band performed at clubs, private parties and Masonic events. In 2009 he joined The Billy Curtis Band. (guitar + MIDI, harmony vocals.) Performing at major festivals and events in France (e.g. Mirande Festival, Billy Bob’s Saloon at EuroDisney) and in UK clubs. He stayed with the band for 4 years.
In 2010 Lee joined Country band Boney Fingers. (guitar + MIDI, lead and harmony vocals.) Performing at UK country music festivals and clubs. He stayed with them for three years. At the same time he spent two years with a 60/70s band called The Stray Kool Kats. In 2011 he started working in CMC’s as a solo Country artist which he did for three years.
In 2011 he formed the Lee J Duo with Ian Geast or Rita B performing country, 60s-70s and oldies at clubs. This duo carried on until 2024. At the same time he also joined Ian Geast’s Allstars performing mainly at private parties and Masonic events. He continues to play with Ian to this day.
In 2014 he formed Lee Hodgson’s Infinities (aka LHI), a 4-piece contemporary jazz band. Between 2016 – 2018 he played guitar and sang lead and backing vocals with a Johnny Cash tribute act Johnny Cash Revisted – Ring of Fire working in festivals and theatres. Having depped briefly with the Henry Smith Band in 2014, Lee did a lot of festival and club gigs with them in 2017/18.
Jon Keys, Lee Hodgson and Clive Grant last played together as Memphis Roots in 2008 but as they were still fondly remembered by so many people Jon Keys promoted a Memphis Roots reunion at Pontins Holiday Park, Pakefield on 14th October 2018 and despite minimal advertising the event was quickly sold out with many country fans keen to see the trio back in action again. Following the success of the reunion, Memphis Roots went back the road and are still available for club and festival bookings. Jon and Lee are also part of John Permenter’s band.
A highlight in the later part of Lee’s career was playing at The Royal Albert Hall in May 2019 with the British Police Symphony Orchestra.
Since 2024 Lee has been working with an Ian Dury and the Blockheads tribute band called What a Waste. Following the passing of George Payling Snr in July 2024, Lee also now works with George Payling Jnr in a revival of Texas Gun (duo). He also works quite regularly with Glyn Long as a member of Longshot (duo).
In 2024 Lee embarked on five new projects, the first of these is Lee Hodgson’s Bourbon Saloon which is adaptable from solo performer to duo, trio or band. Having been on the country scene for over 40 years, Lee knows many of the UK’s top instrumentalists and backing vocalists, so he is happy expand the band for large functions including Country festivals. Bourbon Saloon performs a mix of traditional and modern country music. The Lee J Duo has now become part of Bourbon Saloon.Lee’s second new project is called Lee Hodgson’s Tribute to Glen Campbell & Friends. This is Lee performing, as a solo artist singing popular songs associated with Glen Campbell and other well known country singers including Kenny Rogers, Garth Brooks, Johnny Cash, Neil Diamond, Eagles, Luke Combs, Alan Jackson and George Strait.
The Eagles are also the subject of his third project called Lee Hodgson’s EagleSublime – another solo tribute to The Eagles, featuring songs famously associated with this legendary band. The next solo show is more guitar-centric and is called Tribute to the Guitar Greats. This features music by some of the most talented guitarists including Eric Clapton, Jeff Beck, Jimmy Page, Hank Marvin, BB King, John Mayer, Carlos Santana, Peter Green, Albert Lee and Joe Walsh.
Lee’s final new project is performed either solo or as a band. Lee Hodgson’s Rhythm Changes is geared towards weddings, corporate work and private functions, as well as pubs and clubs. They will cover all genres of music as requested.
As well as working in a duo with Wendy Roberts he also works with rock singer Susie Brown who is also a fine Country singer and young vocal/guitar talent Masie Glessing. Lee is also currently working as lead guitarist and occasional lead vocalist in Sarah O’Shea’s Patsy Cline & Friends show.
Ridgeway Country
Tony also fronts a 4-piece rock ‘n’ roll band called the Tony H Band working mainly in the Swindon area but they only have a few gigs a year, Ridgeway Country is much busier.
Ridgeway Country have released three studio CD albums over the years, the first was Ridgeway Country in 2004, the second was The Right Place in 2010 and the most recent album 110% Ridgeway in 2023. There was also a live album Ridgeway Live in 2019. A number of other musicians have depped with the band over the years. These include Dave Mackie on lead guitar who was with ‘Live and Pickin’ for a short time after Clive Battle departed. Dave Hartley (pedal steel guitar) Jim Martin (from Black Steel) (pedal steel guitar, electric guitar and fiddle), Gary Holster (lead guitar) and Graham Walker (lead guitar).
Research by Nick Catford.
Tony Hetherington’s family are from Northern Ireland and that’s where he grew up for the first 8 years of his life. His uncles were in accordion bands and he had an uncle who could play guitar. Country music was always an important part of family life, but he wasn’t really aware of Country music at the time although he does remember some of the Irish showbands in 1964, shortly before he moved to England. At that time, he was listening to the popular chart artists like The Beatles, The Rolling Stones, Freddie and The Dreamers and The Hollies etc.
The family used to watch Top Of The Pops and as he became more aware of music he would record the songs he liked on a Grundig reel to reel tape recorder by standing the microphone in front of the TV speaker. He would then write the lyrics down and learn the songs. One particular song he learnt when he was 14 was Don McLean’s American Pie.
When he was 15, one of his uncles gave him an old Spanish guitar. He would come to the house and teach him a few chords. He then bought a guitar lesson book and learnt the basics from that. He joined the Royal Navy when he was 16 and met some really good guitar players. One of them had an Echo Ranger guitar which he sold to Tony although, at that time, he still couldn’t play properly and really only knew chords. They taught him how to play tunes like Streets of London and House Of The Rising Sun. At this time, Tony was a bedroom guitarist singing and playing to himself for his own enjoyment. He had no aspirations of becoming a musician and it wasn’t until he was 37 that he first started playing in bands.
One day, in later life, Tony met Clive Battle who was a big Albert Lee fan. Although Tony liked Country music, he considered himself to be more of a rock ‘n’ roll fan, in particular artists like Elvis Presley and Chuck Berry. Clive asked him if he was interested in forming a band to play in local pubs. At that time he was still only playing at home for fun and jumped at the opportunity to play with others for the first time. They enlisted a bass player and drummer and Live n Pickin took to the road for the first time in 1994. It was a Country rock band playing music by Rodney Crowell, Albert Lee, Elvis, Chuck Berry, Johnny Cash, Eagles etc. Their first pub gig was well received but they only lasted for two gigs before the drummer and bass player left. They recruited new musicians and there were several changes to the lineup until, after two years, Clive Battle left the band.
By now, Tony had got the bug and wanted to keep the band ‘live n pickin’ working. Simon Elford was on drums at this time. Jess Mortimer played bass with the band from the beginning, Jess began his musical career playing in punk bands before moving into heavy rock. Eventually Tony found a new lead guitarist, Keith O’Connor who was jazz influenced and loved the guitarist Carlos Santana. He wasn’t really a ‘country picker’ and inevitably the band became rockier. Keith owned and ran a music shop called The Music Box on the Cowley Road in Oxford. After a couple of years, the name of the band changed to Fast Forward and in 1998 the line up was Tony Hetherington (lead vocal and rhythm guitar), Keith O’Connor (lead guitar and vocals), Jess Mortimer (bass) and harmony vocals and Joe Chapman (drums).
In 1999, without notice, Keith left the band for personal reasons, leaving Tony in the lurch with band bookings to fulfil. He needed to find a replacement guitarist very quickly to avoid cancelling gigs and was able to recruit Denis Cremin who had a traditional Irish, Country and bluegrass background. Denis agreed to join the band totally unrehearsed to fulfil an important wedding booking. Denis was a multi instrumentalist; as well as playing lead guitar he also played fiddle, squeeze box and harmonica.
When Denis joined, this took the band in a more Country direction so the name was changed to Ridgeway Country in the summer of 1999. Originally the new name was just going to be Ridgeway because Tony lived near The Ridgeway but one of the band members suggested adding Country to the name would be useful as people would know they were a Country band. The original lineup was Tony Hetherington (lead vocals and rhythm guitar) Denis Cremin (lead guitar), Jess Mortimer (bass) and Joe Chapman (drums). As soon as they became a Country band they stopped working pubs and working men’s clubs and launched themselves on the Country club and festival circuit. They made a demo CD album to promote the new band. They soon found however that it was a harder life on the road as a Country band. Instead of working locally and getting home at midnight they started getting home at 3 or 4 in the morning. They were well aware that they joined the Country circuit at a time when bands were in decline so they would have to be prepared to travel further afield to get the work.
Shortly after Denis joined, they became a 5-piece band with the arrival of Ken Byng on pedal steel guitar. He had played in bands with Denis before and Denis recommended him for the band. The addition of pedal steel gave Ridgeway Country a more Country sound especially as Denis also played fiddle. Ken also played banjo and dobro which gave the band much greater musical versatility. At this same time, Joe Chapman left as he wanted to move in a different direction and he later joined a glam rock band. He was replaced by Simon Elford who had previously played in Live n Pickin and Fast Forward. Simon left Ridgeway after a couple of years to be replaced by, in succession by, Martin Matthews, Biff Walsh and Matt Jacobs.
When Denis and Ken Byng eventually left the band in 2010 their places were taken by another top guitarist, Andy Kingston (aka Andy Twang) and Jimmy Martin on pedal steel guitar. (note this is a different Jimmy Martin to the musician who is currently very busy in various bands and duos), Jimmy was in remission from cancer and passed away after only10 months with Ridgeway. Jimmy was replaced by Dave Wheelhouse. Dave Hayward occasionally depped with the band but he was never actually a member of Ridgeway.
In 2012, Tony got a phone call from lead guitarist Andy Kingston to say he couldn’t make an important gig that night due to illness. Tony tried to get a stand in but it was too short notice and he had to cancel. To avoid this happening again, he put together some backing tracks that allowed him to work solo or as a duo and Ridgeway Duo came into being as insurance if band members weren’t able to perform at short notice. It wasn’t long before Ridgeway Duo became Whitehorse Duo in case people thought that Ridgeway Duo was the band. Tony was keen to maintain a separate identity for the duo especially as many of the songs were different.
Andy Kingston stayed with the band for 4 years. By 2018 the line up line up was Tony Hetherington (lead vocals and rhythm guitar), Mark Jacobs (lead guitar), Dave Wheelhouse (pedal steel guitar), Jess Mortimer (bass) and Matt Jacobs (drums). Mark Jacobs was an established member of the band by this time, however during 2020 when no one was gigging due the Covid pandemic Andy Kingston returned. Jess Mortimer who had been playing with Tony since 1994 left in 2021 to explore new directions. He now plays upright double bass in The Zodiacs rock ‘n’ roll band but occasionally stands in on bass with Ridgeway Country if required and remains a member of Whitehorse Duo. He was replaced by Tim Albins from Suffolk.
Dave Wheelhouse left around 2018 to be replaced by Ray Phillips on pedal steel and lead guitar. Mark Jacobs left in 2020, with Andy Kingston returning to the fold for a couple of years finally departing in 2024.
At this time the band became a 4 piece for the first time since 2000, with Ray playing lead guitar and pedal steel. The current line up is Tony Hetherington (lead vocals rhythm guitar), Ray Phillips (electric guitar, pedal steel guitar and vocals, Matt Jacobs (drums and vocals) vocals, Tim Albins (bass and vocals). Matthew is Mark Jacobs’ nephew.
Tony also fronts a 4-piece rock ‘n’ roll band called the Tony H Band working mainly in the Swindon area but they only have a few gigs a year, Ridgeway Country is much busier.
Ridgeway Country have released three studio CD albums over the years, the first was Ridgeway Country in 2004, the second was The Right Place in 2010 and the most recent album 110% Ridgeway in 2023. There was also a live album Ridgeway Live in 2019. A number of other musicians have depped with the band over the years. These include Dave Mackie on lead guitar who was with ‘Live and Pickin’ for a short time after Clive Battle departed. Dave Hartley (pedal steel guitar) Jim Martin (from Black Steel) (pedal steel guitar, electric guitar and fiddle), Gary Holster (lead guitar) and Graham Walker (lead guitar).
Jeff Gallant
Below is a video of the Jeff Gallant Duo (with guest Allan Maton making them a trio) at Sands CMC High Wycombe 13 July 2024.
Research by Nick Catford.
Jeff Gallant was brought up on country music from a baby thanks to his mum (Steph) and dad (Barry) who were big Country fans and especially his uncle Tony who was a music promoter.
In October 2001 Jeff formed his first 5-piece Country band, Jeff Gallant & The Norfolk Cowboys. At their first festival gig at Pontins, Pakefield on 7 October, they received three encores and a standing ovation – he has never looked back. The line up was Jeff Gallant (lead vocals and rhythm guitar), Colin Watson (lead guitar), Jay Dee Read (pedal steel guitar), Jerry Annison (bass) and George Ing (drums). Once the band started travelling further afield from East Anglia they were told that the word ‘Norfolk’ was putting off people in other areas from booking them so, probably around mid 2000s, they became The Jeff Gallant Band although there was never an official change of name.
Over the years, band personnel have come and gone and the lineup has changed seven times but Jeff has always surrounded himself with top musicians, always with a wealth of experience on the Country circuit, he is now the only original band member left. The second line up comprised Jeff Gallant (vocals and rhythm guitar), Jay Dee Read (vocals, pedal steel guitar and electric guitar), Titch Reader (vocals, fiddle and keyboards), George Ing (vocals and bass) and Dick Hewitt (drums and banjo). The next change saw the departure of Jay Dee Read who was replaced by Ray Philips (vocals, pedal steel guitar and lead guitar). The band then lost two members and became a quartet with the arrival of Big Dave Watson (vocals and bass). Next to arrive was Clive Grant (bass and vocals), a veteran of many country band including Spellbound and Memphis Roots. Long serving drummer Dick Hewitt was next to depart, being replaced by Matty Baker.
As well as playing on the Country circuit, Jeff has also worked in holiday camps under the name Jib Phillips and in a duo called Full Measures which comprised Jeff Gallant (lead vocals and rhythm guitar) and Darren Francis (lead guitar). Both Jib Phillips and Full Measures played pop and rock covers, everything from Ed Sheeran to The Beatles. All activities came to an end during Covid in 2019 and once all restrictions had been lifted Jeff decided to stick to Country music performing under his own name.
When the Jeff Gallant Band returned after covid, the lineup Jeff Gallant (lead vocals and lead guitar), Clive Grant (bass), Mark Dunn (pedal steel and electric guitar) and Matty Baker (drums). Clive, Mark and Matty also play with Nashville Numbers and Clive is also a member of Memphis Roots. Mark Dunn has now left the band and has been replaced by Jim Martin (pedal steel, electric guitar and fiddle). Jim is a veteran of many bands since he first learnt electric guitar in 1968 and has been playing Country music since 1979. Some of his bands include Premonition (1971), Sting (1973), Stampede (1980), Tracy Elsdon Band (mid-1980s), Mean Business (1990), John Douglas Band (2001) and most recently Black Steel Duo with Bob Schwartz.
Jeff Gallant is now available solo, duo (with Clive Grant), trio (with Clive Grant and Jim Martin) or 4-piece band. He also works as a guitar teacher (face to face or online) and this and his singing commitments ensures he is now busier that at any time during his career.
Spread Your Wings
Research by Nick Catford.
Spread Your Wings Duo is Vicki-Anne Boardman and Neil Woodward
Although Neil Woodward’s mother was once in a girls’ choir, neither of his parents would have described themselves as musically inclined so it must have come as a surprise when Neil took an interest in music when he was just 4 years old. He has no idea where the influence came from. He turned out to be the kid at school who was given a recorder and came back the next day playing tunes he had heard on the TV – his teacher was gobsmacked!
He left school at 16 and went to music college where he enrolled in an A level music course with an ambition to be a professional musician. He learnt piano and keyboards but eventually decided he was more interested in guitar music than classical music so he left the brass band when he was 18. His dad ran a printing business and he eventually joined the family firm and forgot about any aspirations of becoming a professional musician.
When the local music shop was putting a band together, he was asked if he would like to join what became a 5-piece covers band called Scotch Mist. They chose that name because the lead singer was Scottish and, according to Neil, “a complete nutcase – a Scottish version of Freddie Starr!” They initially worked in working men’s clubs and as they got more established they started working the cabaret and holiday camp circuit.
Neil had always been a massive Bert Weedon fan and at one cabaret gig with Scotch Mist he got the opportunity to play on the same bill as Bert Weedon. He even acted as a roadie for Bert for 5 minutes when he helped carry some of his equipment back to the van after the show. Bert was very interested in the 7 string guitar Neil was playing at that time commenting “Seven !! – I’m still struggling with six”.
Scotch Mist eventually became a trio and after around 12 years with them, the band folded when the lead singer, Tom McGregor, injured his back and couldn’t run about the stage anymore – this had always been an important part of their act.
After their demise, Neil put an advert in a local paper “experienced guitarist looking for work”. He was hoping to join a full band but the first response came from singer John Hewitt who only lived a mile away. John was a relative newcomer to performing, not taking to the stage until well into his forties. He had just finished a stint with a Country duo where he was a bass player and 2nd singer.
It wasn’t exactly what Neil was looking for as he was a cabaret artist and John was a Country singer. Neil was, however, already a fan of Country music which came from his grandad who was a big Country fan, especially Johnny Cash who is now one of Neil’s influences.
Neil and John formed Saloon Drifters Duo in 1999. Neil was obviously on lead guitar but has only ever sung harmony vocals so John had to front the band as lead singer. It wasn’t easy for John, playing the bass and singing to such a high level at the same time so they decided to do away with the bass and John became lead singer without playing an instrument which gave him a good opportunity to project his personality. He always gave 100% on stage ensuring everyone had a good time. He particularly liked the classic cowboy songs and the big ballads to which he gave his own ‘twist’ when performing.
In order to promote the new duo, they recorded a 9 track CD album called Black Coffee in 1999. It was originally made as a demo to help launch the duo onto the Country scene. Other CD albums followed during their career on the road. They were, in order, The Thunder Rolls (with 12 country classics of a more laid back style), As We Are (2002) – which included a cornet solo from Neil, Drifting Along and their final album, It’s Only Make Believe released in 2011.
In later years, they also diversified into Country themed holidays. Every November they organised a three day break at Morecambe at the Headway Hotel and in April 2017 they organised a three day Country Music dance weekend at the Savoy Hotel, Skegness which John continues to run twice a year.
Saloon Drifters decided to come off the road at the end of 2019 with their final gig at ‘The Stute’ in Asfordby just before Christmas of that year.
Neil had no thoughts of coming out of retirement at that time but all that was two change!
Over the years with the Saloon Drifters Neil got to know Stumpy, A little cowboy who was full of life and fun. Stumpy and his wife used to turn up at many of the duo’s gigs at clubs and festivals and at their November holiday weekend at Morecambe. Neil and Stumpy and his family became good friends.
Stumpy told Neil about his daughter, Vicki-Anne Boardman and spoke of her with great pride explaining she is a trained dancer who has attended various auditions for parts in the theatre. One day, Vicki-Anne contacted Neil about recording a song especially for her father as an 80th birthday present. Prior to this, Vicki-Anne had done a little singing with a local theatre group but nothing serious and she certainly didn’t consider herself to be a singer. Neil said “yes” and invited Vicki-Anne to his house. She found a song on the internet called You’re My Hero. They changed the words a little to suit and Neil rearranged the music and the song was recorded and presented to Stumpy on Father’s Day – he loved it and was beaming with pride.
Neil quickly realised that Vicki-Anne had a really good voice and he was keen to record other things with her. They recorded a Kerry Ellis and Brian May song called Roll With You, but at that time there was no suggestion that they should form a Country act together. After Covid, Vicki-Anne told him that she wouldn’t mind recording some Country songs and that led onto them discussing the music and those discussions soon turned into Neil dusting off his guitar and Spread Your Wings was conceived at this time. They both agreed that they didn’t want to be like any other Country duo “We just ‘wanted to do it our way” Neil told me, and that is what they have done.
Vicki is a lifelong fan of Country as she was brought up on it by her parents and attended many clubs and festivals with them as a young girl. Having attended so many festivals and Country events with her parents one of the highlights for Vicki of the new duo is that she’s now experiencing it all from the other side of the stage.
A first gig was arranged at the Spirit of Dixie CMC at Bury (Lancs) but John Groom persuaded them to do a gig at his Brewers Saloon CMC in Burton on Trent (Staffs) in March 2024, even though they weren’t 100% ready to start gigging. They agreed to play and it went very well. They haven’t looked back since and are now getting regular bookings from all over the country. Even though Neil lives in Nottingham and Vicki-Anne lives in Cheshire it seems to work for them.
They recorded and produced an album of their favourite songs they perform in early in 2023 which is called Fly High … Fly Free
Having been on the road just over two years, Spread Your Wings already has a CCN nomination for Duo Of The Year in 2024.
Clint Bradley Band
Research by Nick Catford.
The Band
Dave Luke Danny Kelly
Although Dave Luke grew up with a love of country music, his first band The Sticky Buscuits formed with a group of friends in 1989 was a covers band. Although only an amateur band they were offered some gigs in Czechoslovakia and East Germany in summer 1991, shortly after the end of the cold war. Their bass player knew Roger Humphries who was a sound engineer with a PA system and a van. Roger offered to drive them to Jablonec which has the nickname ‘Czech Nashville’ Roger naturally got up with the band and sung a few songs with them, the Czechs loved his authentic country style and Roger ended up fronting the band with Sticky Biscuits as his backing band. The band folded shortly after they returned to the UK.
Early 1992 Dave walked into a record shop in St Pauls Cray, Kent. At the time he had finished college and was unemployed. Behind the counter was Ed Pearson, lead singer of Memphis Roots. He said he knew of a local Country band who were looking for a guitar player. Within a few days, Dave had joined his first Country band, Steve Scott & Rio and was quickly playing the CMC circuit six nights a week. Later that year, he met Chuck Micallef, a Canadian living in Staffordshire and they began a friendship and eventually a musical partnership that has lasted to this day.
Dave’s time with Rio was short, he left in 1993 and was replaced by Roger Manning. He started playing in a duo with Errol Walsh, which led to the formation of The Coyotes. They got a record deal with Round Tower Music releasing a CD album Coyotes in 1996. The duo later evolved into a 4-piece band comprising Errol Walsh (vocals and rhythm guitar), Dave Luke (lead guitar, baritone guitar and vocals), Steve Simpson (guitar, fiddle, mandolin and vocals), Malcolm Hoskins (bass) and Willie Wilson (drums). Steve Simpson had played in Ronnie Lane’s Slim Chance and Willie Wilson had been a member of Sutherland Brothers and Quiver. The following year the The Cayotes won the BCMA album of the year award. The same year the band folded when Dave moved to Mid Wales where he still lives. Soon after relocating, Iona & Andy invited him to play at their festival in Llandudno. There he was introduced to US singer Gail Davies and became a member of her touring band, which still continues occasionally to this day. He toured Europe and the USA with Gail, including venues such as The Grand Ole Opry, Ryman Auditorium and Kerrville Folk Festival. He also played gigs with Nashville-based bluegrass artist Kathy Chiavola.
More recently he has been a member of Americana-Folk artist Vera Van Heeringen’s trio, touring UK/Europe and playing on all her albums to date. He joined The Clint Bradley Band in 2015. He still play regular gigs with Chuck Micallef. They released a duo album, Shadows & Light in 2016. His latest new project is a Mid Wales based duo, Home Of The Free, with Alex Valentine. They are currently recording an album for release in 2024.
Connie Everard made her stage debut at the age of 7. Although she started playing electric bass as a child this gave her a good grounding for the notes when she came to make the transition to double bass. Her roots are rockabilly and she was a member Portsmouth rock ‘n’ roll band Rock Therapy for 30 years, and they got to back artists like Sleepy LaBeef and Buddy Knox. She also worked some of the big doo wop acts like the Flamingos and the Drifters at the Hemsby rock ‘n’ roll weekenders. Connie joined The Clint Bradley Band in 2013.
Danny Kelly first teamed up with Clint Bradley as a member of Little Tony & the Tennessee Rebels. When the band folded in 1980 he joined a popular rockabilly band The Flying Saucers who were signed to EMI at the time and had minor chart success with the single Some Like It Hot in 1981. It was taken from their album Flying Saucers. On the album the drums were credited to Rollin’ Danny a name that has stuck to this day in rock ‘n’ roll circles.
Danny got back with Clint in 1990 and been with him ever since. He also has his own rhythm and blues band called Southside UK. It’s an eight piece band with a three piece horn section playing mainly covers influenced by Tedeschi Trucks Band the US blues and blues rock band.
Every singer/songwriter or musician has a seminal moment at some time in their lives. They hear or see something that makes them want to pick up an instrument and play. For Clint Bradley, it was hearing Marty Robbins sing his gun fighter ballads. He still has a vivid memory of hearing that sound for the first time, it totally captivated and drew him in. He was probably around 9-10 years old and he thinks the first song he learnt the chords to was Running Gun. He later discovered the Sons of the Pioneers, Gene Autry and others and with each step he took further into the world of western music the more enchanted he became.
His early attempts to form a band playing authentic western music fell on stony ground. It proved extremely difficult at that time to convince other budding young musicians to share his passion. Around this time another influence came into his life when he discovered rockabilly music. The excitement and energy of early rockabilly recordings from the likes of Marty Robbins, Johnny Cash, Elvis, Scotty & Bill, Carl Perkins, and others, opened another door in his musical career. At 16 years old it seemed like a natural outlet for him to fulfil his desire to write and play music.
Clint’s ambition was to find a group of young musicians who wanted to play authentic western music but it was impossible to find others of his age with the same passion. He eventually formed his first band in Southampton when he was 16. The line-up was Clint Bradley (lead vocals and acoustic guitar), Steve Noyce (electric bass), Danny Kelly (drums) and Gus Guthrie (lead guitar). Initially the band was working mainly in the Southampton area and played nearly all original songs written by Clint. It was a mixture of Country and rockabilly, the two genres being close relatives. They were quickly signed by a London agent who chose what Clint considers to be a ridiculous name for them; Little Tony and The Tennessee Rebels. He wanted to call the band The Spurdogs or Spur Dog Run but the agent said that name would offend certain factions on the Rock ‘n’ Roll scene.
As they started travelling further afield, including a lot of work in London, many of the original songs were dropped and replaced by what Clint describes as “lacklustre cover versions”. By this time, the Country influence had gone and they were firmly rooted in the rockabilly scene. A year after forming, there had already been a change to the lineup with Mitch Caws coming in on double bass and Bruce Hobbs on lead guitar. In late 1979 they released a vinyl EP for Red Hot Records called Ten Little Women/Slap That Bass. It was released in 1980. The band called it a day later that year due to musical differences but Clint stressed another reason was he really didn’t like the band’s name that had been imposed on him.
Following the demise of Little Tony & The Tennessee Rebels, Clint was invited to join a reformed Blue Cats. He was still a teenager at that time and eager to get back on the road. Rockabilly band The Blue Cats Trio was formed in 1978 as part of the rockabilly revival following the death of Elvis Presley in 1977. The line up was Dave Phillips (lead vocals and double bass), Carlo Edwards (lead guitar), and Stef Edwards (drums); Carlo and Stef were brothers. They were later joined by Clive Osborne (saxaphone and occasional rhythm guitar) initially as a guest musician. In 1979 they too recorded an EP for Red Hot Records and in the summer of 1980 they recorded their first album, The Blue Cats, in The Netherlands. Before the album was released, Dave Philips left the band to launch his own band Dave Phillips & The Hot Rods.
Having lost their lead singer, The Blue Cats folded. With both bands now off the road, within a few months Tony Martin, who owned Red Hot Records, introduced Clint and Mitch to Stef and Carlo and it wasn’t long before The Blue Cats were reformed with Clint Bradley (lead vocals and acoustic guitar), Carlo Edwards (lead guitar), Mitch Caws (double bass), Clive Osbourne (saxophone) and Stef Edwards (drums).
The reborn Blue Cats had their first rehearsal in September 1980 and played their first gig in The Netherlands the following month. The new band had a distinctly different sound to the trio and were labelled by music journalists as neo-rockabilly a term they used to describe the new batch of young rockabilly bands that appeared in the UK in the early 1980’s. Several of these bands, The Blue Cats especially, moved away from playing rockabilly standards and began releasing and playing their own self written work. The energy and youthful spirit of what they did seemed to fit in with the whole post punk scene in the UK. Within a few months, the band build up a new following but Clive Osbourne didn’t like this new direction with original songs replacing 50s cover versions and quickly left the band leaving a quartet.
The Blue Cats released two singles for Rockhouse (a Dutch company), I’m Gonna Die in 1980 and Wild Night in 1981 which was made single of the week by Gary Bushell, who wrote for Sounds magazine at that time. Their first album for Rockhouse, Fight Back followed in 1982. It soon became clear however that Rockhouse were not enthusiastic about the new sound and wanted the band to return to more traditional rockabilly. This was to be their last recording for the label.
By early 1982, their new following had continued to grow, especially around the alternative London club circuit and at this time they recorded a new EP as The G Men and did a few selected gigs in London using that name.
A retrospective album, Early Days Volume 1 was released on Nervous Records (a UK rockabilly label) in 1983. It consisted of 14 tracks, 2 by The South Rebels, 5 by the Blue Cat Trio and 7 by Little Tony and The Tennessee Rebels. Volume 2 was released the same year with a similar mix of old bands and material.
In 1983, The Blue Cats became Beltane Fire, which was an entirely different course. Their first album Different Breed was released on CBS in 1985 with four singles Captain Blood, The Poacher. Excalibur and Fortune Favours The Brave also being released that year. After signing to Sony they toured extensively until around 1989 when they decided to go to the USA. At this time Mitch Caws decided to settle down and chose not to go with them. They went as a trio called Flame Of The West and Clint switched to electric bass. They began playing gigs around Connecticut then New York and New England exploring a more Country rock direction.
During this time, Clint was becoming increasingly frustrated that he was not doing what he really wanted to do, which was to play roots western music. While in the US, he travelled to the Northwest and really started to soak up the western lifestyle and general music scene, which really made him determined to do his own thing.
When Carlo cracked some of the discs in his spine in an accident and had to return to England for an operation they all returned home. They decided to go our own way and pursue different projects, Clint has however remained friends with the other guys in the Blue Cats and they have recorded a couple of newer albums for which Clint wrote some original songs. These included The Tunnel on Nervous records in 1992 when they became a quartet again with the arrival of Paul Diffin on double base. Later albums were Best Dawn Yet in 2012 and On A Live Mission in 2013 both on Bluelight Records. They still play a few shows together each year (mainly in Europe) in between other commitments.
After his departure from the Blue Cats, he set out with an acoustic guitar, with no particular plan in mind other than to sing, play, and write songs and travel. He discovered the acoustic scene along the way, and began to appreciate a lot more about the craft of song writing.
Around 1993-1994, he spent some time in the U.S. sitting in with different bands and doing open mic nights at acoustic venues whenever he got the chance. When he returned to England in 1995 he had a large selection of songs he had written while travelling, so he set about trying to secure a record deal in order to record and release them. He signed with M&G (BMG) records in 1996. He put a band together called The Breeze with the line up Paul Diffin (double bass) and a member of the Blue Cats in 1992, Nick Evans (lead guitar and pedal steel guitar) and his old band mate Danny Kelly on drums.
By now, his western ballad influence was really coming to the fore, but the powers that be were not altogether keen on him making an album that was ‘Too Cowboy’. The album, This Hour was made in 1997, but with massive compromises as M & G didn’t share Clint’s passion for western music. The studio band used for recording the album was Ian Dury’s Blockheads. The label however ceased to exist not long after he completed the record, but not before a promo of one song, Guilty Heart, went out to radio stations. Guilty Heart was released as a 3-track CD single and this song would in time create a whole new audience for him.
Clint considered the experience with M & G to be a gut wrenching disappointment. With the benefit of hindsight, he knows he should have got ‘straight back on the horse’ and gone out and started to gig and build things again, but at the time he was so disillusioned he just wanted to get as far away from all of it as he could. It was at this time he got married and was about to start his family. As this demanded a regular income, he dropped out of all playing and began working on soundtracks and commercials in order to earn a living.
After some time away from the public eye, he began to notice things showing up on the internet. Guilty Heart had begun to gain some notoriety on a few stations in Europe. As it did, he received numerous requests for information and how to purchase This Hour and other tracks he has written and recorded since. In response to these requests, and as a vehicle to make his music accessible to all those who want to hear it, in 2008 he set up a web site https://clintbradley.co.uk/ and immediately the emails started flooding in, and he was very grateful to receive them. It lifted his spirits from the dark corner in which they had been residing for some time, and he immediately felt the urge to write and play his own materiel again.
Prior to reviving his band, Clint wanted to record and release some of his newer songs. He recorded 9 tracks and the CD album Cross A Soul With Silver was released on his own Spurdog label in 2011. Spurdog was, of course, the name he originally wanted for his first band Little Tony & The Tennessee Rebels. The musicians were the same as those who played on his This Hour album.
He was now ready to go back on the road with his band. Unfortunately he was no longer able to use The Breeze as the name for his band. In 1992 an existing punk band was renamed The Breeze, with Darren Busby fronting. Darren quit The Breeze in 1995 but not before finding a very worthy replacement. Gary Perkins was looking for a young band to work with and it wasn’t long before Gary Perkins and The Breeze began their Country journey. With The Breeze not available Clint launched the first line up of the Clint Bradley Band in 2012.
Two albums followed, Riding After Midnight in 2014 and Soul Of The West in 2019. With an EP Everything That I Hold Dear in 2024. All are on Bluelight Records (a Finnish company founded in 1984) and are available as CD albums (or single) or on vinyl. All these albums and the EP can be bought at gigs or ordered on line. Clint is also hoping to get back the rights to This Hour.
Since 2015 the lineup of the Clint Bradley Band has been Clint Bradley (lead vocals and rhythm guitar), Dave Luke acoustic lead guitar, mandolin and harmony vocals, Connie Everard (double bass and harmony vocals) and Danny Kelly (drum)
In 2023 The Clint Bradley Band won the CCN Horizon award for up and coming band on the country circuit. This year they have been nominated for a CCN Band Of The Year award for 2024.
Pete Jones
Research by Nick Catford.
When Pete Jones was growing up in the 1960s, the family all enjoyed singing. When they moved to the village of Thrybergh near Rotherham in South Yorkshire, they all joined the St. Leonard’s Church choir. After leaving school, Pete had a passion for folk music and when he decided he wanted to be a folk singer he was influenced by artists like Donovan and Leonard Cohen.
Pete’s transition into Country music happened quite by accident. In 1973, he started singing folk working either solo or in a duo backed by his friend Alan Senior. While still playing with Pete, Alan also joined a local Country band, the Mick Conlin Band. Believing that Pete had a good voice for Country he invited Pete to come and see the band at a local club. Having seen The Mick Conlin Band and another popular South Yorkshire country band, the Mel Hague Band, Pete quickly realised that his future career was as a Country singer. His early country influences included Johnny Cash and Don Williams.
It wasn’t long before he formed his first Country band, a 4-piece called The Pete Jones Outfit. They played their first gig on 5th June 1978 at The Comedians pub in Eastwood, a date that heralded the start of the long and successful career for Pete on the British Country music circuit. Within a short time, the band was packing out venues. Although generally working as a 4-piece they sometimes made it up to a 5-piece with the addition of pedal steel guitar.
In the early days, they worked mainly in local pubs like The Rockingham Arms in Wentworh where they had an eight year residency every Thursday night, which was a dance night. The Pete Jones outfit were on the road for 17 years. During that time there were actually two bands with different musicians, one for residencies and the other for touring, especially in the north-east where they quickly became very popular. The line up for the touring band comprised Pete Jones (lead vocals and rhythm guitar), Mick Hartley (lead guitar), Mick Dury (bass) and John Ferminger (drums). With that lineup the band released one cassette album The Pete Jones Outfit. After many years on the road, the band downsized, first to a trio with Pete Jones, Mick Hartley and Mick Drury and eventually they became the Pete Jones Duo. After leaving the band Mick Drury joined the CFS Band in Sheffield.
Eventually, Pete formed a new duo called The Jones Boys with guitarist Ron Blyth. Ron was a very experienced lead guitarist from Chesterfield who had played in the US with the Wendle Atkins Band. The Jones Boys stayed together for a few years but eventually Ron grew weary of the constant travelling to gigs. Pete carried on as a duo with another lead guitarist, Pete Richardson for a few years but he was forced to stop playing due to ill health. Paul Hill also played lead guitar, mandolin and fiddle for a while but eventually Pete decided to carry on as a soloist in the early 2000s.
Pete recorded his first CD album, the Pete Jones Experience Volume 1 in 2005, A few years later, a second CD album, Pete Jones Experience Volume 2 followed. For this, he was able to call up some of his previous band musicians with Pete Richardson on lead guitar, Mick Drury on mandolin and Danny Hannon on fiddle. Later CD albums were titled Another Pete Jones Experience and Silver Stallion. All the CDs are still available at gigs.
As well as being a Country singer, Pete lives on a smallholding and rears egg laying chickens. With a large quantity of eggs every day, his Country shows have proved a very lucrative outlet for his eggs although he describes this as a hobby rather than a living. Many people go to a club to see him perform and often come home clutching a dozen eggs! He is now often referred to as Pete Jones, The Egg Man.
As a soloist Pete was always happy to travel but initially this only involved the northern half of the country but in 2015 he began travelling south. He is now happy to travel anywhere in the UK and stay out so long as he can find someone to look after his smallholding.
Gary Leonard
Research by Nick Catford.
See below Gary Smith (Leonard) impersonating Neil Young on Stars In Their Eyes 27 April 1996.
Born and raised in Norfolk, Gary Smith’s introduction to Country music came as a babe in arms when his father sang and rocked him to sleep accompanied by the dulcet tones of Jim Reeves on vinyl. Country music was played in the house all the time, either radio or records; television was reserved for Saturday night. Traditional Country music was his dad’s passion, artists like Don Williams, Johnny Cash and Waylon Jennings.
After many years, Gary had really got the taste for music and knew this was what he wanted to do rather than a ‘normal’ job. He thought about forming a professional band but couldn’t find suitable musicians so he took the plunge gave up his day job and stepped firmly onto the professional cabaret circuit as a solo singer c1996. He sung a mixture of material including rock, pop, 60s and even some Country but he chose not to play guitar while doing cabaret. Although he didn’t play, he still enjoyed playing and started writing songs. He would often go to folk clubs where he could play and sing some of his own material on open mic nights. He also did a few pub gigs playing Neil Young songs with an acoustic guitar. Neil Young was a huge influence on him and he would try and emulate the way Neil Young played.
One day, while watching the TV programme ‘Stars in Their Eyes’ with his wife; he suddenly quipped “I could do that” and she responded that he should put his money where his mouth is. He wrote to the TV company and thinks that he was probably invited to do the show because he was going to impersonate singer/songwriter Neil Young, an artist they had never featured before. He appeared in series 7 episode 9 on 27th April 1996. He didn’t get through to the live final; the winner on his night impersonated Oleta Adams.
After doing the show, he got the taste for playing guitar again as well as singing. He did a few more Neil Young gigs. He knew he wanted to perform his own songs but was aware that cabaret and rock venues weren’t interested in that. After much encouragement from his wife, Gary was persuaded to take the proverbial bull by the horns and return to his love of Country music. He had always listened to and loved Country, so the natural thing was to try it. He continued to work in cabaret until he had got all the necessary equipment and a large selection of Country tracks and he launched his new career as Country singer Gary Leonard c2000. The first gig that launched him was a spot at the Stradsett Festival at Kings Lynn where they had a spot for up and coming new singers.
It’s in the idyllic setting of his Norfolk home that Gary found the inspiration for the majority of his own compositions. He enjoyed writing and producing his own work in a studio built in a brick outhouse in his garden. By 2006, he had written sufficient songs to record his first CD album ‘This Is My Country’ One particular song ‘I Will Give You Love’, really stood out for him. The album was released on his own label ‘Ladies Yard Productions’. At that time it was really important to write original songs and that was one of the main reasons for him moving to the Country circuit. The Country circuit was very tolerant at that time and as long as people liked your songs you could always sing half a dozen in an evening. Many people bought the album having heard the songs.
Gary relies heavily on his wife Sarah who comes to most of his gigs and markets his albums and deals with the gig diary and resulting administration (an area Gary is only too happy to leave to her, as, with lots of musicians, he readily confesses that paperwork isn’t his strongest point). When he and Sarah first got together she couldn’t stand Country music and still doesn’t really like it!
In 2006, he launched the Gary Leonard duo with multi-instrumentalist John Drange; the duo didn’t work out and they only ended up doing one gig! He has spent most of his Country career working as a solo artist although he always enjoyed singing with other artists and bands, especially at festivals. In 2021 he formed a trio called Honky Tonk Dogs aimed specifically at a line dance audience. He was keen to form a line dance band as most of the existing bands don’t do line dance material preferring more traditional Country. The trio comprised Gary on lead vocals and rhythm guitar, Jeff Gantry on bass and James Bottone on drums. Both Jeff and James could sing backing vocals so there were good three part harmonies.
The trio was well received but short lived as Jeff soon left so they planned to carry on as a duo to fulfil the dates in the diary. James was unable to make some of the gigs so Jim Martin stood in and the two of them have been playing together ever since as the Gary Leonard Duo. James Bottone was keen to do more trio gigs and with Jim still on board they have now formed Hillbilly Shoes. Jim plays pedal steel, electric guitar and fiddle and, as he and James can sing backing vocals, they once again have good three part harmonies.
These days, Gary is no longer a prolific songwriter but he does, from time to time, include one or two original songs. During lockdown he was streaming and met another streaming US musician, Bob Simons from Massachusetts online. Bob is an excellent lyricist and they collaborated on a song called Counting Stars which has now had a dance choreographed for it.
Since writing the songs for his first album in 2006, Gary hasn’t written another album of original songs. He has however recorded a number of other albums. They are: They Think It’s All Over and Across The Divide both recorded in conjunction with NAM. His first line dance album is called Most Wanted, followed by Most Loved which is slow dance songs. In 2023 he released Dance 23 another line dance album.
After 20 years touring, sometimes doing 8 – 9 gigs a week Gary has decided to stop touring. He has no plans to retire but he wants to cut down on travelling and will only be doing the gigs he wants to do working for people he knows and respects. He has always been and still is a very energetic performer and said to me recently “I have to get up on stage, I have to push it, even if I am having an off day – it has to be like that” His mouth to foot coordination has to work well as he can be talking and controlling the backing tracks with a foot pedal at the same time to keep a high energy performance.
Gary likes to do some songs that other people don’t do and is perhaps a bit more rocky than others. He has never been one to follow the crowd so long as everything is a good Country song. “I’m not here as a juke box, I’m here to provide entertainment” he told me. He flatly refuses to play pop songs at any of his gigs. He is happy to do listening venues where his programme might be very different. Although he considers himself to be a line dance act as he grew up with traditional country and knows a lot of that as well.
George Payling and also Texas Gun
Research by Nick Catford.
See below a video of Texas Gun playing at Nashville Country Music Club at St. Albans Herts on the 5th of October 1992 (2 hours 17mins).
See Texas Gun unplugged. (5 minutes) below.
In 1955 George Payling went down the coal mines for a year. His early musical influences were artists like Bill Haley, The Everly Brothers and Buddy Holly. At that time, skiffle music was becoming very popular so he got together with seven friends and formed his first band, the Riverside Skiffle Group, comprising five guitars a washboard and a tea chest bass. They played mainly at the local youth club.
They started rehearsing and soon got work at a local cinema in Sheffield where they would play between the films for ten minutes. Many years later George joked about it saying “we didn’t get paid; the important thing was to get the birds”.
The manager of the cinema was an old theatrical comedian who had lots of contacts. He got in touch with Don Moss an agent pall of his in London and he fixed them up with a week in a striptease show at the City Varieties Music Hall in Leeds. After Leeds they got a job in the Continental Palace Theatre in Hull where they met a couple of people who were working in Scotland. They said they would put a word in for the band with the person they worked for about getting work in Scotland. George didn’t expect to hear any more but he did, and the band ended up at the old Metropole Theatre in Glasgow where they played for five weeks. At this time, George moved from Rotherham to Greenock with the prospect of more work in Scotland but the other band members remained in Yorkshire.
In 1958 they won the Stanley Dale’s National Skiffle contest and this led to an appearance on the BBC TV’s 6-5 special programme where 21 skiffle groups appeared on the programme between February and August 1958. They did the outside broadcast in June 1958 and were introduced by actor and comedian Terry Scott. Marty Wilde and Jim Dale were also on the bill that day.
It was while they were playing at the Metropole, that George met 16 year old chorus girl Mary who would become his wife in 1962. The band realised if you work in variety theatre you need to be more than just a music act. So the Kool Katz developed into a comedy skiffle act. Drummer Bill Brown was an important influence as he was a natural comedian.
They continued working in Scotland doing summer season in Perth. By this time, they had developed into more of a variety act singing in the chorus, dancing, comic sketches and feeding the comedians. In between variety, they did tours of Turkey and Greece in the mid 60s; they had eight weeks in South Africa and also went to Germany where they worked on American air bases. As a group, they played with many big names including Frankie Vaughan, Dickie Henderson, Michael Holiday and PJ Proby. On one occasion, Frankie Vaughan wanted to poach their drummer Bill Brown for his band but he turned him down. At some time in the 60s, the name of the band was changed to The Douglas Brown Four. In 1969 they recorded one track, ‘Sign Of The Stars’ for a compilation album called Heather Showcase which included Jimmy Shand, The Karlins and The Furys. The band stayed together for 12 years touring extensively in the UK where they were very popular on the American air bases.
The band eventually came to a natural end. After an extensive tour of London when George got home to Greenock in 1970 he felt it was time to call it a day. The band folded and George got a job at the Scott Lithgow shipyard in Greeenock where he stayed for a year. He did local gigs with bands during this time. After leaving the shipyard he didn’t want to go touring again so started working in the lounge bars in Ayr with Billy Simpson working as duo Pain & Simpson.
George Jnr was born in February 1963. In 1971 the family moved from Greenock to Ayr on the west coast where they initially lived in a caravan on Low Corton farm before they were able to rent a house. The move was convenient for Mary who choreographed and produced shows for the Gaiety Theatre and went on to run The Gaiety Stage School for young dancers. During this period, George Snr was a member of a 4-piece musical comedy act called The Four Naturals (George Payling, Jimmy Nairn, Alan Waterson and Frank Welchman) and they appeared in the Gaiety Theatre’s summer season, ‘Gaiety Whirl on 1971’ which opened on 5th August that year. The act later dropped down to a duo with just George and Jimmy Nairn, who was a sax and piano player.
While in Ayr, George got to know Ronnie Christie who had a long held ambition to be in a band; Ronnie was one of the Krankie Kids. Jeanette Krankie (of the Krankies) formed her first showbiz act, The Krankie Kids with friend Margaret Murray in 1964. Ronnie sang and played guitar as one of the Krankie Kids. Ronnie and George both got a job in singer Sydney Devine’s band. Sydney Devine first came to fame in 1957 when he came second in competition to find “Scotland’s Tommy Steele” (the winner was Alex Harvey who later formed The Sensational Alex Harvey Band)
George and Ronnie stayed with Sydney’s band for two years touring all over the UK and attracting a record attendance at the Glasgow Apollo, the city’s leading music venue. When they left the band, they formed the duo New Ovation, named after Sydney’s Ovation guitar. They enjoyed a highly successful partnership at a time when variety theatre, television and light entertainment was buoyant; they appeared in countless summer season variety shows and pantomimes. One of many TV programmes included ‘Thingummyjig’ one of Scottish TV’s most-watched shows with a combination of traditional Scottish music and dance – and top variety acts. They appeared on the programme with Scottish singing duo Fran & Anna to promote their single. Their act was a mixture of singing and comedy but they did include a lot of Country.
In 1978 they recorded a vinyl album for Lismor records on the Neptune label which was predominantly Country. George Jnr played trombone on one of Ronnie’s songs ‘Y’ Goin’ Away’. They also released a single that year, The Ballad Of Fran & Anna which was written by Ronnie and paid homage to the famous Scottish singing duo that were known for their tartan miniskirts, rouged cheeks and fishnet stockings. A second album called Country Favourites followed in 1979. The two albums were recorded at Ken Andrews’ studio; Ken was the drummer with pop band Middle Of The Road. A video was also made there.
As George Jnr was born into a musical family it is no surprise that music played an important part in his life from an early age. He was taught to play the trombone at school and he was soon playing the instrument in a brass band and in a big band that played at the pavilion at Ayr beach. He also played a little guitar learning bass first, this was self taught and he played in a band with people at school. Later he played in some function bands locally until a job came up at the Youth Theatre at the Gaiety Theatre where his mum, Mary, ran the Stage School.
He started working in a small band that was playing Scottish ceildh music (drums, accordion, bass and piano). While playing in a function band his dad got a phone call to say Sydney Devine was looking for a bass player. His dad had already left Syndey’s band by this time but George Jnr took the job and played with Sydney Devine for nine months touring all round the UK. He wasn’t very enthusiastic about touring and, when a job closer to home playing in the Gaiety pit orchestra came up, he jumped at it.
As George Snr and Ronnie already had a lot of theatrical experience and had already done a lot theatre work in Scotland they did their first panto together, Jack and The Beanstalk at the Ayr Civic Theatre in 1977, playing Jack and Andy with Robert Johnston as the giant. After that, the manager of the Gaiety Theatre asked them to do pantomimes. These included Cinderella with Anne Fields 1978/79, Aladdin in 1979/80 where they played Wishee and Washeee, Dick Whittington with Denny Willis in 1980/81 and Jack & The Beanstalk with Andy Cameron in 1981/82.
Working in the pit orchestra, George Jnr would do the summer season shows (often 24 weeks in those days) and the pantomimes which usually ran from the end of November to the end of January. He loved the job because it was local and he could go home after work. After 18 months in the pit orchestra, his dad was in Jack & The Beanstalk in 1981. Ronnie told George that his wife was taking a job in Australia and he would be going with her which would bring an end to their six year partnership. George leaned over to his son during rehearsals and said “Ronnie’s going to emigrate, do you fancy doing something with me?” George jumped at the opportunity, and started to learn guitar and piano before forming The Two Geez duo with his dad. Their name was a play on words; geez is Scottish slang but they were also the two Gs as they were both George Payling. They started with a few local venues like pubs and lounge bars.
Within a couple of years, they were very busy often working seven days a week with two gigs on a Sunday. All the work was in Scotland and they played a mixture of Country, middle of the road and chart songs. George Jnr used to record the chart show on the radio on a Sunday evening to see what was moving up the charts so they could learn all the latest songs that were on their way up. In 1984 George Snr wanted to get his younger son Simon involved so he bought him a drum kit and got him to learn how to play drums. When Simon joined, The Two Geez became The Geez.
At that time, George and Mary went to local Country clubs where they thought the atmosphere was great with people actually listening to the songs rather than ignoring the band while they carried on conversations. George Snr brought some Country albums back following a visit to Canada. One of these albums was Hoyt Axton’s Della and the Dealer. This album was to be a game changer for them; George said to his sons “this is the sort of material we should be doing”.
One of the bands they saw at one local club was Nashville Fever and George Snr said “We could do this, it would be great”. And that is what they did. By 1985 they were including more country material but still working as The Geez. In 1988 they decided that they would only do Country but they needed a new name. There were two popular bands in Scotland called Texas and Gun (a rock band) so George Snr decided to put the two names together and The Geez became Texas Gun. In 1989 they started touring out of Scotland and came south for the first time to play the Strumpshaw festival in Norfolk. This was their springboard for opening up south of the border. George Snr’s various acts had always included humour so he brought some of that to Texas Gun which made them different from other bands.
Within six months, they had become extremely busy with up to 26 gigs a month. The work was relentless but, for them, it was good. They bought a large van that was fitted with beds to keep costs down when touring. Early on, they did a lot of work for Tony Best working some of his Country weekends like Gunton Hall, Alveston Hall, Holme Lacy and Pontins at Prestatyn and many of his overseas holiday breaks. Texas Gun got numerous club awards. They won the Southern Country (magazine) band of the year and were nominated in the BCMA awards when they were held at BBC Pebble Mill studios in Birmingham.
After working for Tony Best for 13 years, they started running their own Country holiday breaks in 2001 which were very successful. For 17 years they always did a New Year event in Scotland. One of their most successful events involved taking 350 people on a Country music cruise around the Mediterranean.
By this time, work in clubs for bands was in decline so the holiday work took up some of the slack. They also diversified into providing sound and lighting and event production for many major UK Country festivals. Simon was particularly interested in this side of the business. With the popularity of cheaper solos and duos with backing tracks and rising costs combined with decreasing club attendance many clubs were no longer able to afford a band. Texas Gun finally called it a day in 2010. They were still getting quite a lot of corporate production work. George Jnr didn’t want to stop but Simon was more interested in the production work so the band came off the road. Neither George Jnr nor his dad were happy following the demise of the band. George Jnr continued with the production work but he didn’t have the enthusiasm for it and after three years he said to his dad “shall we just go and do it ourselves?” His dad was happy to do that and it turned out to be one of the best things they ever did. George said to me recently “we started with me and my dad and we went back to me and my dad”
They returned as Texas Gun duo in 2012 and loved it while Simon continued to work as a sound engineer. When asked to say something he said “I was once told by a very wise man that an acceptance speech should be as long as it takes to make love to a woman!” He paused for a few seconds and said “thank you and good night!”
In 2016 George started an MA course in music at the Ayr Campus of the University of Scotland. This involved a lot of juggling work and university attendance but George really enjoyed doing it. In 2018 he was awarded a Masters Degree in Music and Songwriting with a distinction and an academic medal for achievement; this is something he is still very proud of. He has never considered himself a songwriter and said to me recently, “I didn’t think I could write particularly well and I blagged my way through!” He has recorded one live album of 10 original songs called Lansbury Street. This is available as an MP3 download through Amazon. George Payling Snr was awarded a CCN award for Services To Industry in 2018.
George Jnr’s son Ryan had always loved country music and he was keen to get the opportunity to sing. In 2014 he was working at Donald Trump’s Turnbury Golf Resort, so George invited him to join the duo and see how he liked it. He jumped at the opportunity. They made the duo gigs stretch to three people so that Ryan could build up his confidence and gain some experience. He fitted in well and stayed with the band for three years but, by a mutual decision, he decided to leave the family act and pursue a solo career which has so far gone very well. He has also taken over from Nigel Slater as lead singer with The Breeze. They won a CCN award for best band in 2023.
Texas Gun duo were always keen to be different to any other act on the Country circuit and, to help achieve this, George has always produced his own tracks rather than buy in the same tracks used by many other artists. His good friend Stuart Payne has provided some of the tracks as has steelie Derek Thurlby but apart from them, George plays or produces everything himself.
The duo obviously came off the road during the covid lockdown but George Jnr was keen to keep singing and started streaming. He streamed a message and a song every day at around 6.30 in the morning. He spent a lot of time making sure that these songs were the best quality he could achieve. Sometimes George and his dad would appear together as Texas Gun Unplugged, some of these were hilarious.
See Texas Gun unplugged in the video at the end of this article (5 minutes). https://youtu.be/25g_8ua80ZU
Very sadly, George Payling Snr. passed away in July 2024 a few months before Texas Gun became the 53rd inductee into the British Country Music Hall Of Fame. Had George lived to attend the induction he would have loved the accolade and made light of it in his own cheeky way. In accepting the award, George Jnr said “We are honoured and humbled by the recognition afforded us and will continue to keep it Country”. This was obviously a very difficult time for George and the rest of the Payling family. He decided to carry on as a soloist to delight audience with quality and great Country music which would have been George Snr’s dearest hope. George has developed into an excellent front man winning 2 CCN awards, one for Online Artist Of The Year in 2021 and then Male Artist Of The Year in 2024.George has no plans to retire but he would like to travel less but he doesn’t intend to limit gigs to closer to home.
See a video of Texas Gun playing at Nashville Country Music Club at St Albans, Hertfordshire on the 5th October 1992 (2 hours 17mins).
The Thornhills (West Virginia)
Albums (vinyl cassette and cd)
West Virginia has released many albums over the years. Some of the cassette albums released in the late 1980s and early 1990s were later released on CD. Their full discography is as follows:
Country Dreamer – LP 1978 (re-issued on CD 2010);
Fresh Tracks – LP 1981;
One More Time – Cassette 1983;
10th Anniversary – Cassette 1986 (reissued on CD in 2000s);
With Pure Love – Cassette (date unknown);
Love Affairs – Cssette 1988 (re-issued on CD 2009);
14 Years Dedicated To You – Cassette 1989 (re-issued on CD in 2000s);
Caught Live In 1991 – Cassette 1991 (re-issued on CD in 2000s);
Over The Moon Cassette – 1990 (later re-issued on CD);
Roll Those Years Cassette – 1992 (late re-issued on CD);
Roll Those Years 1976 – 1992 – Cassette 1992;
Blue Rendezvous – Cassette 1993 (re-issued on cd in 2000 and 2009);
If I Were You – CD 1997;
I Drove All Night – Cassette & CD 2000;
Our Tribute To A Legend (Marty Robbins) – CD;
From West Virginia With Pure Love – CD – re-issue of 1982 cassette;
That’s The Way Love Goes – CD Early 2000s;
Back To The 60’s (Credited to Mondays Mood) – CD Early 2000s; and
35th Anniversary – CD 2010.
They also released three vinyl singles, One In A Million (1978), My Woman, My Woman, My Wife (1981) and Old Shep (with Clinton Ford and Sarah Jory) – Early 1990s. The B side was Chances, recorded by West Virginia and Sarah Jory. The single was taken from a compilation album – The Heart Of Country Music produced by Bob McClure and distributed by Pontin’s Holidays.
I videoed West Virginia at the Mustang Country Music Club, Canvey Island. Essex on 6th September 1993. Click here to see all three sets.
Research by Nick Catford.
Keith and Arthur Thornhill grew up in a musical household. Their mum was a singer and on at least one occasion she sang with the Joe Loss Orchestra. It is fair to say they come from a family with some musical influence; even their sewing machine was a singer! Keith got his love of Country music after seeing Buck Owens at the Liverpool Empire in 1966. In their late teens, Keith and Arthur worked together as painters and decorators for the council.
Keith used to sing a lot at work while he was painting houses and his work mates told him he should join a band. As he was a fan of Country music he used to visit a couple of Country clubs in Liverpool with friends. One evening they saw a band called Toledo Country and it transpired that they were planning to replace their lead singer; they asked Keith if he was interested. He agreed to do an audition and then a rehearsal with them. The band’s singer, who wasn’t aware that he was going to be replaced, got wind of his imminent demise and told his band mates he was leaving with immediate effect. Having impressed the band, Keith was thrown in at the deep end and told “You’re starting on Saturday.” He only really knew a couple of Buck Owens songs but jumped at the opportunity and joined the band as lead singer.
After working with Toledo for almost three years, Keith was approached by Arthur’s Band, Mondays Mood. Their lead guitarist and singer John Riley was leaving and they were hoping Keith would like to join the band. He was initially reluctant saying that he preferred Country music and in any case Country bands were getting more work, especially midweek. Mike Brown was already a Country fan so they needed little persuasion to switch to Country music and Keith came on board. When they started to get a few gigs, Keith handed in his notice to Toledo who folded rather than search for a new singer. The line up of the original West Virginia was Keith Thornhill (rhythm guitar and lead vocals), Arthur Thornhill (bass guitar and lead vocals), Mike Brown (lead guitar and vocals), Eric Lloyd (pedal steel guitar) and Colin Sayers (drums)
They immediately started making an impact on the Country music scene getting plenty of work in clubs and festivals nationwide. They won the Malboro Country music talent competition in the Wembley conference centre in 1978. The competition was part of impresario Mervyn Conn’s International Festival Of Country Music. West Virginia performed without a soundcheck or any rehearsal and gave the audience a magnificent version of Rodney Crowell’s Rachel which, according to Country Music People magazine, “sounded better than some of the major American names.” West Virginia picked up work touring with such legends as Marty Robbins in 1978 and Merle Haggard who both performed at the Wembley festival that year and Don Everly.
West Virginia recorded their first album, Country Dreams released on the ROX label in 1978. The album was later reissued on CD in 2010. A single, One In A Million bw Broken Lady (neither track were from the album) was released in the same year. Their next album Fresh Tracks followed in 1981, The album was produced by Kenny Johnson who also sang backing vocals. A fellow Liverpudlian, Kenny was a member of the popular Hillsiders from 1964 – 1975 before forming his own band North Wind. This was West Virginia’s last vinyl album. A single from the album My Woman, My Woman My Wife (a Marty Robbins song) was also released.
Drummer Colin Sayers left in the early 1980s and was replaced by Bobby Donegan. His time with the band was short and he left without giving notice. He was initially replaced by Scott Foster (whose usual instrument was lead guitar) but by 1986 the drummer was Alex Fitzsimmons. In1987 he was replaced by an inspired choice of drummer Brian Nicholls. Brian gained his experience with a hillbilly band called Stonecreek and later the Stu Page Band and the Mel Hague Band.
Eric Lloyd left the band in the early 1990s due to failing health and sadly passed away shortly after leaving. He was initially replaced by Garry Potter and then Tim Howard another very talented musician playing guitar, pedal steel, banjo, mandolin and dobro. When he left after a short time to form his own band, West Virginia carried on as a four-piece. A club tour with American singer Linda Cassady came in 1992.
A little comedy has always been an important part of the act and this has helped them build up a superb rapport with their audience wherever they perform. One particular story is typical of this fun loving band. On one occasion, they were working at Pontins at Brean Sands as the resident band in the Cattlemen’s Club. Acting as DJ was Cliff Stevens who had to rely on a walking stick to get around. Every night the lads sawed a bit off his stick so that by the weekend Cliff was beginning to think “something’s wrong here”. In the end Cliff was called up on stage and presented with a new stick amid much hilarity!
Many awards were to follow during an illustrious career. They won top band award in the Great Britain Country Music Awards broadcast on BBC Radio 2 they also appeared on television in Pebble Mill and on Scottish television. BCMA awards initially eluded them. They were nominated for Best Group in 1993 and although they were the resident band for the awards weekend at Sand Bay they didn’t win. When asked why they didn’t get the award Keith joked “We think it’s because we’re the second best band in the world! We leave it to everyone else to fight for the first place.” It wouldn’t be long before two BCMA awards came their way.
In 1993 they went to Nashville to record the album ‘Blue Rendezvous’ which soon became album of the year. The song was written for the band by Kenny Johnson. This was the only album to get a simultaneous release in the US. The following year they got two BCMA awards the first was Best Album by a British Act – recorded anywhere for Blue Rendezvous. The second was the Best Song award for the title song. This beat top song writers Raymond Froggatt, Charlie Landsborough, who won the previous year, and Mark Knopfler.
Brian Nicholls left West Virginia after 12½ years in c2000 to play with the Phil Haley Band (a Bill Haley Tribute band). He left because he wanted the opportunity to do something different musically and to play all over the world. He later achieved his ambition with 10 tours of Australia. His replacement was Tony Peck who had previously played with John Derek and Country Fever and, after John Derek’s retirement, Wishbone. Country Fever became Wishbone after the departure of John Derek. Tony Peck was another inspired choice. Not only was he a great drummer but also a very funny man. West Virginia has always had a great sense of fun and so ‘The Pekker’ fitted right in. The band’s lineup remained the same until they came off the road.
In the early 2000s the band did some gigs as Monday’s Mood reviving the name of Arthur’s cabaret band of the same name from the 1970. The material was all 1960s and the band really enjoyed doing those gigs.
In 2007 West Virginia became the 6th inductee and the first band to be inducted into the British Country Music Hall Of Fame. Arthur expanded into the holiday market. The company has now created their own roster of artists operating as Cloud 9 Entertainments. By now, the writing was on the wall for clubs and bands were struggling to find work as many clubs couldn’t afford bands; this was the era of solos and duos with backing tracks. West Virginia were on the road for 38 years and continued to perform regularly until 2013 and they do still do occasional gigs mainly at Cloud 9 events, with Kenny Guy on drums and Pete Steele on lead guitar. Guitarist Mike Brown sadly passed away at Christmas 2019.
Keith and Arthur formed the Thornhills Duo in 2012 and they have remained extremely busy for many years always creating a great rapport with the audience with good humour and great vocals much as they did with West Virginia. They recorded their debut CD album Memories in 2012 and have released regular albums since then. There have been seven albums to date the others are Our Tribute To A Legend (Marty Robbins) in 2014, this was a rerecording of an earlier West Virginia album, Some Memories Just Won’t Die (2015), It’s Your World Now (2018), Been Missing All You (2021), Some Middle Of The Road Stuff (2021) and So This Is Christmas (2021). Keith has also recorded a solo album You’re My World (2021)
In recent years, Keith son Dan and Arthur’s son Wayne have launched their own careers on the Country circuit. Wayne Thornhill started his career as a singer working the cabaret circuit in North West England. Although he was brought up listening to Country music he wasn’t a die-hard Country fan so when he launched his career in the mid-2010s he sung mainly chart covers but with a nod to Country
He did occasionally sing with the Thornhills and after eight years on the cabaret circuit he made the decision to switch to Country, relaunching his career on the Country club circuit as Wayne T in late 2017. He only worked in the North West so it came as a surprise when he had a CCN Newcomer Of The Year nomination in 2018. His diary for 2020 was filling nicely until covid forced the country into lock down in March that year. Now clubs have come out of hibernation, Wayne is once again in demand and now works nationwide.
Although Dan Thornhill was brought up on Country music he also had a love of rock music joining his first band with school mates when he was 15. In 2001 he formed a band called Someone Else playing punk rock and pop punk. The band was very successful, especially in the North West and Dan stayed with the band for 19 years until they came off the road.
With the demise of the band, Dan knew that he definitely wanted to carry on singing. Country was always one of his early passions. During covid he was made redundant and although he was forced to take a ‘normal’ day job he was determined fulfil his long held dream to be a solo Country singer. He used his redundancy money to buy equipment and did his first gig as a Country singer the end of October 2021. Since then he too has quickly built up an enthusiastic following on the club circuit.
Dan and Wayne have started doing a few gigs with Keith and Arthur as the Thornhill Family Band. Initially they only did about five family gigs a year but they are happy to travel to clubs and festivals if they are all free at the same time and they would like to do more. The drawback is most clubs can’t afford to pay for a band.
Peter Barlow (aka Pedro)
Research by Nick Catford.
Peter Sunderland didn’t have any kind of musical background. He grew up in the 60s and 70s listening to chart music with his hero being David Bowie. He did like rock ‘n’ roll but Country music wasn’t even on the horizon at that time. When he was 16, his future wife’s dad used to play guitar. On a Saturday night they would all go to the pub and on their return Reg would get the guitar out and strum a few chords and they would all sing. Country music was his biggest influence and it was mainly Country he would play..
This was his first experience seeing live bands. He used to spend all night staring at the stage and this confirmed his love of Country music, the thought of being on stage and performing totally overwhelmed him. The first band he ever saw in the late 1970s was George Moody and the Country Squires.
Peter started to learn how to play bass guitar. By now he was married and his wife knew musician Tommy Levin’s girlfriend. She mentioned that Tommy and his brother Billy were considering starting their own Country band. They were all young and full of enthusiasm and Billy and Tommy were happy to take Peter on as a learner. Peter had got the performing bug so his journey began.
The Jailhouse Band was Billy & Tommy Levin’s first band, although they had previously played in Jess Country and it was very much ahead of its time. They wore Hawaiian shirts and it went over many people heads. Peter joined the band when he was 20 playing bass and he also did some lead singing. The band had a drummer but nobody regular so the nucleus of the band was Billy, Tommy and Peter.
The Jailhouse Band recorded a 4 track vinyl EP released on Velvet Records in 1983 (AM365). For that, the band members took stupid names. Billy suggested that Peter should be Pedro Rodriguez, The Gay Cabaliero. “I have never forgiven him for that name” Peter joked “I spent a long time trying to get rid of it but the name Pedro stuck with me and eventually I embraced it” Peter is still known as Pedro to many people to this day.
The Jailhouse Band were a weekend band and during the week Peter had his own business fitting double glazing; the Levin brothers were, and still are plumbers. Peter stayed with The Jailhouse Band for a couple of years but then it was time to move on to a busier band, Tallahassee.
The band, fronted by Lyn Jones, quickly impressed everyone when it was launched in September 1986, and within the first two years they had made their debut at various Pontins festivals, the Norfolk Festival and the Good ‘n’ Country Festival in Kent and in early 1989 they had been appointed as resident Showcase Band for Pontins Festivals which saw them backing many of the showcase acts which often led to a jam session.
In the early days of the band, they stuck to a mainly traditional blend of music, and were quickly accepted on the club circuit on that basis: their first cassette album, which they recorded in May 1988, was very much in that style. By the end of 1988 they wanted to expand their music and, with some changes to the line-up which saw the arrival of Peter on bass guitar, lead and harmony vocals. Variety was the key to their success with everything from traditional country, ballads, western swing to modern up-tempo material Peter featured on the bands second cassette album ‘The Trot’ released in 1989. The album included a haunting, novelty song as its title track.
The Tallahassee line up at this time was Lyn Jones, lead vocals, rhythm guitar, mandolin and harmonica. Lyn also wrote some of the bands original songs. Peter, bass guitar and lead vocals. Keith Chinnery, lead guitar, lead vocals and sometimes steel guitar and dobro. Jason Lee Curtis, drums. Jason was one of the youngest drummers on the country circuit who started playing when he was 9. With three leads singers there were also close three-part harmonies.
From only working at weekends Peter was now very busy especially with the Pontins residencies. They would go to Hemsby (Great Yarmouth) for two weeks, then a week off followed by two weeks at Brean then another two weeks at Prestatyn. They also sometimes worked at Butlins, Bognor Regis backing a number of visiting bands. On one occasion at Hemsby, Lyn was taken ill and totally lost his voice for a couple of nights. As the show had to go on Peter stepped up to front the band. He later told Lyn it was a nightmare and he felt very uncomfortable doing it. But it went very well and was a good omen for the direction his career would soon be heading. After the event Lyn said to him “You have got it, you should be fronting a band.”
Peter feels that his time with Tallahassee was his apprenticeship with so much influence coming from some of the top British bands around at that time. He told me, “With Billy we were in our early 20s and it was just weekends and for fun and we were playing whatever we wanted to play which included many of Billy’s songs – he was in his early days of songwriting but had already written some good songs.” Tallahassee was totally different as they were fully pro although Peter did manage to fit in some of his double glazing work around band gigs.
There were several changes in the Tallahassee lineup including a number of top class musicians like Glen Mitchell, Billy and Tommy Levin on lead guitar and Karl Brazil on drums. In 1992, Karl Brazil and Glen Mitchell did a Pontins summer season at Skegness with the band, presumably in school holidays because of Karl’s age (15). Karl also jammed with the band in the late night disco/night club at Hemsby. Peter stayed for seven years until Tallahassee disbanded after which he and Lyn Jones worked as a duo, Alas Ped and Jones, for six months.
In 1994, Peter was contacted by Danny Lee from A Band Named Sioux. Their bass player Chewie had left without notice and with immediate effect and Danny was looking for a replacement.
There is no doubt that A Band Named Sioux was one of the most popular and successful bands on the club and festival circuit in the 1990s. The band was formed in 1989 and the original line up was Danny Lee on lead vocals and rhythm guitar, Stan Robinson on lead guitar, Mick McDonald on bass and Les Warner aka Les Glasscoe on drums. The band went fully pro in 1990 and at that time Rory McGregor replaced Stan on lead. The band really took off through the early 1990s touring widely throughout the UK and on the continent supporting Billy Jo Spears, Skeeter Davies and other artists on their UK tours. They were also Tommy Cash’s (Johnny’s younger brother) backing band on his UK tours.
There were a number of personnel changes over the years including Rufus Ruffell on lead guitar and Martin Kemp on bass, Mick Walton, Geoff Eatwell on pedal steel. With the departure of Chewie, Peter came in as his replacement in August 1995.
Peter considered his new band was a step up from Tallahassee as they had a much better overall sound with good harmonies and a wider variety of songs with more sophisticated arrangements. He chose not to sing any lead or harmonies concentrating on bass guitar which he feels did him the world of good. When he joined the band, the line up was Danny Lee, lead vocals and rhythm guitar, Rory McGreggor, lead guitar and vocals, and Les Glasscoe on drums.
Less than a year after joining, Peter got a phone call from Lyn Jones telling him that The Longriders were planning to move in a different direction and were looking for a new front man. Remembering how successfully Peter took over Tallahassee when Lyn lost his voice he felt Peter would be ideal for the job. Lyn suggested to Peter that he should meet the band and do an informal audition. Peter said “No” but Lyn was very persuasive and to shut him up, he agreed to do the audition but with no intention of joining.
The audition went well, much to Peter’s surprise, and the other band members said “Yes, let’s do it”. So Peter left A Band Named Sioux in June 1996 after only 10 months; and was replaced on bass by Terry Downing. He told me recently “It was a tough decision leaving to front The Longriders as I loved Band Named Sioux” At this time he switched from bass guitar to rhythm guitar as he felt the writing was on the wall for bass players and bands and he didn’t want to be out of a job at some time in the future. In ten years, A Band Named Sioux recorded six cassette albums, two of them including original songs but none of them featured Peter.
The Longriders, fronted by Vic Oakley, first appeared on the Country Music scene in September 1995. Vic started his Country journey with Easy Country before joining the newly formed Longriders in 1996. The other members of the Longriders were all members of George Moody’s band The Country Squires.
To celebrate George’s 25th anniversary in the music business a special dance was held at the Paddocks CMC at Canvey Island, a popular club run by Alan and Pam Woodhouse; Alan was Vic’s brother. A number of past band members attended this celebration. Soon after, George suffered a devastating blow with the departure of two members of his band. Les Evans and Keith Roscoe left together. Les spent a short time with Colin Ford’s new band Lost Legends but he and Keith soon joined Vic Oakley in the newly formed Longriders. Bass player Robbie Hawkes had planned to join the Longriders but he stayed in the Country Squires for a while as he couldn’t bring himself to tell George he was leaving but eventually he succumbed to temptation and after 12 years on bass he too left to join The Longriders.
With the arrival of Peter to front the band, the line up comprised Peter (lead vocals and rhythm guitar). Les Evans (lead guitar and lead vocals). Les had been playing lead guitar in country bands for many years joining his first band, Blazing Saddles in 1983. There were few players who could match his pedigree, his unique style and sound was a constant source of interest to other musicians as was his custom built guitar. Prior to joining the Country Squires in late 1992, he had also previously played with Johnny Carter and Hurricane Ridge and Clearwater Mountain He was a co-founder of the band and business-head of the Longriders.
Robbie Hawkes (bass, acoustic guitar, keyboards and lead vocals). Robbie was also the band‘s official treasurer. In late 1996 he added a new dimension to the band’s sound by introducing keyboards, enabling them to tackle a wider variety of material. Jason Lee Curtis (drums). Nicknamed ‘smiler’, Jason had a permanent grin across his face, both on stage and off – it’s even rumoured that he went to sleep smiling! Jason had previously worked with Peter for four years with Tallahassee before moving on to play drums with Barry Westbrook & Mean Business then with Shaun Michael.
Peter felt it was ironic when he joined the Longriders who were essentially The Country Squires without George. George Moody and The Country Squires had been the first Country band he ever saw in the late 1970s, albeit with a different line up to the Country Squires he found himself working with. Now he was fronting the band.
Within a few years of its launch, The Longriders had become one of the busiest bands on the club and festival circuit. It also helped that the four members had been good friends for a long time, after meeting up at numerous festivals over the years; they saw it as a natural progression to have ended up in the same band. At the time Peter said “Playing together is one thing, but getting on well as friends is even more important if you’re going to stay together”
Any early inhibitions about fronting a band soon abated as Peter feels he grew into the roll and it soon became very comfortable for him. Longriders only ever recorded one CD album, ‘Cover Story’ which was well received and sold well at gigs. At one time they backed Michael Twitty (Conway Twitty’s son). There were some changes to the line up with Andy Saphir coming in on lead guitar and Neil Harris on drums but Robbie was there on bass throughout his time with the band. Robbie always called Peter the brother he never had. “We just hit it off” he told me, “It was too much fun to be honest”. In his first year, The Longriders did 234 gigs with a lot of travelling. They remained very busy but the relentless pressure of work began to take its toll on Peter. They had a residency at Pontins and after a 30 day tour, another tour followed quickly followed by the ‘Selsey Party’ where Longriders were the resident band in the late bar. It’s there that Peter was taken ill in October 2001; he was rushed to hospital with a suspected heart attack. It wasn’t a heart attack but he was kept in for a week which gave him time to reflect on his future career.
By that time, bands were in decline and with the easy availibity of backing tracks a lot of artists were going solo. Peter decided to relieve the pressure and carry on as a soloist. The Longriders continued as a trio with Andy Saphir on lead guitar and lead vocals, Robbie Hawkes on bass and vocals and Neil Harris on drums; they folded a year later.
After being released from hospital, Peter took a year off and then made a tentative start as a solo artist c2003 with a handful of bookings off the usual dance circuit. They went well so he gradually built up a new solo act. When he went solo it made sense to continue calling himself Pedro, “it would have been stupid not to” he told me.
As a solo artist, he quickly started to get busy but still found time to get involved with other Country projects. In 2009 he joined Chris Mezza and Richard Edlin in Muddy Boots trio. If he couldn’t make a particular gig due to solo work, Chris Harris or Tony Crooks would stand in for him.
After working solo for many years, Danny Lee formed the four-piece Danny Lee band in 2013 in which he was reunited with Peter on bass two years later. The band also included Mark Jacobs on lead guitar and Martin ‘Biff’ Walsh on drums. They only did a few gigs; Peter also now works with Danny in Barlow and Lee duo. With a large number of line dance gigs coming his way Peter decided to drop the name Pedro at some line dance clubs while retaining the name at Country and Western clubs. He became known as Peter Barlow but there was some confusion with some clubs calling him Peter ‘Pedro’ Barlow.
Up until covid, Peter had a very full diary and 2020 would have been his busiest year ever as a soloist. It all came crashing down when lockdown arrived in March 2020. He waited for a couple of months but eventually decided he needed to get a proper job to pay the bills. Once live music returned, Peter decided to keep the job which now only leaves him two days a week (Friday and Saturday) for solo gigs. He has turned down a lot of work because he is working, often in the evening. He reaches statutory retirement age in 2025 so his plan is to take his pension and continue working as a soloist. He has already told all the agents that from next year he is available any day of the week. He has already been offered a tour of North East England so the future is looking bright.
After a lifetime in Country music Peter still enjoys playing. He describes himself as a man for all seasons with an extensive repertoire of songs that suits all types of dance and listening venues. With over 800 tracks available on his player. “I wouldn’t have changed anything” he told me recently, “thank God for ‘Uncle Reg’ as he calls his father in law. Without his love of Country music and playing, Peter’s life could have gone in a completely different direction. He still can’t really believe how everything panned out, he said “on reflection I’ve made the most of every opportunity Lady Luck has bestowed upon me”.
Dan Thornhill
Research by Nick Catford.
Dan Thornhill grew up in a musical household, his dad Keith fronted the award winning Liverpool based band West Virginia which also included his uncle Arthur on bass, and his grandma sung occasionally with the Joe Loss Orchestra. Dan was born in 1986 and growing up through the 1990s the only music he really knew was Country music. When he was at school his dad would often take him on tour during the school holidays; he would sleep in the van and go to all the gigs. He told me “I didn’t talk to anyone at the gigs; I was supershy at that age and would never go on stage with the band”.
Although he was brought up on Country music, as a teenager rock music was always another of his loves. At school, people were listening to many different styles of music and his friends were more into rock music. Country music wasn’t popular at his school and he was the only one there with a Country background.
Many of the bands he liked played power chords which are easier to learn and play. Power chords have been used in some of the most epic guitar riffs of all-time and can be heard in songs like Iron Man (Black Sabbath), Hit Me With Your Best Shot (Pat Benatar) and Smells Like Teen Spirit (Nirvana). This would allow Dan to put more into his showmanship on stage. Adopting this technique helped him to get into a band quicker and he told me it was fun to do as well. Learning guitar at an early age helped him to get ready for a band in his teenage years.He joined a band with some school friends when he was 15 so they could jam together but some of them quickly dropped out leaving just Dan and Mike. They really enjoyed playing and decided to try and find the right people with the same passion to put a proper band together. They quickly found two other people and after playing a few shows together everything jelled. The band, which was formed in 2001, was called Someone Else, with the original members being Caz, Mike, Langy and Dan. Dan played rhythm guitar and was one of two singers. He can play some lead guitar but felt he could put on a better show by concentrating on singing and considers himself a singer/songwriter who can play.
From the outset, the band played punk rock and pop punk which is a rock music fusion genre that combines elements of punk rock with power pop. He told me Green Day is definitely his biggest inspiration, “I have an unhealthy obsession with that band. Before I got involved with Country music everyone knew me as Dan Greenday” Other bands that inspired him at that time include Blink 182, Bowling For Soup, New Found Glory and Sum 41.
Original material was always important although they did play some covers but Dan always felt it was rewarding to play something different and unique. They quickly recorded their first CD album called Now Entering Kent.
Initially, the band played local gigs close to Shrewsbury where they all lived including The Ministry, a music venue that championed local acts and it is there that they quickly built up a strong fan base. They soon started travelling further afield and when they got a gig in Manchester they booked a coach for friends and family. Dan’s dad Keith had always understood his passion for music and he was really happy that Dan was getting to do what I loved, the music however wasn’t really for him (Keith), he liked some of it but didn’t really listen to it. He knew that was what Dan wanted to do and was 100% on board with it. There were a number of changes in lineup over the years and at one time in the mid 2000s they played as a trio for a while. Dan left the band in 2004 and a new guitarist brought about a change in music style from pop punk, to melodic rock but it wasn’t long before Dan came back on board.
By 2020, although they were still rehearsing every week, gigs were in decline and Dan was finding it very tiring to continue playing while also working full time at an HMV record store in Shrewsbury. When the bass player announced he was going to leave the other band members decided that rather than go through the process of finding a suitable replacement and teaching him their material they would give the band a break. Someone Else haven’t broken up and they will probably return for some reunion gigs in the future but for Dan, Country music now takes priority. All their recorded material is available online. The final line up was Dan Thornhill (lead vocals and rhythm guitar), Robert Simmons (lead guitar and vocals), David Middleton (bass guitar and vocals) and Philip Jones (drums).
With the demise of the band, Dan knew that he definitely wanted to carry on singing. His early ambition to play music remained unchanged. Country was always one of his early passions and for a while he had wanted to do Country but up until now there had never been the time or opportunity. During covid he was made redundant when the HMV store where he worked closed so he had to decide whether to look for another ‘ordinary’ job or to try and fulfil his long held dream to be a Country singer. As his dad and uncle were so well established on the Country scene by then working as the Thornhills Duo, he didn’t want to embarrass them but he really wanted to give it a go.
Before launching any new career he booked a room in a pub in Shrewsbury for his ‘first solo show’ with an invited audience of 20 family and friends in the summer of 2021. Despite the obvious trepidation, the show went very well but it was weird he told me, “I played in a band for 20 years and I had never been as nervous as I was that night. It felt like I had never been on stage before. I did a couple of songs acoustically but did have Country tracks ready. It went so well that it gave me the impetus to continue with my dream. My dad came and helped me to set everything up. Prior to the gig my uncle taught me about sound levels etc. He does all the setting up at Thornhills gigs”. Dan used some of his redundancy money to pay for any gear he needed to get going. He had some kit left over from the band but much of it was big and bulky. Solo acts need smaller and more compact equipment.
He realised it would take a while to establish himself on the Country circuit. His uncle Arthur helped get a few bookings. He told me “I have really learnt so much from my dad and uncle seeing them play hundreds of times and watching how they do it. Watching their on stage presence is now pretty much what I do. I tell the jokes and interact with people and I learnt a lot of that from those guys”. After his first solo gig he practiced every day at home and learnt all the songs he intended to sing. He knew it was going to be a big change and was determined to get it right.
His first solo gig was a memorial night in Liverpool for one of his dad’s best friends Johnny Van. He did a half hour slot which went very well. He had his first gig in his own right at the same venue at the end of October 2021. After about seven gigs he began to lose the nerves and his presentation became more natural as his confidence built up.
Dan prefers traditional Country to modern Country, artists like Johnny Cash, George Jones and Buck Owens; this is the kind of music he was brought up with. He likes some modern artists like Luke Combs but feels that some modern Country isn’t really Country and he can’t get enthusiastic about it. Dan has told the agents he works with that he is a Country act not a line dance act so he only takes bookings at venues where his style of Country would be suited. Having said that, Dan has been very well received in Country clubs where there is line dancing. He likes to sing a mixture of songs and will cater for all styles of dancing.
In his days fronting the band he was a prolific songwriter, writing most of the bands material. Now that Country music has taken has taken over his life in a good way he hasn’t had time to do any writing and currently doesn’t include any original songs in his show. The long term plan is definitely to write a solo album of story songs but it is going to be years away.
Dan does get to do a few gigs with his dad, uncle and cousin Wayne T as the Thornhill Family Band. As a young boy he was always too shy to join West Virginia on stage but now he loves performing with his family. At present they do about 5 gigs a year but are happy to travel to clubs and festivals if they are all free at the same time and they would like to do more. The drawback is most clubs can’t afford to pay for a band. “The shows are great do” he told me “and I am very happy to do them.”
Adam Harding
Research by Nick Catford.
Adam Harding was surrounded by Country music from birth. His grandad Pete Harding fronted a popular West Midlands Country band for over twenty years and his dad Nigel was in a number of established Country bands. It was therefore inevitable that, when Adam also decided that he was going to be a singer, it was going to be Country music.
Adam saw his dad playing many times and was only two to three weeks old when he went to his first gig and Nigel later told him that he was something of a ‘nest egg’ as everyone was chucking money at him – it was one of the best paid gigs he has ever done. Adam started playing bass when he was seven, guitar when he was ten and then piano; all were self taught. He first went on stage with his father when he was eleven and played bass for him, after that he would often join him on stage.
Even at that age, he knew he wanted to play music as a career but not necessarily Country. At school he was exposed to all different types of music and, like his dad, he particularly liked blues. He also liked alternative rock and could well have gone in that direction.
Pete Harding took to the stage one final time in November 2010 on his birthday with Nigel on lead guitar, fourteen year old Adam on keys and John Ward on rhythm guitar. This is the only time Adam sang and played with both his dad and grandad.
When he was 21, he began depping as a bass or keyboard player in function bands playing anything from Green Day to Oasis but the opportunity to dep with a Country band never came his way. He soon realised he wanted to go into music a little more seriously but he was still depping with various bands to try and get work and experience. These bands were generally pub bands playing for fun and he wanted more than that, working with a properly committed band. Country music was still his passion but locally, Country bands were in decline after their heyday in the 1980s and 90s, and those that were still playing had regular musicians and he was never able to get a position which is why he decided to go down the depping route. At least he was playing and gaining experience. He would definitely have joined a Country band if he could have found one.
By 2010 he realised that the only way he would ever perform Country was to go solo. In 2015 he started working as a long distance HGV driver which limited his time for playing in function bands to a couple of gigs a month. His decision to launch a solo career was influenced by his fiancée Lauren who encouraged him to pursue his dream and she has been fully supportive throughout. Initially, she didn’t like Country music and Adam joked that “she didn’t have much of a choice about it”. When they first got together and Adam told her he liked Country music, she said “I can’t see that I will ever like country music” She has come round and now listens to it by choice.
Adam’s solo career started by accident. A friend was organising a garden party and asked him if he would provide live entertainment singing Country for which he would be paid. He had never done any solo work before but was confident that he could do it and gave his friend a quote which may have suggested he had been working solo for years. Adam considered this gig would be a useful trial to confirm that he was able to do it. He already had a good selection of Country tracks from when he and Nigel worked as a duo.
After this first solo gig, which was well received, Adam got the bug for it and knew now that he really could do it. He continued depping for a couple of years but started preparing a solo career and getting some sets together while still driving full time. His first solo gig on the club circuit was at the Triple C WDC at Westbury, Wiltshire in late 2024. Because he was still working full time he wasn’t able to do midweek gigs. It took, a while to establish himself on the circuit but he was very well received wherever he appeared much to his surprise and he joked “the thing I can’t get used to is people wanting pictures with me”. After the first gig in Wiltshire, bookings began coming in at a steady rate. Although Adam doesn’t class himself as a line dance performer his sets go down very well at line dance venues so he is clearly getting the balance right. Initially he was a little apprehensive about playing line dance clubs but that early apprehension quickly proved unfounded.
He went fully pro in September 2023 partly because he had fallen out of love with driving and partly because he was turning too many gigs down because of the driving. Adam’s dad, Nigel comes to all the gigs and is Adam’s sound engineer. This was Adam’s idea because Nigel knows the club scene well and always gives good advice. Adam feels there’s nothing better than having Nigel with him. “We work as a team” he told me and he feels Nigel adds a lot to the Adam Harding Music brand. As well as being his best friend Nigel is actually a good sound man. Although initially Adam had to persuade Nigel to join the team he now loves it.
Top of Adam’s list of favourite Country artists is Cody Johnson while his other big inspirations are Toby Keith, Vince Gill, Brad Paisley, Garth Brooks and also artists like The Eagles and Lynyrd Skynyrd which he considers to be Country Rock. Among his favourite traditional Country singers are artists like Merle Haggard, Waylon Jennings, Willie Nelson and Hank Williams.
Adam formed Adam Harding Music to promote his new career. He does a lot of weddings where Country music is becoming very popular along with parties, honky tonks, festivals and corporate events but will only do Country music. He has already released his first CD album If You’ve Got A Dream, Chase It which is available at gigs. About 30 – 40% of his gigs are at CMC’s. Adam is happy to travel anywhere..
Dave Lesley
Research by Nick Catford.
As Dave Lesley grew up, he was he was always surrounded by music and performance. His mum played piano and still does at home, his dad used to sing around the clubs when he was younger, his brother went on to become an excellent guitarist and keyboard player and his sister used to be a dancer. He and his younger brother used to sing in the church choir. Dave, even at that age, was and extrovert and quickly became head chorister while his brother stayed in the background and tried not to get noticed.
Dave’s first instrument was the cornet which he learnt to play at grammar school and he went on to play in the school’s youth orchestra. At the same time he was singing in the church choir and also learnt to play the church organ when he was 11 or 12. He laughed that he had to wait until he was tall enough to reach all the pedals before the organ master would help teach him. When he was 13, he and some school friends decided they wanted to form a rock band and they asked for musical instruments for Christmas. It was at this time Dave got his first guitar, a Telecaster copy. There were five in the band; one got a drum kit, one got bass and the other three got guitars. They also got amps and started rehearsing in the front room of a friend of Dave’s mother. Dave was totally self taught and played lead guitar. The band was called The Rileys after their grammar school in Hull and they played mainly at school events like discos but also did a few outside gigs in care homes. The band lasted for three years but when the band members left school and found work The Rileys folded.
Dave always knew he wanted a career as a singer and musician but he also needed money to live and took an apprenticeship with Hawker Siddeley (now British Aerospace); he hated it and left after a year. He then got a temporary job in a nightclub where he would dep on keys with the resident band from time to time. His parents told him “you’ll never make a living playing music” so he joined the army. He had thoughts of being an army musician but because of his yearlong apprenticeship at Hawker Siddeley, he became an automotive engineer working on tanks and fighting vehicles and was posted to Germany.
While there, he met a couple of like minded guys who played and had brought their instruments to Germany. When they had spare time they would go into one of the hangers for a couple of hours to play and soon found themselves doing four or five gigs a year at army events including the Summer Ball and Christmas function. They didn’t do any gigs outside the base.
As Dave was coming to the end of his time in the army he was going out with a German girl. Her best friend’s boyfriend was a drummer in a German function band called Horizons. Although not a pro band, they were playing every week. At that time the English music scene was taking over in many German venues and this led to the band sacking their singer as he refused to sing in English. Dave helped them out for a couple of gigs and was offered a job fronting the band which quickly became fully pro. Dave left the army six months later knowing his first love was still music and he sung with Horizons for eight years singing mainly in English. They became very busy playing mainly 60s, 70s and later 80s music with a bit of rock ‘n’ roll. There was some Country music as it was popular in Germany at that time. In the summer they would tour all over Europe using a borrowed tour bus but never came to the UK.
While still with the band, he had an accident playing football and broke his leg in nine places. As this would put him out of action for a year he decided to come back to England in 1990, shortly after the Berlin Wall came down.
It took six months to adjust to being home after 20 years in Germany but during that time he knew he still wanted to be a singer and musician. Male/Female duos were popular at that time so Dave decided to form a duo. He arranged an audition session in Hull which attracted 20 potential girl singers. Each applicant was asked to pick 5 songs and one girl, Karen, picked five Carpenters songs. Dave had found his duo partner and told me he has never heard anyone before or since who actually sounds so much like Karen Carpenter; pure coincidence her name was Karen as well. Her mum was also singer and she also sung Carpenters songs. So Dave’s duo, which was called Sophistication, was formed. They also worked as a Carpenters tribute act called Close To You.
Sophistication sang all types of music, a mix of 60s – 90s music but there was always Country as well as it was particularly popular around Hull and the north east where there were many Country clubs. Dave and Karen were both singers with Dave also playing rhythm guitar. Although Dave originally played lead guitar after an accident with a trailer where he nearly lost the middle finger on his left hand he is now only able to play rhythm.
After they had been together for a year, a local talent agent saw them and, after an audition, offered to manage them with a guarantee of plenty of work. At that time, the act was only part time and both Dave and Karen had day jobs. With the promise of a lot more gigs they decided to go fully pro and their workload dramatically increased very quickly with a lot of corporate gigs coming their way. As they got busier there was less and less Country music included in the act. They became very busy and very popular working for P & O Cruises with seasons in South Africa, summer seasons at Butlins and Haven, major brewery contracts as well as touring throughout the U.K. and Ireland.
Eventually, they stopped the overseas tours but carried on working in the UK. By this time Dave and Karen had married but after working together for 16 years Dave wasn’t enjoying it anymore. By 2007 they had split up as a couple but still had a full diary and agreed to fulfil those bookings. They continued to work together for a year but eventually Dave felt so disillusioned he decided to cancel any remaining bookings. Although Sophistication folded at this time, Dave hadn’t lost his enthusiasm for singing and he decided to carry on as a solo performer concentrating on Country music which had always been his first love. Dave has always remained a big fan of Country music both traditional artists like Johnny Cash, Waylon Jennings, Merle Haggard and Don Williams but also modern Country artists such as Toby Keith, Alan Jackson, Brookes & Dunn and George Strait. Dave felt it was now an opportunity to do what he really wanted to do and in 2009 he reinvented himself as a solo Country singer.
He took a few months rehearsing and putting together a programme of Country songs to suit all tastes at that time. Dave knew it would take time to build up his reputation as a Country singer so he took a day job as a driver until he had established himself and there were sufficient gigs to make a living. In 2011 he was made redundant so he knew it was time to take the plunge and for a third time in his life, he turned fully pro as a singer. At this time he was working primarily in the north of England but having built up a good reputation he is now travelling further afield including tours of Devon and Cornwall. He has performed at festivals in The U.K., The Netherlands and Spain and is busier now than he has ever been. 80% of his gigs are now Country with a few middle of the road and Irish gigs to fill in gaps.
Ian Highland
Research by Nick Catford.
Ian Highland was brought up on country music from the day he was born. His first involvement in the British country music scene was as a roadie to The Stewart Brothers then he went on to help Kevin Stewart when Kevin started his new band Kevin Stewart and The First Chapter in the late 1980s. After Kevin Stewart decided to go his own way, Ian tagged along and continued to learn the country music business whilst still working as a roadie. This exposure to the British Country Music inspired him to front his own band one day; this wasn’t however to happen in the UK.
Back in the UK in 2009 Ian formed his own Ian Highland and The Twilight Country Band which featured Ian Highland (lead vocals and rhythm guitar), Aaron Herrod (lead guitar), Nick Hampshire (piano), Danny Greenwood (bass) and Bob Pooley (drums). Aaron Herrod joined his first Country band, Clearwater Mountain in 1994. He then joined the Wes Cardy band and also helped out Midnight Highway on a tour in Holland. Danny Greenwood started playing when he was 13 forming his own MOR band on Canvey Island. He started playing Country music in 1984 joining Rooster Booster in 1989. Nick Hampshire began playing the piano at the age of nine. He also played trombone for the Essex Youth Jazz and Wind bands. He discovered Country in 2008 and Twilight Country was his first established Country band. Bob Pooley started his Country journey at the age of 16 when he joined George Moody’s Country Squires.
As the majority of bands have fallen by the wayside with many clubs booking solos and duos as costs rise, Ian and his band have continued to prosper with a busy diary although there were some early changes to the lineup and the name was changed to The Ian Highland Band. The lineup has remained unchanged for many years. Only one of his original band members is still with him Arron Herrod on lead guitar and lead and harmony vocals. Terry Downing on bass as been with Ian for many years. Steelie Bob Haskell has recently retired from playing with Mark Dunn now joining the band on pedal steel guitar. Completing the lineup is Matt Baker on drums who joined the band in 2018.
In late January 2012 the bands album track Carmen spent two weeks at the top of the UK Country Radio British and Irish Hotdisc chart. The Ian Highland Band received a CCN Band Of The Year award in 2024
Souls 'n' Stone
Research by Nick Catford.
Husband and wife Greg Harrison and Jaynie Matthews form the Souls & Stone duo. Greg comes from Belper in Derbyshire and his parents ensured he grew up with a love of Country music. He was given his first guitar when he was 10 years old and two years later went to see his hero Johnny Cash, live. After leaving the army in 1986, Greg formed his first country band, ‘Back Porch’, with some work mates. As a self-taught musician, he learnt to play lap steel, mandolin and Northumbrian pipes which led him to briefly drift into the folk scene. Having gone to see Billy Jo Spears at Butlins, he was gobsmacked at his first glimpse of linedancing. Following a showcase event in early 1999 at Brean Sands, Greg was spotted by a member of The Heroes country trio and was asked to dep with them for a while; this led to a permanent position.
Jaynie comes from Bradford, West Yorkshire and at an early age, her interests were dance and the theatre. She trained in ballet, tap and modern. In 1986 at the age of 16, Jaynie became an international ballet champion. She obtained an equity card and worked around the country including summer season shows and pantomime. For several years, she toured as a 1940s music hall artist and developed a Vera Lynn tribute act which she still performs as GI Jane. At the age of 21, Jaynie began a 12 year stint as a Michael Jackson tribute act. Having trained as a dance instructor, in 1991 she began teaching line dancing which she did once a week at her club in West Yorkshire. She stopped teaching when Covid hit
In February 1999 Jaynie was working aboard one of the P&O North Sea Ferries. By chance The Heroes were also on the ferry due to a mix up with bands. When Jaynie and Greg met, it was love at first sight. Four weeks later they were engaged and three months later they did their first gig as Souls & Stone duo. After nearly 26 years, the duo is still as popular as ever, projecting their great on-stage personalities with a diverse country music repertoire including traditional, new country, and line dance songs.
Darren Flack
Research by Nick Catford.
Darren Flack learnt to play guitar when he was 11 years old. Although his mother could play guitar, he never saw her play and he remembers, “Her guitar was twice the size of me when I was growing up”. Darren was inspired to be a guitarist after hearing Eddie Van Halen’s guitar solo in Michael Jackson’s ‘Beat It’ in the late 1980s; one of the tracks on Michael Jackson’s Thriller album released in 1982. “When I heard it I was blown away”, he told me.
He has never learnt to read music; he listens to the song then plays by ear. He was quickly proficient and joined his first band with two school friends when he was 12, teaching them to play sufficiently well to get by. Darren played lead and his two friends played bass and rhythm. There was no drummer at that time. Having listened to lot of blues/rock as a young teenager, he was inspired by the playing style of people like Eric Clapton and Gary Moore and he played in their style rather than that of Eddie Van Halen. As a trio, they would regularly play in the school music room at lunch times and were invited to do a couple of songs at the end of the year show.
He formed his first proper band, Watershed, when he was 14. Although still at school, Watershed was a five-piece gigging band playing mainly in pubs. The line-up was Sean (vocals), Darren (lead guitar), Terry (rhythm guitar), Andy (bass) and Mark (drums). They didn’t actually get much money in those days, playing mainly for drinks or as a favour for someone. Watershed were hoping to get recognition and ‘get our name out there’ leading to more gigs. Any money they did make paid for studio/rehearsal time.
Darren admits he wasn’t very academic at school, spending all his break and lunch times in the music room but even at that young age he wanted a career in music.
Watershed played rock music but Darren soon became a prolific songwriter so they always featured a lot of original material. Although they played a lot of covers from 60s/70s rock bands like Free, their real ambition was to play original material. Writing was as important to Darren as playing.
After leaving school, Darren spent three years in college studying performing arts and achieved a diploma in the subject – a mixture of music, acting and dance. He was planning to go on to further education after college but this didn’t happen. A friend of the drummer in Watershed owned a local music shop and Darren got a job selling and demonstrating guitars. Although this wasn’t well paid Darren was around guitars and musicians all day. He stayed there for eight years and learnt a lot about guitars during that time. While in the music shop he learnt how to play other instruments including piano, organ and drums so that he could help teach the other band members the songs he had written. Darren later moved to a second music shop which was part of a chain and much more guitar orientated.
He gave up working in the music shop in 2001 when he was offered a good job selling cars so decided to change direction with music taking a back seat. Watershed disbanded but it didn’t mean, however, that he would stop playing. He went on to join other bands but all the time continued writing. His next band, in 2002, was Anderson Shelter, a five-piece rock band. He already knew the other band members and they had all been friends for a while. The line-up was Joe (lead vocals and guitar), Darren (lead guitar), Mark (bass), Tony – later replaced by Joe (rhythm guitar) and Paul (drums). They played a lot of gigs in the London area and supported The Killers at Camden’s Dublin Castle. The Killers were just starting out so this was long before they became big. Anderson Shelter privately released two CD albums for selling at gigs. They eventually amalgamated with another band called My Reconing (sic), with a similar line-up as Anderson Shelter but with a new lead singer, Laura. They did much the same material as Anderson Shelter but Darren wrote a lot of new material especially for Laura. My Reconing released one privately produced CD album. Darren was never a lead singer himself and in all his bands he was the lead guitarist and songwriter. He would add backing vocals and the occasional verse in a song but never a whole song. From day one all he wanted to do was be a guitar player.
While working in the shop and later working with the various bands, Darren never had the intention of becoming a professional musician. ‘When you are in an originals band you don’t get work every week and sometimes you are lucky to get a couple of gigs a month.’You are never going to get regular gigs unless you take off.’ Darren was earning money in the music shop so playing was his release. ‘I can come out of work, strap on a guitar and go and play for a handful of people. Sometimes there might be two or three people, other times it might be jam packed. You never knew what you were going to get but I enjoyed it – I loved playing’, he told me.
Darren sold cars for 10 years before moving to Australia with his wife in 2010. They were only there for a year and would probably still be there today but family pressures forced them to return to the UK. Darren didn’t take any music gear to Australia, so for a whole year didn’t play. A while after returning to the UK, in April 2011, he decided he wanted to play again. He still had thousands of pounds worth of equipment sitting in a cupboard gathering dust.
His wife told him about an old school friend (Danny) who was a bass player and he wanted to get back to playing as well. Danny had a drummer friend (Chay) and a vocalist so the four of them got together to discuss forming a band. The band was named Carbon Copy and they soon began working as a function band in Essex. When the singer didn’t work out, Chay brought in his sister Natalie Thurlow. Natalie joined primarily as a singer but when their keyboard player didn’t work out, Natalie took over keys as well. Natalie had previously been a member of Nikki Napier’s Country trio, Calico from 2002 which is where she got her love of Country music. She stayed with Calico until 2005.
Natalie brought a very professional approach to the band and as well as playing mainly functions, they did occasional charity and pub gigs with a mix of pop, rock and party songs. Carbon Copy never played enough gigs to make a living. With gigs dwindling, Darren felt it was time to move on and he got a job as a delivery driver. He was keen to work during the week but keep his weekends free to play. He didn’t leave Carbon Copy and they are still together to this day; Darren will still play if required.
In 2016, Natalie mentioned to Darren that Nikki Napier was looking for a new guitar player for Calico to replace Ian Walton. Apart from classic Country songs like Islands In The Stream, Darren had never sung Country before. When he joined the now duo in 2016 it was a fully pro outfit and this was his first time working as a full time musician. As before, he was just there to play lead guitar with some harmony vocals. With Nikki doing most of the singing this allowed him to concentrate on playing. Eventually he started to do a few lead vocals, especially on male led dances. He felt his singing was getting stronger and stronger as time went by. The combination of strong vocals from Nikki and good playing from Darren went down well and club awards quickly began coming their way.
Covid put an end to touring in early 2020. There was some online streaming; it helped that Darren was in a covid bubble with Nikki so they were still able to work together online but of course it was just for tips; there was no real money to be made. Darren decided that he needed to get a full time job and leave Calico. The demands of touring were also taking their toll on family life. Darren was beginning to fall out of love with music and wanted a break from life on the road. Nikki decided to carry on solo rather than find another partner. Once covid was in decline and the clubs were starting to open again, Darren began looking at all the soloists making a living out of Country music and he thought, ‘If they can do it why can’t I?’. He didn’t know how strong his voice would be and whether he could sing for three 45 minute sets so his relaunch as a solo Country singer didn’t come overnight. It also meant he would have to cut back on the guitar playing which was his first love, it’s not easy to be the only singer and to concentrate on playing lead guitar at the same time.
Having never been a front man, this was a massive leap for Darren. As soon as Paul Weston heard that Darren was considering going out solo he was one of the first to get in touch. He offered him a first gig at Tequila Sunrise M&DC in Basildon, Essex in January 2023. Darren didn’t have the right amount of gear and sufficient tracks so the launch was put off. Paul offered him another gig at his Westonville’s M&DC club in Birmingham on the 11th June 2023 and this was the start of his new Country career. Darren hasn’t sung any of his own songs yet but has four new songs that can be found on Facebook. He would love to get one of his songs choreographed for line dancing. ‘It would be an immense privilege to see people dancing to one of my songs.’
As well as still being a member of Carbon Copy where gigs are few and far between, Darren is also still officially a member of Anderson Shelter whose Facebook page is still live. They have talked about reunion gigs but the last time they played together was in 2013.
Chris Johno Johnson
Research by Nick Catford.
Chris Johnson was born in Walsall in 1976, moving to Bridlington in the East Riding of Yorkshire when he was 13 and he still lives there. His parents listened to Country music and as a child he enjoyed artists like Jim Reeves, Willie Nelson, Dolly Parton and The Eagles.
While serving in the army in Canada in the late 1990s he heard Garth Brooks for the first time and this instantly changed his outlook on life as he knew then that he wanted to perform Country music. Since then, he has been an avid listener and learner of songs by some of the greats of Country. It would, however, be a long time before he would achieve his ambition.
After leaving the army in 2001 he worked as a Bingo manager for Gala and then worked with deaf children in schools were he learnt and is still fluent in British Sign Language. He then became a long distance lorry driver and in the summer of 2019 he went with his daughter for an evening out at the Nashville Sessions Country club in York. He told the people there of his ambition to be a Country singer and was given a short spot singing three songs at their Christmas function. This he did, using backing tracks he had downloaded onto his phone. He clearly impressed and was given his first solo gig the following September. Chris performed as Chris ‘Johno’ Johnson; Johno being his nickname in the army. Steve Hanks was in the audience and asked him for a card. Chris had to explain that he wasn’t actually a working Country singer and had never done a Country gig.
The following year covid arrived in March followed by lockdown so the September gig didn’t happen. During lock down, he learnt a lot of songs, started writing songs and did some live streaming for Nashville Sessions. Once lockdown was over and clubs started to reopen, Steve Hanks offered Chris a 30 minute slot at his Shanksville club in Doncaster where he played between two Darren Busby sets. He quickly impressed with his rich Country voice and he was approached by someone in the audience who suggested he should contact Zenne Kober as he would be “perfect for one of her festivals”.
The word got round very quickly and Chris’ diary was soon filling up. He would like to thank Steve Hanks and Zenne Kober, also Sam Marshall and Kriss Jacobs of Nashvillle Sessions Country club, for helping to launch his solo career. With 3 or 4 gigs a week in summer 2023 Chris gave up his day job as a civilian driving instructor for the Defence School of Transport and become a fully pro Country singer. One of his own songs ‘One mile at a time’ was released as a single on Amazon Music in March 2023.
Tanya Turner
Research by Nick Catford.
Tanya Turner was brought up in a musical household in Middlesbrough. Her dad could sing although he didn’t do so professionally. Her mum was a professional acrobatic dancer and performed with artists like Cliff Richard and Marty Wilde. Tanya told me, “we very rarely had the telly on; it was always the record player.” She said, “As a child my mam listened to a lot of Marty Wilde, Cliff Richard and Neil Diamond but apart from them the main music in our house was traditional Country.” “I grew up with the classics of country; mam had them on all the time; artists like Jim Reeves, Patsy Cline, Merle Haggard, Billie Jo Spears and Don Williams.”
At the time, the teacher didn’t say anything but when Tanya was sitting cross legged in the assembly hall the following morning the headmistress announced to the school, ‘I’ve got a little treat for you today; we’ve got a young lady who is going to come up and sing’. The music teacher was at the piano and as she started playing Amazing Grace, Tanya stood up and sang to the school.
When she got home and told her parents, her mam asked that she sing for her. Having heard her sing she immediately got in touch with a local talent agency, Joe and Norman Vipond. Norman agreed to take on the nine year old and started booking her into numerous charity events and venues, including care homes. At these events she always sang Country songs.
When she got home and told her parents, her mam asked that she sing for her. Having heard her sing she immediately got in touch with a local talent agency, Joe and Norman Vipond. Norman agreed to take on the 9 year old and started booking her into numerous charity events and venues like care homes. At these events she always sang Country songs.
After her performance at school, Tanya was immediately given a prominent position in the school choir and would sing lead vocal in the school’s Christmas shows. It wasn’t long before she was booked into local clubs .Her first club was the Ranch House in Middlesbrough where she sang with the resident band. She also sang at the Eston & Normanby Social Club in Middlesbrough where they used to have a Country night. Tanya stuck to traditional Country music from artists like Patsy Cline, Skeeter Davis and Billie Jo Spears. All her bookings at this time were around Teesside and she wasn’t allowed to sing after 9pm because of her age. Tanya really enjoyed singing but when she went into the seniors at school it started interfering with school work and this forced her to give up singing completely.
Tanya finished her schooling and went on to bring up her family. The only singing she did for the next 15 years was the occasional karaoke evening.
Tanya’s return to singing happened purely by chance. One evening around 2007 she was driving to Middlesbrough for an evening out when a song came on the radio that she really liked and she started singing along to it. Her partner Alan looked at her in amazement and she quipped, ‘Didn’t you know I can sing?’ He didn’t! When they got to Middlesbrough there was a karaoke session and Alan persuaded her to get up and sing. What she didn’t realise at the time was that it was a singing competition and at the end of the night Tanya was announced as the winner of that evening’s heat. There were other heats and to Tanya’s surprise she got to the final. She didn’t win but Rach, who came third, was a professional singer on the north east cabaret circuit. She and Tanya got talking and Rach offered to help launch her into cabaret and made a list of all the equipment she would need and offered to help her get backing tracks once she was ready. Rach put her in touch with her own agency and it wasn’t long before Tanya started a new career as a cabaret singer. Although she wasn’t singing Country she always included some Country songs in her set and people would regularly tell her she had a beautiful Country voice.
In 2012 she decided to move away from cabaret onto the Country circuit. By this time she had learned to play rhythm guitar; although primarily a singer, some clubs insist on having a singer with an instrument. It wasn’t long before she developed a wide repertoire of old and new songs to suit both Country and line dance clubs. Although working largely as a solo Country singer, in 2015 Tanya teamed up with another local soloist, Brian Gibson forming the duo, Alabama Rose. They continued working together until Brian had a stroke in December 2024.
Having launched her Country career in 2012, Tanya quickly built up a loyal following thanks to her rich Country voice and ability to communicate with her audience. A number of club awards quickly came her way, culminating In a CCN nomination for Female Artist of the Year in 2023. This came as a surprise to Tanya because until then she had only been working in the north of England. She lost out to Nikki Jo Brown, another singer from the North East. During lockdown Tanya continued to sing with live streaming from her kitchen at 7pm every Monday.
Although most of her bookings are now Country, Tanya continues to take some cabaret work although she hopes these will drop away as she continues to build up her career on the Country circuit.
In 2023 and early 2024 Tanya spread her wings, travelling away from the north of England with bookings in Essex and for 2025, one in Hampshire. She is not worried about travelling around the country because she and her roadie\partner Alan have a ‘TentBox’ which makes overnight accommodation free. TentBox is the brand name of a roof rack mounted tent contained in a box that collapses for travel.
Tanya has released four cd albums: You’re Looking At Country, The Country Rose, Country Songs and Highway To Country, which are available through her website.
LA Country
Research by Nick Catford.
Allen Glassock was brought up in Kent in the 1940s. When he was about 11 a friend handed him a guitar to hold whilst he went into the pub to get some cigarettes. He remembers thinking “wow” as he held the instrument and from that moment he knew all he wanted to do in life was to be a guitarist. His parents bought him a guitar shortly after and he sat in his bedroom for hours learning and practicing various chords. He is totally self taught.
By the mid 1960s, offshore pirate radio was becoming very popular and Tony and The Defenders quickly built up a following from the pirate radio audience and even before Allen joined they were climbing up the Big L Fab 40 chart with their single Yes I Do in 1966. After leaving The Defenders, Allen first discovered what was to become a lifelong love of Country music while working in ESE Music in Maidstone. Local musician Eric Snowball opened his popular music shop in The Broadway (later moving to Upper Fant Road) in 1968; The shop quickly became a Mecca for musicians in the South East as well as a source of top quality equipments. The shop was one of the first importers of pedal steel guitars and it’s there that Allen met Gordon Huntley of Matthews Southern Comfort. Gordon was the premier steelie in the UK at that time and a regular visitor to the shop.
The Virginians Country band formed in The Maidstone area In the mid 1960’s at a time when the Fullers pub circuit in London was introducing young people to Country music. John Horten (lead vocals), Allen Glassock (lead guitar), John Kibble (bass), Tim (rhythm guitar) and Aiden (drums) formed the first line up. Originally gigs were in working men’s and social clubs and then later elevated to the Fullers circuit. There were a couple of changes to the line up with Tim replacing John Kibble on bass and Pete coming in as a second singer and replacing Tim on rhythm guitar. That line up remained static until The Virginians disbanded around 1970.
On the demise of the Virginians, John Horton went on to form Redwing (trio) in 1975. John Kibble formed a duo with JImmy J, the original singer with Allen’s first band Venoms and they did rather well touring with the Bachelors etc. Tim joined another pop band before rejoining John Horton in one of the early Redwing lineups.
When the Virginians disbanded, Allen was still working in ESE Music until c1971 when he west to Europe to tour with the folk/rock band Saraband which also included Tim from the Virginians. On returning from Europe, Allen moved to Cornwall in the early 1970s and eventually joined Frank Yonco in a reformed version of his popular Country band The Everglades.
During the 1960s, Frank Yonco and the Everglades were one of the preeminent British country bands alongside the Hillsiders from Liverpool and the Jonny Young Four from Kent. Frank Yonco came from Manchester, forming his first band, The Texan Drifters in 1963. Through the 1960s Frank toured extensively around Britain and abroad and was one of few British groups to have toured Vietnam during the conflict. They played at US military bases all over the world and supported numerous American country stars including Tex Williams, Sheb Wooley, Lefty Frizzell, Roger Miller, Red Sovine and Wanda Jackson.
Although they toured extensively throughout the UK at times Frank felt that the British public were not always ready for country music. To break up the monotony of continual touring he also secured a number of lucrative cabaret contracts and he quickly built up a very loyal following as one of our best Country music entertainers in cities around Britain. He was the first to realise the potential of including a girl singer in the act which was often common practice in the US where girls had always an integral part of the country scene. He brought Kit Connor into his show in 1967.
Frank Yonco had relocated to Cornwall to set up the Folk Beat International Agency and Rainbow Rooms in St. Blazey. He hoped that there would be 50 weeks work for most of his acts in the area and the ever increasing demand from clubs soon had him looking out for new faces to manage. During this period the Everglades took a break from touring but were soon back on the road with a new line up that included Allen Glassock using the stage name Alan Knight. They were Frank Yonco (lead vocals and rhythm guitar), Kit Connor (lead vocals), Alan Knight (lead guitar), Sandy Horn (pedal steel guitar), Terry Dean (bass) and Dave Fidler (drums).
Frank’s continued popularity in that period led to TV shows with the then Westward TV channel and in 1976 they released an album (Frank Yonco’s 4th album) Drinking The Beer And Singing A Country Song.
Later that year the band appeared on the talent show New Faces (Series 4 episode 20) which was aired on 1st May 1976. The Everglades sung Ladies Love Outlaws but they lost out to Our Kid, a harmony band from Liverpool. They were invited back to New Faces for the first episode of series 5 which was billed as ‘Winners and Near Misses’. They performed The Walkers’ 1974 song I Wasn’t Born In Tennessee and came second again, this time to Exeter housewife Simone.
Many theatre tours of the UK followed and a UK/Europe tour with US Country singer/songwriter Johnny Bond. Radio shows included The Jimmy Young Show, the Terry Wogan Show and BBC’s Country Club. They recorded another album, Old Greyhound in 1977.
After leaving Frank Yonco and The Evereglades in the late 1970s, Allen returned to Kent where he joined John Horton’s Redwing. The line up was John Horton (lead vocals and rhythm guitar), Martin Hempstead (pedal steel guitar), Allen Glassock (lead guitar), Alf Kershaw (bass) and Pete Gamble (drums). Alf Kershaw is Steve Jay’s (Plain Loco) ex-brother-in-law.
Allen Glassock stayed with Redwing for a year. Redwing carried on with numerous changes of line up until they disbanded in 1993. In the mid-1980s, Allen moved back to Cornwall where he did a number of dep jobs playing lead guitar, pedal steel guitar and bass. He also set up his own recording studio, Desert Wind Studios, near Saltash.
He formed a trio called Fusion which included a female singer. When she decided to leave the act, after advertising and searching for a replacement he was delighted to find Lottie Roberts. Lottie Roberts grew up listening to a wide range of music from Gloria Estefan to Fleetwood Mac but never Country. She always loved music and enjoyed singing. When she was 20 she went to work overseas for tour operator Thomas Cook in the Canary Islands and Turkey. She worked as a tour rep and in the resort office but while in Turkey she did some singing in a few bars and beach bars alongside her day job. This was all solo singing and covered a wide repertoire which included modern chart music, R & B etc. When she returned to the UK in 2010 she was working as a contracts manager for a recruitment company and decided to test the water to see if there was any chance of a singing career.
She put a demo on a website as a singer looking for a band to work with and was quickly contacted by Allen Glassock who told her he ran a function trio in the South West. Their female singer was leaving and he was looking for a replacement. Lottie went along to his studio and the two of them hit it off instantly and Lottie was asked to join the trio. After a few months spent learning their programme, Fusion were ready to go back on the road. They also worked as a duo LA2 which really began to take off in 2011.
Within just two years of joining the trio it was the duo that were getting most of the bookings. Lottie was still doing her day job time which was extremely demanding and it was impossible to do this as well as working in the duo and trio. Within a few weeks of handing in her notice she and Allen found themselves working on a cruise ship sailing around the world.
At this time, their repertoire was pop, rock and jazz but Allen was keen to introduce Lottie to Country music. One day he played her some music by the Time Jumpers and she quickly fell in love with Dawn Sears beautiful voice and was intrigued by Country music as a genre. They started putting more and more Country into their act and Lottie quickly felt it was a lot more natural for her to sing Country than the pop, motown, disco and jazz that made up most of their act. After working on the cruises, they worked in Egypt, Ibiza, The Canaries and mainland Spain for Tui hotels as a cabaret act. After working for many years living out of a suitcase and working seven days a week they decided it was time to slow down a bit and returned to the UK in 2016. They continued working in hotels, function rooms and clubs playing mainly dance music and also took on some cabaret work.
Allen was however keen to concentrate on Country and the idea also appealed to Lottie having heard about Allen’s earlier career as a Country musician in the 70s and 80s. They sent a demo to Sylvia McMaster of Sylvan Entertainments, an agency specialising in Country artists. Sylvia liked what she heard and it wasn’t long before they relaunched as LA Country. A trickle of bookings soon became a torrent as word spread round. After working with Sylvan for a year Sylvia invited LA Country to become one of her acts and they are now one of the busiest duos on the club circuit. Lottie is the voice and sings most of the vocals. Allen has always considered himself a musician who could sing and he sung some lead and harmony vocals in most of his bands but he know likes to do what he does best play his guitar with the odd comment.
Lottie told me recently “Believe it or not I use to be very shy on stage and never really spoke until one night we were working in Ibiza and Allen had wrapped my microphone cable around my mic stand along with flowers from then on it almost became a comedy double act.” Allen and Lottie married after lockdown in 2024. LA Country are based in Afan Forest near Neath in South Wales and are happy to travel all over the country. They have a very wide repertoire designed to satisfy line dance and traditional Country music clubs.
Vic Oakley
Research by Nick Catford.
Vic Oakley fell in love with Country music at an early age. His older brother John was in the merchant navy and used to bring 78rmp records home. Vic lists his early influences as artists like Hank Snow and Lefty Frizzell. His career as a musician started on a very small scale in 1983. He had always been keen to learn to play the guitar and a friend who was a good musician lent him a guitar and showed him a few chords which he began to practice. Eventfully he was able string a few songs together. At that time, his wife worked for the chairman of Great Wakering parish council in Essex and Vic hummed and strummed a few songs at a council social gathering in their garden one day. The Council chairman suggested that he might like to play to raise money for the new village hall fund.
Although he had never played professionally or in any kind of band, Vic agreed to try and put a band together. He asked around the village and came up with seven people who were prepared play in a one off band for the event. They included Barry Philips on guitar, Hazel Connor on bass and Graham Sutherland on keyboards and Vic of course. It later transpired that Graham Sutherland was actually Graham Maitland who occasionally played with rock band Wishbone Ash in the 1970s. The makeshift band only played together once but by now Vic was bitten by the bug and he soon formed his own country band with a different guitarist Greg Hobson. As all the members had full time jobs the band only played occasional gigs at the local British Legion hall, it was more of a social gathering for friends who wanted to play together as a hobby.
By the early 90s they evolved into Easy Country and began picking up a few more local Essex gigs including the Barge CMC on Canvey Island where the compare was Alan Woodhuse whose brother Vic hosted Essex Country on BBC Radio Essex. Vic Woodhouse asked for demo which quickly led to more bookings further afield. On one occasion Vic went to the Froxfield CMC in Hampshire with Neil Lusk from Highway Connection who were playing at the club. Neil got Vic on stage to sing and Reg, who ran the club, gave Vic and Easy Country a booking, their first gig outside East Anglia.
In 1996 Vic was asked to join The Longriders by Les Evans, and he quickly agreed. The formation of the Long Riders in September 1995 dealt a devastating blow to George Moody with the departure of two members of his band, The Country Squires. Guitarist Les Evans and drummer Keith Roscoe left together. Les spent a short time with Colin Ford’s (former lead singer with Fever) new band Lost Legends but he and Keith soon formed The Long Riders with Kevin ??? on bass and new recruit Vic Oakley on lead vocals. A third members of The Country Squires, bass player Robbie Hawkes had also planned to join the Long Riders but he stayed in the Country Squires for a while as he couldn’t bring himself to tell George he was leaving but eventually he too succumbed to temptation and after 12 years on bass in the Country Squires he too left to join Long Riders. At this time The Long Riders comprised Vic Oakley (lead vocals and rhythm guitar), Les Evans (lead guitar and vocals), Robbie Hawkes (bass and vocals) and Keith Roscoe (drums).
Vic’s time with The Long Riders was less than a year and he eventually left and was replaced by Peter (Pedro) Sunderland on lead vocals. Vic’s next band was Wanted Dead Or Alive who were formed in 1993 by Luke (lead guitar) and Jody Taylor (lead vocls). By 1996 they had been joined by John Oakfield (bass) and Martin Lee (drums). By the time Vic joined c1997, only John Oakfield survived from the original line up. When he joined Wanted Dead Or Alive, Vic told them that he wouldn’t be staying long as he was intending to launch his own new band No Regrets with Terry Conway. Sadly following an accident, Terry was unable to join the band but despite this set back No Regrets did come onto the circuit as a trio in 1998 and comprised Vic Oakley (lead vocals and rhythm guitar), Robbie Burns (lead guitar and vocals) and Brian Steel (rhythm guitar and vocals). The band had three good singers and they soon got a reputation for good harmonies. This was maintained when they later downsized to a duo – good harmonies were always an important part of the act.
After a few years, Robbie Burns left to join Henry Smith’s Country Dreams. A number of top rate lead guitarists would later join No Regrets; these included Neil Martin, John Caswell, Dave Inglis and Terry Conway but in 2000 Bob Common came in on lead guitar and he and Vic would stay together for the next 22 years. Bob started playing guitar in 1967 and played many different styles of music including as a member of a non touring band in Dundee for many years before joining his first Country band, Rhodes County in the 1980s. His next band was Rufus Stone before joining the very popular Wishbone with Dave Anderson in the early 1990s. Following the disbanding of Wishbone at the millennium, Bob Common joined No Regrets on a part time basis while he was also a member of Rebel Yell for a year; and eventually joined full time in 2003. That year the line up was Vic Oakley (lead vocals and rhythm guitar), Bob Common (lead guitar and vocals) and Clive Grant (lead guitar and vocals). Clive and Bob shared lead guitar but Clive’s time with the band was short, leaving in less than a year.
No Regrets have continued to work both as a duo and a trio until 2019 when the trio played its last gig after Dave Inglis decided to go solo. Until then, Vic worked with Bob Common on Scottish tours and tours of southern and central England and with Dave Inglis on tours of the North East. Bob Common retired from playing in 2021. Initially Vic planned to continue as a soloist but now he too has decided to go into semi-retirement and on 5th December he announced on social media “I have made the decision to quit touring at the end of this year it has got harder and harder to get enough work to justify doing it ….. I would love to thank all the people who have helped me to survive 33 years on the circuit I had a ball with some of the nicest guys on this earth I love you all, If Papa Vic’s gets going I will come over for that for sure” Papa Vic refers to Billy Curtis’ Dawlish Festival. The venue has cancelled and Billy is looking for a replacement venue. It appears we haven’t seen the last of Vic but it will take something special to coax him south from North Ayrshire.
The Barhoppers
Research by Nick Catford.
The Suffolk based Barhoppers Duo is husband and wife Gabbi and David Crayford-Noble. Both have had a long career in the music business stretching back to the 1970s.
David Crayford-Noble was born in Norfolk and was one of four boys. His early love of music started with him singing in the church choir and scout gang shows. His mother and uncle both played piano a bit and David also began taking piano lessons and went on to play the trumpet in his school band.
He got his first guitar at 14 and this soon became his instrument of choice. When he was 19, he started performing spots at folk clubs and occasionally in pubs and social clubs. He entered a talent contest as David Noble a contemporary folk and blues singer at the Bosa Chios night club in his home town of North Walsham. He beat 47 other acts to win the competition which earned him a place in a special final at the Norwood Rooms, Norwich. By now David knew his future career lay in music and he wanted to become professional musician.
At one of these solo gigs, David met Nigel Chapman and the two of them formed a duo called Buddys in 1976. Nigel played guitar, banjo and lap-steel guitar while David played guitar, mandolin and accordion; they were both singers. With such a diverse instrumental repertoire they billed themselves as a multi-instrumental duo.
Initially, Buddys played contemporary folk music working mainly in folk clubs and pubs but once established, they quickly moved towards country music as they both liked this genre, and were inspired by artists like Merle Haggard, Hank Williams, Johnny Cash and ‘new country’ artists George Strait and Alan Jackson. Most of their work was in East Anglia and at the height of their popularity they were doing up to 300 gigs a year. Buddys had two tours of Germany in the mid 1980s.
Nigel had a very serious motorcycle accident in 1994 and this eventually led to the demise of Buddys. During their 18 years on the road, Buddys released five cassette albums, ‘Buddys’, ‘Ten Years On’, ‘Bunch of Thyme’, ‘A Bakers Dozen’ and ‘Country Crossroads’. David now took a break from regular playing other than depping with one or two local bands, including Zetas Country, when required. He was however on the lookout for a new band to join.
In 1998, a new 4-piece band The Barhoppers was formed by Tony Browne and Rob Davidson. Tony and Rob had played together before. David knew both of them and was invited to join and Tony found singer Suzy Cattrell who had been working as a soloist. The new band comprised Suzy Cattrell (lead vocals and rhythm guitar), Tony Browne (pedal steel guitar, guitar and banjo), Rob Davidson (bass) and David Crayford-Noble (rhythm guitar, mandolin and accordion).
Rob left at the end of 2000 and the three remaining members carried on as a trio. In 2010 Suzy decided to leave the band to spend more time with her new partner who wasn’t keen on her continually touring. With Suzy fronting the band, The Barhoppers released three CD albums ‘The Barhoppers’, ‘Images’ and ‘Same Old Faces’. Tony and David both advertised for a new singer online and former cabaret singer Gabbi Worsley was the successful new recruit.
Born in London, Gabbi Indick started singing at a very young age and was performing to audiences at the age of 10. Her parents had aspirations of her being ‘discovered’ and becoming a child star, like Lena Zavaroni and Bonnie Langford. Her father got her bookings in working men’s clubs and this soon involved travelling all over the country. As a teenager, Gabrielle, as she was known on stage would often open the show and she supported a number of established acts including Little and Large, Marty Wilde, Ted Rogers, Bob Monkhouse and Frankie Howard.
Her favourite gig during this short juvenile career was performing at Caesars Palace (not the one in Vegas!) in Luton where she was singing with a 15 piece orchestra. She met her future husband John Worsley at this time. He was a song writer, arranger and record producer and wrote the scores for her. At Luton she supported artists like Peter Gordeno, Charlie Williams, The Drifters and Roy Orbison. As a teenager, Gabbi certainly didn’t appreciate the shear gravitas of working with such established artists even now she still finds it difficult to believe what she did.
John had a recording studio in London’s Demark Street called TPA (Tin Pan Alley) studios, where they met when she was making a demo. He and his business partner Dave Meyers (they were famous for writing the Eurovision Song Jack in the Box for Clodagh Rodgers in 1971) asked her to record some of the songs they had written. All of this was while Gabbi was still at school. TPA eventually moved premises to Tangerine Studios at Dalston. When Gabbi left school at 16 she worked at the studios as a receptionist and, as she was there, she was often asked to put a few ‘ooos’ and ‘arrs’ onto tracks. It was there that she met Les Charles who was mixing his first hit single ‘Love really hurts without you’ in 1976. He changed his name to Billy Ocean and the rest is history.
John and Gabbi started dating but he didn’t like her doing the club work. At the time she was doing three shows a night in three West End night clubs, The Embassy, The Aster, and The Blue Angel. With such a heavy workload, Gabbi was getting very disillusioned with the whole thing, so it didn’t take much persuasion to convince her that recording records and possibly getting a hit, would be a better way to advance her career so she stopped gigging.
Gabbi left home and moved in with John at 17 and they married just after her 19th birthday and quickly started a family. John eventually decided to leave the music business as he too had become disillusioned with it. They moved away to Ashford and then to Suffolk. It was a further 10 years before Dave Meyers tracked his former business partner down and persuaded him to get back in to music again, but this time without Gabbi who was busy running the village shop. John and David’s new venture had some success In 2005/6 they had a number 1 hit in the World Dance Charts that remained in that position for 4 weeks. The song was called ‘Hypnotic Erotic Games’. It was a collaboration between Dave, John, two of Dave’s sons and Gabbi’s son. They called themselves ‘The Soulshakers’ and featured a singer called Lorraine Brown, who Dave had discovered singing at a holiday camp. After suffering from deteriorating health John passed away in 2009.
In time, Gabbi decided to make a tentative return to the music industry. She saw an ad in her local paper asking people to audition for ‘Suffolk’s Got Talent’ at the Leiston Film Theatre. Having heard her singing in the car her son persuaded her to “go for it”. He downloaded some backing tracks and she went to the audition. This was her first time back on stage for over 20 years. She was amazed she got through the auditions and made it into the actual contest singing LeAnn Rimes’ How Do I Live. Judges comments were mixed. One male judge said “you would make a good wedding singer” but a female judge, Helen McDermott, a presenter at Anglia TV commented ” You have a very nice country voice, and fabulous legs!!” She didn’t win the completion and went back to work in the local cafe the next morning. To her surprise, Helen McDermott came in with Wayne Burns (the Theatre proprietor, and producer of the show). She took hold of both her hands and looked her in the eyes and said “I just wanted to come to tell you that you are very good and not to give up”
This recognition gave Gabbi a real boost and she quickly decided that she was going to be a singer again. She searched on the internet for bands that needed a singer. She found two, one was David Crayford-Noble looking for a lead vocalist, and the other was Tony Browne, looking for a singer. She applied for both and it turned out they were both The Barhoppers
Gabbi auditioned for the band on April 1st and everything seemed to gel. She was given 40 songs to learn in two months so she would be ready to take over from Suzy who was leaving in June. She practiced hard, but got a call from Tony in May to say that Suzy had walked out, and he asked Gabbi if she could start early? Not wanting to let them down, she said “yes”, but knew she really wasn’t ready, and she knows those first few gigs were really bad. As Suzy had left with little advance notice it turned out to be a baptism of fire, for Gabbi, to learn a lot of new songs in a very short period in order to honour a long list of advance bookings. Despite a shaky start, Gabbi quickly settled in with her new band. David and Gabbi got together as a couple in 2012.
In 2014 Tony Browne left the band to spend more time with Sally (his new wife) rather than be travelling around the country every weekend and Gabbi and David carried on as a duo and are still working as such today. A further two CD albums have followed since Gabbi joined the band: ‘Something Old, New, Borrowed and Bluegrass’ and ‘Sounds Like Heaven’. Shortly after joining The Barhoppers, Gabbi started writing songs. Two of these are featured on their first CD. ‘Something,Old ,New, Borrowed and Blue/grass’. These are ‘Once Bitten Twice Shy’ and ‘Fast Train’. Their next CD featured more original songs, the title track ‘Sounds Like Heaven’ and ‘To Have and to Hold’ The original version, and a bonus track of the version they sang to each other at their wedding. This CD also features a song David wrote called ‘Remember’.
Although they class themselves as semi-pro they are happy to travel anywhere in the UK although they try and arrange mini tours to avoid travelling from one end of the country to the other – it doesn’t always work out! When touring they usually travel from gig to gig in their motor home in an attempt to keep costs down. In 2020 The Barhoppers released the single ‘Time Of Change’ about the coronavirus pandemic and was written at the beginning of the first lockdown. They are hoping to record a better version which will ne include on their next CD which is in the pipeline.
Johnny Holland
Research by Nick Catford.
Johnny Holland was born in Dudley in the West Mindlands and still lives in the area. He started singing when he was five or six and, at that time, he had aspirations of being another Elvis or Cliff. He would regularly sing at Christmas parties at school.
He learnt to play guitar while still at school when his mother bought him his first guitar for £7.35 and, when he left at 16, he fronted a number of 60’s/70s cover bands as a singer and guitarist. He worked as an apprentice electrician at this time so his gigs were mainly local and he would just play for fun. The second of these bands was called Ice Cream Tree and Johnny was with them for a couple of years. He then moved on to Revolver and then in 1996 Snakebite, a Whitesnake tribute band. He stopped playing regularly in 2000 when he broke his leg while on stage and settled down to a ‘normal life’ getting married in his late 20s.
He and his wife divorced after 5 years and in his late 30s he was once again bitten by the singing bug and for the first time he began performing as a soloist. Initially it was just Johnny and a guitar and he refused to even use a drum machine until the late 80s as he was very keen to promote live singing. Although he has always liked Country music at this time he was still singing mainly middle of the road and covers on the cabaret and working club circuit. He rarely travelled more than 100 miles from home.
Eventually he got fed up with being a “human juke box” and wanted a change in direction. One year he went to the Notts Americana where he met Carol who had been an avid line dancer for four years. They got on well and went to a few dances together and he quickly knew that this was the music he wanted to play. In c2002 he switched to County music and immediately found the country club circuit was a lot more friendly and rewarding with a much better environment for working. He fulfilled any remaining middle of the road bookings knowing that he would never go back to it. His Country influences at that time were artists like Hal Ketcham, Travis Tritt, Alan Jackson and Toby Keith.
It was a totally different lifestyle with a lot more travelling and sleeping in the van but that didn’t worry Johnny who was now really enjoying his chosen career for the first time. Johnny has always worked as a Country soloist and wouldn’t now consider working in a band because of the economic situation. Although gigs have reduced in recent years he remains busy and has no thought of retiring any time soon.
Johnny does write some of his own songs but these are generally not included in his dance act. During his career he has released eight studio CD albums, the first was called Already Living and the others in order of release are Long Hard Road, Riding Driving Country, Riding High, Keep Country Driving On, Long Time Coming, Out Of My Car and, most recently, Trilogy.
Honky Tonk Strangers
Research by Nick Catford.
In the 1980s and 1990s there were many hundreds of good bands regularly working in clubs and festivals around the UK. Since then, band numbers have dwindled dramatically as have people attending those clubs that have survived and these days few clubs can afford more than a duo. Some bands have survived, generally those who don’t rely on gigs for their living and it was good to see a new 5-piece band, Honky Tonk Strangers emerge onto the club scene in April 2024 in an attempt to buck the trend.
There are some familiar names in the band with a wealth of experience over many years to draw on. The band is fronted by Mark Jacobs who also plays guitar. Andy Twang is on lead guitar and keyboards with Dave Hayward or Dave Wheelhouse (depending on where the band is playing) on pedal steel guitar. Harley Dave is on bass and Mark’s nephew Matt Jacobs is on drums.
Mark Jacobs’ love of Country music started at a young age. He learnt guitar at the age of 14 and he and his brother David formed Country Pride doing a few local gigs, some in care homes. When he was 16, he and David joined the Hank Dalton Band; Mark played guitar and David played pedal steel. Mark stayed with the band until Hank retired and that is when he first met Henry Smith when he joined the Dalton Boys in 1990 as lead singer. In 1995 the band was relaunched as Henry Smith and The Dalton Boys but Mark had left by that time and since then he has worked with many popular bands. He spent some time with Bournemouth 5-piece band Capricorn before joining the Rick McKay Band. The band was very busy including extensive touring in the north east but when they folded Mark joined another busy band Kalibre. Kalibre started as a trio with Bobby Red, Dale James and Bob Dixon. Shane O’Bourne replaced Dale James on lead guitar and he was then replaced by Mark Jacobs. Bobby Reed left the trio for about four years for personal reasons and Mark and Bob Dixon carried on as Kalibre duo. When Bobby Reed came back to Kalibre, Mark Left to form his own band Perfect Strangers. The band comprised Mark Jacobs (lead vocals and lead guitar), Dave Wheelhouse (pedal steel guitar), Terry Goodchild (bass) – Terry had been the bass player in the Hank Dalton Band and then in Henry Smith’s Country Dreams and Matt Jacobs (drums). Matt is Mark’s nephew.
Mark has helped with a number of other bands including Medicine Bow (from Cornwall) and Bakersfield as a trio. Most recently he has been working with Ridgeway Country and the Danny Lee band until the pandemic. He has also worked with Rick McKay in his Johnny Cash Revisited theatre shows from time to time and is currently playing bass in the show.
Andy Twang has also been playing Country music from a young age. At the age of 12 he was given his first guitar and his dad taught him how to play. Two years later he made his first appearance on TV when he performed the instrumental Ghost Riders In The Sky. Not long after that he joined his first Country Band, Clovis whilst still at school. Andy travelled the UK playing his guitar and met many different artists and performers; and quickly realised he wanted to be a Country musician. Since then he has been in many other top British Country bands including Medicine Bow, Diamond T Band, Dusty Rhodes Band, Band Named Sioux, Henry Smith’s Country Dreams and more recently the Ray Peters Band and Ridgeway Country. He has also backed visiting American artists including Billy Yates and Heather Myles. He is also recently rejoined Henry Smith’s Country Dreams switching from lead guitar to bass.
Dave Hayward is one of our most experienced and stylish pedal steel guitarists and over the years he has played with many top Country bands including Al Barrett’s Linemen, Frank Jennings Syndicate, Little Ginny, and Marietta Station. Such was his standing as a player; he has performed at Steel Guitar festivals in the USA, Holland and Ireland; and in the UK at every British Steel Guitar festival at Newbury. He also recorded a very well respected album London to St. Louis in 1980 with Gerry Hogan, another stalwart of the pedal steel guitar. More recently Dave has been a member of the Ray Peters Band and in 2015 he joined Ray in the Smokey Turtle Band. He has also been a member of the Ian Highland Band, Ridgeway Country and before joining the Honky Tonk Strangers. Dave is a member of Honk Tonk Strangers for the majority of bookings but if the band is playing in the south of England, Dave Wheelhouse comes in on pedal steel guitar.
Dave is another very experienced steelie with a wealth of experience. Dave’s dads love of Hawaiian and Country music influenced him from an early age. He used to listen to his dads old 78 records of Felix Mendlessohn and his Hawaiian Serenaders, Jimmy Rogers, Slim Whitman etc. He saw his first pedal steel guitar back in 1971 when he was 13 being played by Gerry Thaine. He saw Gerry again three years later and the two of them struck up a friendship. Dave’s dad took some measurements of Gerry’s steel and a year or so later had built Dave a twin eight string pedal steel having never seen one before. When Dave got married he stopped playing altogether and sold all his gear. Many years later when he was bitten by the bug again after encouragement from his wife but he couldn’t afford a pedal steel and decided to build his own. His background was in engineering so this wasn’t as daunting as it might have seemed. After a lot of research and development he built his first Sheffield pedal steel guitar and was later asked to build one for US pedal steel virtuoso Tommy White. Dave delivered the instrument to Tommy personally in Nashville and was there when he played it on stage at the Grand Ole Opry.
Dave has played with a number of other bands including Lost Highway and Wells Fargo. Having moved to the south of England he has played with Texacana, Ridgeway Country, Perfect Strangers and most recently Area Code 629 who disbanded during the pandemic.
Bass player Harley Dave has a very long history in Country music. He has played Country music since the early 1980s after meeting up with US Country musicians while travelling. His all time guitar hero has always been Bill Kirchen (Comander Cody & His Lost Planet Airmen), while his bass hero is Billy Dee (Dale Watson & His Lone Stars). He has played with both of them and is proud to call them friends.
His first ‘serious’ bands were Ivor & the Engines who were a Skiffle-Billy Country band who were featured on BBC TV and recorded an album, Full Steamy Head on Fury Records c early 1990s. He recorded another album, Made in Austin TX with Too Country, their tagline was ‘Tried ‘n’ Tested, a Honkytonk band, sponsored by the Shiner Brewery’; they became a frequent sight in Austin’s best bars during 2002-2005. Shiner Beer has been independently brewed in Shiner, Texas, since 1909.
Dave has played guitar and bass in a number of British Country bands including Texas Nightlife (bass), Kay’D’s Redneck Rodeo (guitar), Shot To Pieces (guitar), Doggone Country Band (guitar), Gone Country (bass, then guitar). Pure Country Band (bass), Johnny Cash Revisited with Rick McKay – theatre show (bass & guitar). He is also currently a member of the Hayley Oliver Band where he plays bass and guitar. Dave has also played in two German bands, Texas Heat and Texas Rooster.
During his long career in Country music Dave has also been a backing musician for Tommy Cash (Johnny’s younger brother), Victoria Boland (Canadian singer, now in Nashville), Joni Harms (US singer/songwriter) and British Country singers Niki Dean, Rosie Horne and Laurie Gregory. He has also been Stage Manager/Sound Engineer for the Notts Americana International Festival, Trip Out Festival and Alan Cackett’s ‘Soul Café’ in Maidstone. He has also done some studio work and US interviews for Country 1035 Radio. In case you wonder about his name, he owns and rides three Harley Davidson motorbikes. He has been riding Harleys for as long as he has liked Country music.
The final member of the band and the only member without a long pedigree in Country music is drummer Matt Jacobs, Mark’s nephew. Have played in Perfect Strangers he is already a top class drummer and worthy of his place in the band.
Mick Sweetman
Research by Nick Catford.
Mick Sweetman’s love for country music started when he was a boy helping out on fairgrounds when they came to his village on the south coast blasting out country music alongside rock n roll. His record collection at that time consisted mainly of Slim Whitman, Charlie Pride and Jim Reeves and as time passed many more were added, Merle Haggard, Hank Williams, Ray Price, Brooks and Dunn, to name but a few and more recently Ricky Van Shelton.
Mick didn’t start singing until he retired in 2004 at the age of 60. To pass the time he decided to go for singing lessons with Alan Langham from Eastbourne who was part of the original Fifth Avenue band. Alan introduce him to John Lane and Maxine Lowe who were also having singing lessons and the upshot of that was the start of Crystal Clear a Country music group. They played locally in pubs and clubs and although Alan was a competent guitar player they decided to focus on four part harmony and let their voices be their instruments.
As time went by and members moved to different successful musical ventures, Crystal Clear became a trio end ended up being a duo and with Mick and Emma Phillips. They were fortunate enough to appear on television on The Phil Mac Country show and were chosen as the featured artist on The Smith and Rogers Country Show, both of which are/were International. A song writer from Canada, Jim Newcombe sent them some original songs, Moon Over Memphis (written by Newcombe, Taggart and Rayburn), Still 19 (written by Newcombe and Taggart) and I Painted it Blue (written by Newcombe Taggart and Rayburn). Crystal Clear recorded these in Mick’s studio at home and they can be found on YouTube. The songs were played all over the world and Moon Over Memphis ended up reaching No. 11 in Joyce Ramgatie’s International Country Music Chart in February 2015 and was featured as song of the month on Netherlands country radio. Unfortunately Emma had to stop singing for personal reasons in 2019 and having taken 7 months out, Mick decided to go out as a solo artist which he found a bit daunting to start with as he was so used to having someone by my side but his solo work has proved to be successful and he continues to enjoy a good following. At his age, Mick knows he will have to put his feet up at some stage but in his time as a Country singer he has many fantastic memories to look back on. He is so thankful and blessed that his music has made so many people happy. He has met so many lovely people who have become true friends.
Carolann B
Research by Nick Catford.
Carolann B is known affectionately as ‘Yorkshire’s Very Own 1st Lady Of Country Music’. She was born in Denaby Main a small mining village near Rotherham in South Yorkshire. She has been entertaining people since she was three years old initially as a dancer which she continued to do all through school. She learned to play guitar, violin and mandolin at school and this held her in good stead when she later took up singing. She was brought up with country music listening to artists like Marty Robbins and Patsy Cline. Her mum idolised Slim Whitman and her own idols from an early age were George Hamilton 4 and later George Strait and Garth Brooks Her parents, grandparents, aunts and uncles all influenced her love of Country music.
After leaving school, she went into amateur dramatics but behind the scenes rather than on stage. Her day job in a newsagent didn’t leave time to be an entertainer so having an art degree she did things like painting the scenery.
Although Carolann has loved Country music from her early years she started singing as a volunteer for the Normandy Veterans Association, entertaining the veterans when she accompanied them to France. She would sing all the popular war time songs and quickly realised how much she enjoyed entertaining people. “Everyone always made a beeline for the buses we were on as they knew they would get entertained all the way there and back” she told me.
When she was performing with the veterans she realised how much she wanted to perform on stage singing to people. Carolann’s unique voice and love of Country Music soon had crowds at a local restaurant where she had started singing as a favour for a friend, asking for more. A request from a local charity for Carolann to sing on stage for the climax to their fund raising weekend launched her to local stardom and gave her the confidence to start a semi-professional career in 1990
Starting with only ‘word of mouth’ bookings, Carolann went from strength to strength wherever she appeared she was given a return booking, this became one of her main stays in creating a firm circle of fans who she counts as friends who follow her from venue to venue. Two local agencies soon took Carolann on and her booking calendar quickly started filling up.
Carolann recorded her first CD album in 1998, it was called Singing For My Supper, a reference to her humble beginnings. Later that year she toured in the USA singing at venues in Florida, Georgia and Tennessee including the Ryman Auditorium. In 1999 she was back in the US touring several US States including North Carolina and Branson Missouri. In May 2001 Carolann, who by now had her recordings played on several radio stations, started work on her second album which was called By Request, This was finished and released in August 2001. During this time Carolann teamed up with top lead guitarist Andy Spivey to form the duo Dixie Diamonds. They recorded an album, A touch Of Fever, so called as the CD contained two songs written by the award winning Rod MacLane from the band Fever. This was released in August 2002 and received enthusiastic reviews in magazines and various radio shows and was requested by DJ’s as far afield as Australia, Malta, Holland and the USA. Fever’s Ken Dunning said of her recently “She’s a lovely lady and a very good friend of the Fever.”
At the beginning of 2004, due to work commitments the duo had to split to allow Andy to concentrate on his band work and to allow Carolann to concentrate on her solo career with a view to starting a band of her own. This came to fruition in 2005 when she launched her own band Highway 4 that featured a young lady drummer (Nikki). However in Nov 2005 when the lead guitarist injured his wrist and withdrew from the band, Carolann decided that it was unfair to the rest of the group to have to work round her busy schedule and she folded the band. Carolann was already committed to over 130 gigs and studio time for a new CD album Easy On The Eyes which was released in November 2006.
2007 saw one of Carolann’s Dreams come true when she opened for one of her childhood idols in September, Mr. Ambassador of Country Music himself, The late George Hamilton IV at the Brigg Pavilion in North Lincolnshire, plus a tour to the USA during November / December that year.
In July 2008 Carolann was nominated for UK Female Country Artiste of the Year. This together with a new Radio Show called Ladies Night the third Friday and Saturday each month on UK Country Radio and a new CD between Heaven & Hell kept her busy. Carolann’s radio show gave an added boost to bookings and her entries into UK Country Radio listeners’ club award were boosted by her airtime exposure leading to the entries being nominated as a finalist in four consecutive years from 2009 – 2012. Another CD album, A Little More Country was released in 2011. The 2012 song entered into the Listeners club award was Don’t tell Me Your Not In Love, a song originally recorded by one of her Country idols George Strait. The song was also featured on her 7th album A Little More Country. An award is for a song by a British or Irish artist that was promoted by that artist on UKCountryRadio. Each artist was allowed to select one of their promoted songs to go forward for the award.
2012 saw a change in direction for Carolann as she started arranging Country themed holiday breaks which proved very successful and very popular with one a year until 2014 when she took a break from holidays. In February 2015, a new acoustic CD with Allan Watkiss as the Carolann B Duo had already been recorded and was released later in the year with the title Acoustic Experience. The holiday breaks returned in 2016 although not all were Country themed. In 2016 Charity work for the Rotherham Young Dementia Group grossed £1500 with a further £2,000 being raised for Sheffield Kidney Unit Research Centre at the Northern General Hospital.
All live performing and holiday bookings ceased in 2020 during the Covid pandemic but now that we are learning to live with Covid the holiday business is once again picking up as are gigs. Although Carolann has now given up her radio show she is still busy working as a solo artist but can also be booked as a duo if required. She currently has two duo partners. She works with long time friend and solo artist in his own right Ben Thompson as the B & C Country Duo. Her other duo partner is another long time friend and solo Country artist Arizona Wes. Together they work as White Rose Duo.
Little Rock
Research by Nick Catford.
Cross Country was formed By Mike McMaster in Teeside in 1984. Initially the band had a female lead singer Nadine Daynes, with Mike McMaster on lead guitar, Vince Holden on rhythm guitar, John Taylor on bass and Joe Bewick on drums. Mike McMaster left his own band in 1985 with Nadine’s boyfriend, Paul Stephenson, coming in on bass and John Taylor moving to lead guitar. This new line up was intended as a temporary measure for an important showcase. For its first two years the band only played local gigs within a 50 mile radius mainly in workingmen’s clubs between the bingo sessions in the north east. John Taylor was keen to tour nationwide and, as a result, Nadine and Paul parted company with the band in 1986. John Taylor switched from lead guitar to rhythm guitar and took over as lead singer. Steve Place came in on lead guitar with Ted Gray on bass. Nadine and Paul (who later married) formed Rebel Rose duo. They were later joined by Dave Wilson and worked as a trio and later a band. Paul and Dave were once in the northeast top band Diablo a very popular piece band who once performed at Wembley Arena.
Cross Country quickly became a very popular Country rock band, a real breath of fresh air playing the very latest songs from the States long before many British Country bands had even heard them. As they started touring extensively for the first time all the major festivals booked them and they regularly played the many US air bases like the popular Rod & Gun club at RAF Lakenheath. They were very well received by US service personnel because their material was so contemporary. They were regularly featured in the British Country Music press and their music was regularly featured on British Country radio. There is no doubt that they were the ‘in demand’ act being booked to support numerous visiting US Country artists including The Bellamy Bros, Tom Paul Glaiser, Albert Lee, Dan Seals, Carl Perkins, Colin Ray, Townes Van Zant, Joe Sun, Little Texas and even our very own Chas & Dave. They were eventually offered a record deal with Way Out West Records but couldn’t agree terms.
By 1994 the band was at the height of its popularity but John Taylor really wanted to play other music genres and he felt that Cross Country had gone as far as it could. Steve Place, Ted Gray, Dave Wilson and Joe Bewick formed a new band at this time called Little Rock which allowed them to continue to earn a living on the traditional Country club circuit. Dave Wilson was the lead vocalist but he left after a couple of years and the band became a trio with Steve Place on lead vocals. Cross Country came off the road in 1995.
With a generous financial incentive from some festival organisers, including one in France, Cross Country reformed in 2005 with the return of John Taylor. During their second period the band constantly featured at festivals and would often be the headline act they day they were on. On one occasion they were on the bill with Mark Chestnut. Little Rock also continued and remained a very popular club act initially with Ted Gray on bass but he retired from the trio in 2009 and was replaced by Derrick Firth (formerly of Dillinger). Ted continued to play with Cross Country until 2011 when he passed away and the band folded.
After the demise of Cross Country John Taylor formed the John Taylor Band which included Steve Place; they won BCMA Band of the Year in 2013 and 2014. Little Rock continued as a trio with Derrick, Steve and Joe and then a duo in 2012 when Joe Bewick retired. Sadly Derrick Firth passed away in 2015 and Chris Ringer came in on bass. Little Rock duo is still performing today. The John Taylor Band folded in December 2014 after which John formed the John P Taylor Band which plays all original material and also has Chris Ringer on bass.
Jon Rowdy
Research by Nick Catford.
Jon Rowdy started singing at the age of 7 in his church choir in Lyndhurst, Hampshire. He emigrated to Australia in 1970 and it’s there he first discovered Country music with artists like Slim Dusty, John Williamson and the Kernahan Family.
He came back to Lyndhurst in 1986 and one night Dusty Rhodes came into his local pub. Jon became friends with Dusty and his band and between 1989 and 1997 he was acting as a roadie for the Dusty Rhodes Band moving to Swindon in 1996 to be with the band. Occasionally he would sing with them as well.
In late 1997 Jon returned to Lyndhurst where he formed Texacana Duo with Nigel Randell. This was later expanded to become the 6-piece Texacana band. The line up was Jon Rowdy (lead vocals), Nigel Randell (harmony vocals and rhythm guitar) Gary Hollister (lead guitar), Dave Wheelhouse (pedal steel guitar), Robbie Whelpdale (bass), Matty Matthews (drums). The band was short lived folding seven months later.
With the demise of Texacana, Jon worked solo until 2008 when he formed a duo with Jonny Ryder called Double JR. The duo lasted for 7 years after which they both went solo. Today Jon still works solo but if required he still occasionally works as Double JR with Jonny Ryder and as a trio the JR Band with Jonny Ryder and a pedal steel guitarist. These have included Davy Adams, Jim Martin, Dave Kirk, Jim Pritchard and Ray Kedge. Twice a year he also works as Double Trouble duo with Dave Montna. He is also the resident singer at Pat’s Country Weekend in Westwood Ho every May and October.
Apart from playing a drum in the Navy, Jon has never played an instrument and considers his voice is his instrument.
Henry Smith
Research by Nick Catford.
Henry Smith was born on 30th January 1972, the son of Henry Smith an established Country singer in Berkshire. Henry Smith Snr grew up in Reading and was brought up on Country music, he first realised his passion for country at a very young age when he used to listen to Country music on a wind up gramophone. This inspired a passion in him to learn and share this love with others by performing. Henry Snr learnt to yodel at a very young age and used to yodel along to Jimmy Rogers. He then started performing as a guest singer with many popular local bands. His sound was unique and he was soon much in demand as he started to build up a fan base.
He loved singing Charley Pride, George Strait, George Jones and Willie Nelson songs and passed his passion for Country music on to his children then grandchildren. Having moved from Reading to Portsmouth where he grew up, Henry Jnr’s interest in Country music blossomed. “I like each and every one of the great traditional country artists” he told me, “George Jones, Randy Travis, George Strait, Merle Haggard, Willie Nelson, and many many more, each of them has been my inspiration and influence throughout different times of my career.”
Henry was weaned on Country music, and never paid much attention to anything else. By the time he joined his first band he was already a Country veteran having joined his dad’s band as occasional drummer from the age of five. Henry Smith the toddler was supposedly asking his old man for his salary even before his gig was over!
When popular Southampton based Hank Dalton retired from his own band, Henry joined them in 1990 when he was 18. Having played with them for a few years in 1995 Henry Smith & The Dalton Boys were relaunched onto the Country circuit with a new line-up. Ian Stewart (lead guitar) was the latest recruit to the band having been standing in with them for a few gigs. When he was asked to join full time he immediately moved from Sheffield to Portsmouth. He started playing in 1973, when he was just 14, joining his parent’s band. Since then he travelled extensively, including America where he played lead guitar in Georgia for two years. Terry Goodchild on bass was the only original member of the Dalton Boys, having been with the band since they started. Greg Padmore on drums was the resident comedian in the band, seeing the funny side of everything. Greg was a top class drummer, learning his trade from his father who was also a top professional drummer in the 60s and 70s. Greg was converted to Country in 1980.
Henry & The Dalton Boys quickly made a very big impression on the country scene, including many festivals and showcases, receiving great reviews from the young to the old, and from fellow artists alike. On stage Henry made full use of his wireless head set by dancing whilst he sang and sometimes joining the audience on the dance floor. This flamboyant stage presence has been part of his performance ever since.
In August 1996 Henry Smith & The Dalton Boys were the cover feature in Southern Country magazine, three months later Henry changed the name of the band to Henry Smith & Country Dreams. The band name remains to this day although they were often called the Henry Smith Band. Six months later, the band released the cd album, What You Can Do Today, which sold in large numbers.
Moving into the 20th century, while many bands fell by the wayside becoming duos or even solos, Henry’s band continued going from strength to strength. There were numerous changes to the line-up though. In 2004 the band comprised Henry Smith (lead vocals and rhythm guitar), Robbie Burns aka Chiv (lead guitar), Steve Harrop (pedal steel guitar), Mike Abbott (bass) and Neil Harris (drums). At this time Henry’s father often joined the band on stage as a guest.
By 2007 the line-up had changed again. Dave Hayward (pedal steel guitar) and Clive Grant (bass) joined Henry, Robbie Burns and Neil Harris. When Chiv passed away, another experienced lead guitarist, Andy Twang joined the band. When Dave Hayward left, Scott Newstead (keyboards) joined but his time with Country Dreams was short lived with Derek Thurlby bringing pedal steel guitar back to the band.
In 2009 the band were voted BCMA Band of the Year and again in 2010. Henry himself achieved Entertainer of the Year in 2010, 2011 and 2012.
Over the years Henry has shared the stage with many visiting overseas artists including Mark Chestnutt, Billy Yates, Billie Jo Spears, Heather Myles, Joni Harms, Eve Sellis and Danni Lee. He recorded a duet, Fooling Myself, with Billy Yates which reached number three in the International Independent Chart.
During his career he has toured with his band widely in Britain and Europe with one excursion to Nabraska, USA, he is hoping he will be able to do it all over again in the near future. Seven out of 11 cd albums so far released have hit the radio charts, these include Mum And Dad, Hello DJ (2004), Welcome To My World (2004), There Goes, I Hope She Falls and Enough Tequila. Henry does write some of his own songs but never includes more than one on any of his albums. The title song on his 2004 album, Hello DJ, is one of his own.
In 2016 Henry first noticed a problem with his voice as he was unable to hit some of the notes, this then progressed to the odd word that just wouldn’t come out of his mouth and he was forced to give up singing. He was diagnosed with spasmodic dysphonia, a neurologic disorder that can affect the voice and speech causing the muscles that generate a person’s voice to go into periods of spasm.
After receiving treatment for the condition for six years, initially from the NHS but later with the help of a private London specialist partially paid for by crowdfunding, Henry started to get his voice back in late 2021 and he quickly knew it was time to reform Country Dreams and make a very welcome return to the Country circuit in late summer 2024. Performing to the public has always been his passion and he once said his biggest regret in life was not being born in Nashville, Tennessee.
The current line-up of Country Dreams is with all familiar faces. Joining Henry Smith (lead vocals and rhythm guitar) is Mark Jacobs (lead guitar and vocals). Mark and Henry have been the best of friends and have worked together on and off for over 30 years. Mark’s love for Country music started at a young age, he learnt guitar at the age of 14, joining the Southampton based Hank Dalton Band when he was 16. He stayed with the band until Hank retired and that is when he first met Henry Smith when he joined the Dalton Boys in 1990 as lead singer. By 1995 Mark had left the Dalton Boys and since then he has worked with many popular bands including The Rick McKay Band, Kalibre and his own band, Perfect Strangers. Most recently he has been working with Ridgeway Country until forming his own new band, Honky Tonk Strangers, which includes other members of Country Dreams.
Dave Hayward (pedal steel guitar) has made a welcome return to the band. He is one of our most experienced and stylish pedal steel guitarists and over the years he has played with many top Country bands including Al Barrett’s Linemen, Frank Jennings Syndicate, Little Ginny, and Marietta Station. Such was his standing as a player; he has performed at steel guitar festivals in the USA, Holland and Ireland; and in the UK at every British steel guitar festival at Newbury. He also recorded a very well respected album entitled London to St Louis in 1980 with Gerry Hogan, another stalwart of the pedal steel guitar. More recently Dave has been a member of the Ray Peters Band and in 2015 he joined Ray in the Smokey Turtle Band. He has also been a member of the Ian Highland Band, Ridgeway Country and has recently joined Mark Jacobs as a member of the Honky Tonk Strangers.
Andy Twang returns to the band but now plays bass rather than lead guitar. Like other members of Henry’s band Andy has been playing Country music from a young age. At the age of 12 he was given his first guitar and his dad taught him how to play. Two years later he made his first appearance on television when he performed the instrumental Ghost Riders In The Sky. Not long after that he joined his first Country band, whilst still at school. Andy travelled the UK playing his guitar and met many different artists and performers; and quickly realised he wanted to be a Country musician. Since then he has been in many British Country bands including Clovis, Medicine Bow, Diamond T Band, Dusty Rhodes Band, Band Named Sioux and more recently the Ray Peters Band and Ridgeway Country. He has also backed visiting American artists including Billy Yates and Heather Myles. He is also a member of Mark Jacob’s Honk Tonk Strangers.
Neil Harris on drums is a very experienced drummer having played with Henry for many years. Having played all styles of music including being a member of late 80’s pop band Halo James (they had a number six chart hit with Could Have Told You So). He first came onto the Country scene as a member of the Longriders. During his time with that band they worked with artists like Michael Twitty (son of Conway Twitty) and John Permenter.
With Henry back on stage he is also now working with his son Jamie who could soon be following in his father and grandfather’s footsteps. Jamie Smith got the performing bug at a very young age and loves it. He’s been working with Henry on his first studio album and Henry really believes he’s got the potential to become a big name on the Country scene.
Theresa Coupland
Research by Nick Catford.
Theresa Coupland (Theresa C) is from Colchester in Essex. She was born into a family of music which has been with her all through her life. She was strongly influenced by her father as they both shared a passion for music. She started singing in her dad’s rock ‘n’ roll band, Revival, when she was 14 and quickly realised this was the career she wanted to follow, but not before she had raised a family.
She started singing Country music in the early years of the 21st century but initially this was only at home. It wasn’t until 2014 that she made tentative steps towards launching a Country career as a solo artist. Initially this was limited to making guest appearances with other artists like Henry Smith, Ian Highland Band and Glenn Rogers. Theresa is now taking a couple of solo bookings a month.
She has appeared on TV numerous times and worked with and alongside some great artists on the country scene. Theresa has released 2 studio albums, ‘My Crazy Life’ and ‘Chances’ and is currently working with Henry Smith to produce a third studio album which will include some of her own songs..
She lists her main influences as Reba McEntire, Patty Loveless, Garth Brooks and George Strait and of course her father and Henry Smith who she thanks for helping to build up her confidence and point her in the right direction. She likes working with bands but is happy to continue as a solo singer.
Darren Busby Duo
Research by Nick Catford.
Darren Busby became a fan of Country music long before he left school. He would come home from school and play his father’s records over and over. He soon began singing along with songs, in particular Slim Whitman and Marty Robbins. He told me “I like all types of music but from that age it was always Country music that attracted me, it was head and shoulders above everything else.”
It was quickly apparent to Dale that Darren wanted to be a Country singer and he sung for the first time in public at the club in 1977 when he was 14 and everything snowballed from there. Dale took him under his wing and advised him what he needed to pursue his ambition to become a Country singer. Darren left school in 1979 and quickly did his first full evening gig at the Red Lion in Barton.
He joined some friends in a local band Klass A, as the drummer and singer. The band was short lived but while with them he had learned a few guitar chords and joined his uncle Sean Busby playing bass in Southern Pride. They stayed together until 1987 when he decided to go solo and was eventually seen by agent/promoter, Frank Hambleton after Darren had been recommended to him by Country singer Ricki Sylva. Frank was impressed by Darren and felt the two of them would work well together and he became his manager and friend in 1990. In 1992 Frank was keen Darren should front a band and he already had an existing band in mind. His nephew Phil Baker played in a newly formed punk band with a girl singer which was managed by his son Mark. Frank didn’t think the girl singer was any good and he persuaded the band to switch from punk to Country with Darren fronting. At that time the band didn’t have a name. One of the songs Darren loved to sing was JJ Cale’s The Breeze. Frank suggested the band should become The Breeze and Darren Busby and The Breeze was launched on the Country circuit. The line up was Darren Busby (lead vocal and rhythm guitar), Andy Mottram (lead guitar), Phil Baker (bass), Steve Morris (keyboards) and Gareth Ashton (drums).
Darren still continued to work as a soloist as well as fronting the band. Frank felt that the band was a little rough around the edges at this time but they were keen to learn and he felt they had the potential to become one of the best bands on the Country circuit. The band quickly proved very popular but could only play part time. Together with his solo bookings Darren had a very full diary and was soon working most nights while continuing to work full time as a welder during the day. Frank took him to Nashville for five days in 1992. Primarily the trip was to meet up with Sylvie and Her Silver Dollar Band but while there, Darren did a couple of gigs singing at Tootsies Bar and Ernest Tubb’s Midnight Jamboree. He also went into a recording studio and recorded a four track cassette which was sold at gigs back home.
With a mortgage and two small children to support the demanding workload was killing him and he knew he had to go fully pro as a musician or cut down drastically on gigs to concentrate on his day job. Frank advised him to keep his day job and only accept gigs close to his home. It was a mutual decision that after five years managing Darren, Frank would stand down as his manager and Darren would take his own solo bookings.
Darren very reluctantly quit The Breeze in 1995 after little more than 18 months but not before finding a very worthy replacement. Gary Perkins was looking for a young band to work with. He had seen Darren and the Breeze and having heard they were no longer playing together he spoke to Frank who put him in touch with the Breeze’s Phil Baker and it wasn’t long before Gary Perkins and The Breeze began their Country journey.
The British Country Music Hall of Fame’s first member, Keith Manifold once advised Darren to give up his day job and go full time as a professional singer. Darren worked as a soloist for two years but in 1998 he finally made the decision to take Keith’s advice and go fully pro as a musician giving up his very well paid job as a welder.
In 2001 Darren thought his singing days were over when he developed a polyp on his vocal chords but after an operation to remove the polyp Darren feels his voice has come back better and stronger than ever. Turning to song writing he wrote six songs including Bachelor Days which was voted runner up in the UK Radio Awards best new song in 2001. He hasn’t written anything since but is considering writing again in the future.
In 2010 Darren was once again interested in working with a band and he joined an existing band called Atlanta. Darren was the lead vocalist and the other band members were John Davis (guitar) Tony (lead guitar) Paolo (bass) and Robbie (drums). They played their first gig in Leeds in October 2010 and stayed together for two years playing occasional gigs.
In June 2011, Darren did a charity bike ride with Darren Binns and friends from Lands End to John O’Groats raising money for Cancer Research, Marie Curie Cancer Care and the NACC. Collecting money at gigs they raised over £19,000.00.
Over the 43 years that Darren has been singing he has amassed a staggering 159 national and club awards including 2004 and 2005 when he was voted BCMA Solo Artist Of The Year. Also in 2005 he won BCMA Album Of The Year. More BCMA awards followed in 2010 when he won Solo Artist Of The Year again and Male Vocalist Of The Year which he won again in 2011. BCMA Solo Act Of The Year 2013 and 2014. CCN Male Vocalist Of The Year in 2017 and CCN Entertainer Of The Year in 2018. In 2016 he was the 39th inductee into the British Country Music Hall of Fame.
In 2015 Darren’s daughter Rachel married Darren Binns who with his father Don has been performing as Clear Cut duo since 1998.
Donald Allan Binns learnt classical guitar at the age of 11 and in his teens played in a number of pop bands; first came The Prey and then The Assassins. Other short lived bands followed until one evening he went to a Country music function at a Leeds pub and saw a local artist, Hank Rogers performing. After another Country gig, where he saw Doncaster Country duo Pat and Roger Johns, Don was quickly hooked on Country music and realised that is what he wanted to play in the future. He joined his first Country band, Wild Country, as a guitarist, in 1974 and they quickly made an impression touring in the UK and Germany where they worked at a number of US airbases. The line up was Wild Bill Sykes (lead vocals and rhythm guitar), Don Binns (lead guitar), Mick Hinchcliffe (bass) and Tim Delaney (drums)
By the late 1970s, Don formed a new band, Nightrider, with the drummer from Wild Country and they went on to become one of the most successful British bands at that time making the finals of the Silk Cut Country Music Talent Competition, part of Mervyn Conn’s International Festival Of Country Music at Wembley Arena. The line up was Don Binns (lead guitar), Graham Hall – now working on UK Country Radio (rhythm guitar), Ron Simons – later Mick Winterburn (bass), Tim Delaney (drums)
Next Don formed Norwood Duo with drummer Tim Delaney. They travelled up and down the UK performing at country venues and working men’s clubs, supporting several established artistes including Bernard Manning and Karl Denver.
Initially, Don was a guitarist, but in 1988 he started singing as well, forming a duo with his 14 year old daughter Donna who played bass and sung harmony vocals. At this time he started using his middle name as his stage name and Don Binns became Don Allan. On their first gig in Halifax, they shared the bill with two new young singers, Becky Haley and her sister Joanne. The following year, Don’s 10 year old son Darren joined the family act. He initially wanted to be a drummer but was persuaded to learn keyboard instead and after learning three chords he made his debut on the Country club scene playing keyboard one set a night at weekends. As a trio they were known as the Don Allan Family Band. Like is father Darren used his middle name as his stage name becoming Darren Anthony.
In 1994 Donna retired from the trio to pursue a career away from music and Don then went solo with Darren sometimes joining him at weekends and during school holidays. In the same year Darren left school, with his heart set on a career in Country music. He and Don joined a four piece band called Sundown and the band quickly proved popular on the circuit winning a number of club awards. The line up was Don Allan (lead vocal and lead guitar), Darren Anthony (keyboards), Mike Abbott [formerly with Clydes Country] – later Mick Winterburn and Simon Kemp (bass) and Tim Delaney (drums). Tim was later replaced by Nick Carter. They backed American singer Lola Cagle on her only UK tour, Kris Kelly and X factor/Fame Academy star Carolyne Pool and even performed in front of royalty. On 4th July one year the band were booked to play at Elisabeth Murdoch (daughter of Rupert Murdoch) house in London. One of the guests there was Sarah Ferguson, Duchess of York.
Sundown disbanded in August 1998 and Don and Darren immediately formed Clear Cut duo. Don was the lead singer and played lead guitar, Spanish guitar and mandolin while Darren added harmony vocals and played keyboards, accordion, guitar and mandolin as well as being the spokesman for the duo.
As well as singing in the duo, Clear Cut ran their own country music club with the help of Don’s wife Maureen and other friends from Leeds. The Clear Cut CMC was a Wednesday concert club that ran monthly for 4 – 5 years at the Leeds Anglers Club who ran their own weekly Country club on a Saturday.
During the covid pandemic Don decided to retire from singing and Clear Cut came off the road. With time on his hands, and still having a love of playing Country music Darren Binns teamed with his father in law Darren Busby and the Darren Busby duo played their first gig at Gilly’s Traditional CMC in Wakefield in October 2021.
During his career Darren Busby has recorded about 20 albums, Initially these were cassette albums and later CD albums. His first album She’s Mine was released in 1986 and his second, Angels Of Mine was released in 1990. Other albums included Over The Years (1998), You Can’t Walk The Road Alone and From Here To Eternity. His latest album, Looking Back, is a compilation of tracks from previous albums. There was also an EP At The End Of The Day with five original tracks by Vic Holdroyd. All his early albums were recorded at Dale Green’s studio at his house and included Dale playing lead guitar.
Darren has never toured abroad during his career but he did have a residency on the Hull – Zeebrugge ferry. During his years on the road Darren’s father Terry has been his biggest supporter and he still comes to most of Darren’s gigs to share the driving and act as his roadie.
Cardy &. Coke
Research by Nick Catford.
Wes Cardy has loved country music since first hearing Johnny Cash in his teens. He formed his first band in 1975 playing MOR on the pub and club circuit. The band had the rather scandalous name of Soft Porn but this was soon changed to Sweet Corn. They remained together for 2-3 years with several changes of line up. During this period Wes built up valuable experience through entertaining in pubs and clubs.
In 1980 he went solo and turned fully pro making the first of eleven visits to Norway where he was well received with a programme that was predominantly country and folk which people liked over there. By this time, he was writing a lot of songs, and one in particular, Cuckoo Hill became very popular with his Norwegian audience.
Wes and Jan Mellon first met in c1976 at the Colne Valley Theatre Group in Suffolk where they were both members, Wes was a founder member of the group and wrote and directed a number of plays and variety shows for them. Coming from a musical background, most of Jan’s early musical years were involved with school choirs, amateur dramatics and music hall performing at dances close to her home. At one time she had piano lessons the dropping of which she now deeply regrets. Still, the rudiments learned in the music lessons helped her pick up the guitar (and later mandolin) and helped her with her first love, harmony singing. Jan also sung with her ex at open mic nights in her local pub. Later, when Wes was writing and directing a musical based on country music, Jan helped with some of the lyrics for the songs and this sowed the seeds for later song writing.
After singing in a couple of local bands, Shimano and an un-named trio that Wes lovingly called Jack-Nee-Jan, Wes asked Jan to join him in a new duo and in December 1986 they formed Cardy and Coke. This was Jan’s first experience of singing Country. It wasn’t until she heard the songs of Merle Haggard (as sung by Wes) that the doors to a whole new world of wonderful music were opened.
The duo instantly proved popular and in 1989 they expanded to become the five piece Wes Cardy band which ran alongside Cardy and Coke duo. The original rehearsal line up comprised Wes Cardy (lead vocals and rhythm guitar), Jan Mellon (lead vocals, acoustic guitar and mandolin), Mick Hunt (bass), Tom Crosthwaite (lead guitar) and Paul Grist (drums). By the time the band started gigging Tom was replaced by Robbie Bearns as he had no transport and couldn’t get to gigs.
From the start, Wes and Jan were keen that the band should include original songs in their repertoire. These included British, Irish and even some Norwegian songs. One of Wes’ own songs, One More Story, co written with Rupert Kingston was receiving a lot of air play on local radio at this time. This was Jan’s first ‘proper band’, and they consider part of their later success was having a male and female front line. Jan has always shared lead vocals with Wes.
The band made a rocky start with several changes in personnel with some of the musicians being ‘poached’ by other bands, but by the Summer of 1990 their line up was more settled and comprised: Wes Cardy (lead vocals and rhythm guitar). Jan Mellon (lead vocals, acoustic guitar and mandolin). Tony Ryan (pedal steel guitar). Tony Ryan was at ease playing behind a vocalist or as an instrumental soloist. He was a well respected player and appeared each year at the prestigious Festival of Steel Guitar at Newbury. At this time, Tony was the bands most recent recruit with a long career in country music having previously played with Hobo and Alberta. Prior to Tony joining, the band had a lead guitarist so his arrival gave them a new Country sound although he did play lead guitar on a couple of songs. Kelvin (Kevin) Ward (bass). Kelvin had played in many bands including Tawney and Rustler. He was also a lover of jazz and played a jazz guitar. Kelvin had a reputation for never smiling and became known as the ‘rotating manikin’ – if you see him, try and make him smile! Bill Johnson (drums). Bill had 15 years playing with MOR bands and only recently switched to country before joining Wes.
Wes’ long standing conviction that home grown British Country Music stands alongside the best of American imports, prompted him to defy his critics and c1991 he promoted what became a sell-out annual event, the All British Show, at the Halstead Empire, in North Essex.
As a respected songwriter in his own right, Wes has on three occasions won the UK Country Radio Awards, twice for Best Song in 1995 with Special Absent Friends co-written with Greg Tingey (this also received a nomination in the Great British Country Music Awards) and in 1998 with All That I Do Is For You co-written with Jan Mellon. The bands album, The Collection, containing these songs was voted Listeners’ Choice Album of the Year in 1998. Another of his songs Cuckoo Hill which had been popular in Norway in the 80s, was nominated in 1996 but was pipped to the post by Charlie Landsborough’s What Colour Is The Wind and Jimmy Nail’s Crocodile Shoes.
Over the years, the band have supported many famous acts including Gerry and The Pacemakers, Marty Wilde, The Bachelors, Raymond Froggatt, Charlie Landsborough, George Hamilton IV, Pete Sayers and even Wes’ all time hero, Ken Dodd!
With the band and duo, Wes and Jan quickly established a loyal following in East Anglia and the south east. By the turn of the 20th century however, band bookings dwindled as many clubs started booking only solos and duos in an attempt to keep costs down. The band played their last gig at Christmas 2000. There had been many changes in personnel over the 12 years they were playing and the last line up of the band included Dave Ainsworth (bass), Rob Turville (lead guitar) and Matt Cantwell (drums).
As with anything in life, luck plays as large a hand as talent and with the help of friends, Wes’ songs reached the ears of Ken Dodd and Daniel O’Donnell both of whom recognised the potential of Special Absent Friends. Ken Dodd started closing his theatre shows around the UK with the song and in 2001 recorded it on an album called Absent Friends for sale at his shows. Daniel O’Donnell also recorded (Our) Special Absent Friends on his 1997 album of the same name and another of Wes’ songs Love Me (I Love You) co-written with Charlie Ruffle. When I Needed You (co-written with Joan Hart) was short listed for Listeners’ Choice in the UK Country Radio Awards 2000. In 2001 Cardy and Coke recorded another album of mostly original songs entitled My Love Song For You with two songs penned by Jan.
Cardy and Coke went from strength not only at clubs and festivals but also in theatres in East Anglia. In 2007 Wes and Jan teamed up with Steve Cherelle in a theatre show, Remembering John Denver celebrating his memory and his music 10 years after his death. This show continued on and off for 10 years.
Over the years the band, and before they were formed, Cardy and Coke Duo, have recorded many live albums, far too many to list individually. The first of these were cassette albums but later ones were cds. These have appeared very regularly to represent the evolving repertoire of songs. Many of the albums have included original songs often written or co-written by Wes and Jan. Albums containing original songs have always proved to be the best sellers.
36 years after Cardy and Coke was formed, Jan and Wes are still together. During lockdown they both recorded videos separately and once they were able to form a bubble together, like many other artists they made regular live streams and also collaborated on videos with George Paying, Jim Martin and Julie Dawn.
With two years off during the pandemic, the increased cost of fuel, the stresses of life on the road along with personal circumstances led them re-evaluate the priorities in their lives. Whilst they still love making music together, they have now cut back on travelling, picking and choosing where they play. Jan stressed “we are still very much alive if not kicking quite so high!”
Steve Hanks
Research by Nick Catford.
Steve Hancock comes from Doncaster, South Yorkshire and his father Gordon was in a popular Country trio, Dusty Road in the early 1980s. The line up was Dave Hepworth (pedal steel guitar, lead guitar, banjo and vocals), Gordon Hancock (Rhythm guitar and vocals) and Chris Hartle (bass and vocals). Despite this upbringing in Country music, Steve was a late comer, not learning to play guitar till he was 20 when we was working as a RAF technician in Norfolk. Having learnt to play, he soon joined his first band, Country Style in which he played lead guitar and sung harmony vocals. The line up was Steve Hancock (lead guitar), Barry Loftus (rhythm guitar), Alan Gosling (bass), and David Smith (drums) with a young girl called Lisa on vocals. After a year with them he left in the early-1980s to front his own band Moonshine. The line up was Steve Hancock (lead vocals and lead guitar), Nigel Martin (guitar and keys) and Dave Bywaters (drums). The band quickly became popular in the Norfolk area. By the mid-1980s, Steve left the RAF and took full time employment working as a fitter at Norwich Airport. Travelling 50 miles to work and working in a band proved too much, and he had to leave Moonshine but he soon found a place as a bass player in a well established Irish band from Norwich called Spiral. The line up was Bill Docherty (vocals and rhythm guitar). David Downs (lead guitar), Steve Hampton (bass and vocals), Eric Coulson (pedal steel guitar, electric guitar and vocals) and Keith Greentree – later replaced by Collin Burrage (drums).
Despite a few changes in line up which included bass player Stuart Ramsden in 1996 and multi-instrumentalist Steve Harrop in 1998 and a change of name from Band to Trio, they continued to prosper into the 21st century. Steve Harrop’s son Robben took the place of Stuart in October 2000. At the end of May 2002 the band came off the road and Steve Hanks launched his solo career. During the 1990s and early 2000s The Steve Hanks band recorded a couple of cassette albums and a CD album but sales were never good and there have been no further albums.
After a couple of years as a soloist Steve teamed up with Tony Hornsby, another former member of the Steve Hanks Trio in a new duo and, in 2006, he joined multi-instrumentalist Jon J Paul in a new trio called C’est La Vie. The John J Paul Band from Lincolnshire was one of the top bands on the club circuit in the East of England in the 1990s. The new trio comprised John J Paul (lead vocals, guitar, keyboard and accordion), Steve Hanks (lead vocals and guitar) and Tony Hornsby (bass).
C’est La Vie toured for 14 months before Steve decided on a career change. C’est La Vie carried on and expanded to a 4-piece band. Steve first trained as a teacher but another career change came in 2009 when he became a contract manager for a major welfare-to-work organisation. He was, ironically, made redundant in January 2012 as a result of changes in government funding and restructuring. It was logical for him to return to the Country circuit as a soloist with a brief return to teaching during lockdown. He also now provides the PA for many Country events and between that and singing he is still much in demand.
Steve has also worked as a TV Actor/Extra and has had numerous appearances in programme’s such as Emmerdale, Coronation Street, Heartbeat The Upper Hand and speaking parts in A Touch of Frost and Coronation Street as well as several commercials and a couple of films.
Although always a prolific songwriter Steve initially avoided singing his own songs until 2002 when he was asked to write a song for a film called Among Giants, The song Why wasn’t used in the film for copyright reasons but the response he got from playing the song live has prompted him to continue writing.
Billy Levin Band
Research by Nick Catford.
Kent singer \ songwriter Billy Levin has been in a number of Country bands over the years. In the mid 80s he was in a band called Drunk and Crazy with brother Tommy. They had a Sunday residency at the Fishing Smack pub in Barking, Essex. The band split when the lead singer and bass player moved to Yarmouth so Billy, Tommy and Wag (the fiddle player) teamed up with Trevor Kelly and Mike Scott Tracy. The band eventually became Trevor Kelly and the Lonestar Flyers.
In 1998, Geoff Eatwell left the popular Kent band Plain Loco and was replaced by Billy Levin. As Billy is a guitarist, this was the first time Plain Loco didn’t have pedal steel guitar in the lineup. In 1999 Plain Loco recorded the CD album Blue Memory; an album still considered to be a milestone in British country music. It is an album of all original songs. Billy Levin contributed five songs including Call me when it’s over and including the title song, three were co-written by Tony Crooks. The album was recorded in Sean Kenny’s studio and featured Karl Brazil on drums; Karl is now in Robbie Williams’ and James Blunt’s band.
In mid-2001 Billy Levin left and Plain Loco became a duo with Steve Jay and Tony Crooks. Billy’s next band was Dartford Crossing, but not being keen on touring they quickly folded. It was, at this time, that Billy Lervin realised he never wanted to work with backing tracks again. He bought a PA and formed his own Billy Levin Band; he told me recently “You can’t beat the buzz playing with a full band”. Over the years the band was also known as the Twangdaddies, a name that wasn’t always popular and is now usually referred to as Billy’s Band. The name come from the lyrics of Brad Paisley’s song Oh Yeah, You’re Gone – ‘Billy’s band is playing at the Canyon club on Friday’.
In 2012 Billy was lead guitarist \ vocalist in the reformed Porridge Country Band with brothers Ed and John Paine and their wives Bev and Sandie who had been playing together since 1975, forming the original Porridge band with Ed Pearson in 1989. The reformed Porridge Band recruited both Roger Humphries and Clive Lawrence. Clive only stayed a short while and was soon replaced by Billy Levin. Billy and Roger Humphries left the band in 2013 with Dave Lane replacing them both on lead guitar. From then on Billy concentrated on fronting his own band which also included Roger Humphries for a while. The current line up is Billy Levin (lead vocals and lead guitar), Steve Crispe (lead guitar and vocals), John Davis (bass and vocals) and Ali Clarke (drums). In the 1980s Steve Crispe has been a member of Roger Humphries band and later Greta and the Strayshots.
Capricorn
Research by Nick Catford.
Capricorn duo was formed in 1979 when Robin Williams, a veteran of many Country music bands in Southern England advertised for someone to join him in a new duo. That someone was John Scott. John Scott has been a Country music fan as far back as he can remember. He recalls family parties, and the singing of Country songs as well as traditional Scottish and Irish ones, where he always had to do a turn, although from behind, the settee sometimes! His greatest influences in those days were George Jones, Buck Owens and Hank Williams. A week didn’t go by without buying an LP and writing down the words of the songs! It wasn’t only the songs that appealed, but also, Country music’s intricate history, which he still loves to explore.
From the age of 16, he sang in halls in his native Glasgow and helped to run a Country club. Later, with a friend, he performed in pubs and community centres, singing Everly and Louvin Brothers songs. John joined the army in 1976 aged 19, and spent two years trying to convert West German folk club audiences to Country music. He likes to think he had some success! He formed Pure Country duo with Janine Clarke, performing George Jones and Tammy Wynette songs mainly in the folk clubs at British army bases. On leaving the army he settled in Salisbury where, in 1979, he answered Robin’s advertisement.
John has met many of Country music’s major stars from Garth Brooks to Kitty Wells, and still remembers, as a 17 year old, how his knees trembled the first time he met George Jones. He is proud to have sung a couple of songs in Tootsie’s Orchard Lounge in Nashville and he even sang and acted in a Scottish Tattoo at the Albert Hall in front of 5000 people.
Robin and John chose the name Capricorn for their new venture as it was their joint star sign. They worked locally in Country clubs, pubs and social clubs playing mainly popular Country music. In the mid 1980s, Robin decided to take a break from singing and went to America for a 6-month holiday. John Scott didn’t want to give up singing during this time or go solo so, instead, he put a new 4-piece Capricorn band together while John was away.
The band comprised John Scott (Lead vocals and rhythm guitar), Jim Pritchard (Pedal steel guitar). Terry Parkinson (Bass) and either Bill Street or whichever dep drummer was available. Following his return from the US and realising there was no longer a place for him in Capricorn, Robin tried to form another band with local musicians but nothing came of it. Mike Pretty joined the band as full time drummer in 1991.
Mike Pretty was born in Bournemouth and grew up listening to the likes of Johnny Ray, Guy Mitchell and Frankie Laine on the radio. Then, like many of his generation, rock ‘n’ roll arrived and had a profound effect on him making him want to be part of it. He also discovered Johnny Cash, and it was on hearing The Ways Of A Woman In Love that his lifelong love affair with Country music began.
Mike started out as a singer but soon discovered his drumming ability, and for the princely sum of £25 he acquired his first drum kit. This led to the formation of Ricky Marshall and the Deputies (circa 1960) a Country-sounding name but heavily influenced by Cliff and the Shadows. Mike’s involvement lasted until 1962, when his interest in cycle racing brought an end to his musical career, or so he thought. However, by 1965 he began singing again, this time with a piano player, though after a year or so his showbiz career was once again put on hold. Old habits die hard though and his passionate interest in Country music, plus his ever-increasing record collection, combined to encourage Mike’s eventual return to playing. An informal jam session in 1979 led to the formation of the Cottonwood Country Band and for the next 12 years Mike was their drummer, until a chance meeting with John Scott in 1991 resulted in Mike joining Capricorn. Among Mike’s many favourite singers are Rodney Crowell, Bobby Bare, Ed Bruce and Jimmy Buffet.
Capricorn carried on until the mid-90s when an outstanding American guitarist from Colorado, James Furguson came in and brought the band up to a 5-piece.
In 1996 Mike Loft replaced Terry Parkinson who wasn’t really a Country bass player. Initially hooked on The Shadows, Mike started playing guitar at the age of 12 when he formed a school band. By the age of 15 he was doing private gigs and playing in pubs. He played in a rhythm and blues band on leaving school, based around Basingstoke and Reading. He then moved to Poole, and helped form Cincinnati Hog Farm in 1971, swapping over to bass guitar and playing a mixture of Country/folk/fun songs all around the Bounemouth area.
In 1975 he formed Three ‘n’ Easy with two former Hog Farm members, who, with the addition of a drummer in 1977, rebranded themselves as Western Approach, and were successful on the southern Country scene for 18 years, eventually disbanding in 1995. Mike then helped form Dorset-based Shameless, who performed a programme of high energy, modern Country material; a year later he joined Capricorn.
Shortly after Mike’s arrival, James Furguson left after 18 months with the band and Mark Jacobs came in on lead guitar. At this time, Capricorn were still a semi-pro band and Mark wanted a full time guitarist job so he only stayed with Capricorn for a while, eventually leaving to join Rick McKay who was putting together a new pro band. Instead, Rick McKay went to America so Mark ended up joining Kaliber. Next to leave was steelie Jim Pritchard which took Capricorn back to a 4-piece. Andrew Fletcher (Fletch) then joined the band as lead guitarist. He was a good musician but not really a Country player and many people considered him to be too rocky so his time with the band was short. The band advertised for a new Country guitarist although they had in mind Pat O’Dea who John already knew. By a strange coincidence, Pat O’Dea answered their ad and joined the band in 2003 as lead guitarist and vocalist. Pat 0’Dea was born in Ireland with a lifelong love for his native music heritage. Pat was bitten by the Country music bug on first hearing Marty Robbins’ El Paso. He initially began performing back in the ’60s with a Merseyside band The Lounge Lizards then worked as a solo singer/guitarist in London and Liverpool, before forming his own band, After Hours in Dorset, in the mid 70’s playing Country, blues and rock music.
Pat joined Bridport band Okie in the late 1970s, then moved to Bournemouth, singing and playing guitar in numerous club and for 10 years. In 1990 he helped form The Buckin‘ Broncos, who toured successfully around the southern Country circuit before disbanding in 1999. Pat then played locally again in Bournemouth before seeing John’s ad joining Capricorn.
Pat is also a prolific songwriter, writing and recording under the name Owen Moore. His material is generally folky with an Irish flavour and doesn’t feature in Capricorn’s repertoire. Over the years Capricorn won many club awards including the Southern Country (Magazine) Club Band of the year in 2008.
Around 2010 veteran Country singer Frank Jennings decided to revive his career. Many people consider Frank to be one of the best British Country singers. He achieved national recognition winning Opportunity Knocks in 1975 with his band, Syndicate. Frank Jennings Syndicate were one of the first UK bands to get a major label deal and during his long career he has recorded at Abbey Road for EMI and also in Nashville, where he appeared at the Grand Ole Opry, he has also appeared at the London Palladium. He toured in the UK opening for major artists like Don Williams and Tammy Wynette. During his revival, Frank was backed by Capricorn who in fact became the new ‘Syndicate’. Frank Jennings was inducted into the British Country Music Hall Of Fame in 2013. Frank has now retired from singing.
In 2012 John Scott was forced to take a year away from the band for medical treatment. This would have brought them down to a trio but they were able to find a new steel player, Mike Wrixton who joined the band in June that year. Mike was born in Bridport, Dorset and his roots come from a musical family where his father played piano and piano accordion in local pubs, his mother played piano and his brother is still playing Sax, Clarinet, Flute and Drums with several bands in Bridport and the surrounding area.
After learning the piano as a youngster he took up playing acoustic guitar in local folk groups before being drawn to Country music. He then joined a Country band called Okie, still playing guitar, which was the start of his Country journey. Mike was deeply influenced by bands like New Riders of the Purple Sage, The Flying Burritos, The Byrds, Pure Prarie League and got hooked on the sound of the pedal steel guitar. After a telephone conversation with Gordon Huntley, British steel player with US band Mathews Southern Comfort, he purchased his first student model MSA pedal steel from Gordon. His main steel influences are Buddy Emmons, Lloyd Green, Doug Jernigan and J. D. Maness. On Moving to Bournemouth in 1976 to take up a new job, Mike played in various bands most notably playing steel with local band Country Pride until the band broke up in 1985. Over the following years Mike played mostly as a stand in steel player with most of the local Country bands as he was unable to commit to a full time position in a band due to his job. However he managed to find time to play steel on a couple of Capricorn’s CDs. In 2008 Mike started working for himself and was soon back on the road with several local bands until he joined Capricorn.
They carried on for a year as a 4-piece without John. John eventually returned and Capricorn went back to a 5-piece for a year. During lockdown, John announced his retirement from playing. The other four members considered folding the band at this time but following lockdown they decided to carry on as a 4-piece and as bookings are once again coming in they intend to continue for the forseeable future.
Amy Morgan
Research by Nick Catford.
Amy Morgan was born in 1972 and brought up in Astley, nr Wigan, Lancs and now lives near Blackburn. She has always loved singing from a very early age. She sung in the school choir and whilst at secondary school, gave a solo performance at a Christmas concert. She gained an A grade in music and learned to play the piano as well as writing some original songs.
She continued to perform middle of the road songs and covers for about 18 months until she realised that her real passion was for Country music. Apart from her time in Turkey, Amy had never worked solo and had no aspirations to be part of a band. She knew her future career was as a solo Country singer and to help achieve that she invested in a second-hand PA system and in 2010 and re- launched her singing career as a Country singer playing her first Country gig at the Fort San Antone club near Preston where she had been practising for many months. Her sister and brother-in-law were regular visitors to the club but Amy is the only professional singer in the family.
Amy released her first Country album From This Moment in 2011; this features a well chosen mix of old and new songs and one of her own original songs Some Day. Since her first album she has released a further five albums which include six original songs with a further three of her own songs ready to be recorded.
Although Amy learnt piano at an early age she doesn’t play an instrument in her stage act and has no plans to learn an instrument in the future as she feels this would detract from her ebullient (look it up) singing style.
The Long Haul
Research by Nick Catford.
While many established British Country bands were folding or downsizing to duos or solos in the 2000s, The Long Haul made their debut on the Country scene in 2009 and quickly made an impression of excellence and are clearly in it for ‘The Long Haul’. The band is based in Brighton, Sussex and like many surviving bands they specialise in traditional classic Country, including Western Swing, Americana and two-step Texas shuffles. What stands them apart from many bands is that two of their members are prolific songwriters and many of their excellent songs are always included in their programme. BBC Radio 2’s Country music presenter, Bob Harris recently said of them while listening to their latest album, ‘An excellent band, I am really ejoying these songs’.
Simon Sparrow fronts the band and plays acoustic guitar and bass (although the latter only in a previous band) and, along with François, he writes the band’s material. A self confessed Country enthusiast, Simon is a big fan of Texas Country, Western Swing and singer/songwriters. His prize possession is a Martin D18 guitar which comes out to gigs from time to time.
Simon and François DeVille are the only original band members left. Francçois came to playing steel relatively late but was lucky enough to study, all too briefly, with the late great Jeff Newman – arguably the world’s best steel guitar teacher. His ‘Top Gun’ boot camp (one on one instruction for five days) was an exceptional learning experience. Jeff’s motto was one which François tries, with occasional success, to live up to: ‘Make It Pretty’. He first played pedal steel with another Country band, The Diablos, leaving them in 2014 to concentrate on The Long Haul
Duncan James plays lead guitar and is pretty nifty with the twang of his vintage Telecaster. A Country music aficionado, Duncan provides the snap and soul at the heart of The Long Haul, he has been obsessed with all things Western since being given a Davy Crockett hat and a copy of The Yellow Rose Of Texas at the age of five. He lived in the US for 10 years but returned, Telecaster in hand, to play ‘both kinds’ of music here. His guitar heroes are many and varied but include all the usual suspects, from Marty Stuart and the B-Bender style (he’s owned one for 25 years) through to modern players like Guthrie Trapp. An all-rounder, Duncan plays Country, blues, swing, rockabilly as well as British 60’s pop, on which he grew up.
Scott Warman joined the band in 2016, taking over from François on bass. Born in London, Scott started off playing electric bass after buying one in a jumble sale, thinking it was a normal guitar and only noticing it had four strings when he got it home. Moving onto double-bass, he now plays with a whole range of artists in the UK and the US working with Nashville performers Amelia White and Alice Wallace, Finley Quaye, New York Americana singer Annie Keating, Robbie Cavanagh, Demi Marriner, Plainsong guitarist Andy Roberts and singer/songwriters Simon James and Karl Bray. He has been heard on many BBC radio programmes, including Radio 4’s Loose Ends, Bob Harris Country on Radio 2, the Tom Robinson Show on 6 Music and Alex Lester’s Radio 2 Christmas Day programme! In 2017 he toured the UK, Holland, Italy and Switzerland for five weeks with Annie Keating’s band, which included radio and tv sessions across Europe. He’s also a ‘Whispering Bob All Star’, supplying the double bass on Bob Harris’s 2020 charity relase Stand By Me.
Newcomer James Chapmen regularly performs all over the United Kingdom with many different musicians and bands, playing a wide variety of genres from jazz and blues to funk and rock. Recently, James has been in the studio creating sound libraries for the company ‘Loopmasters.’ James developed his love for Country music from a young age listening to artists such as Nanci Griffith, Vince Gill and Alan Jackson. ‘It’s really nice to be involved with a Country band’, he said, ‘playing both originals and covers as it is a genre I really enjoy and it’s great fun to play with like-minded musicians who share the same passion.’
The Long Haul have released three cd albums, their eponymously titled first cd, was recorded entirely live at Metway Studios in their home town of Brighton. It features live favourites, including Workin’ Man Blues and Sunset Boulevard. Their second album, Beautiful Lies was released in 2017 and recorded in Brighton, Austin Texas and Nashville Tennessee; it was produced by British musician Eamon McLoughlin who was a founder member of the Greencards in 2003, has received two Grammy nominations and along with his touring and studio work he still found time to be the staff fiddler at the Grand Ole Opry. The Long Haul were fortunate enough to have some marvellous guest musicians on board such as Lloyd Maines on pedal steel and Chris Scruggs on lap steel and tic tac bass, John Jarvis on keys and of course Eamon on fiddle. Their third album, 21st Century Blues, was recorded at the end of lockdown and was released in October 2021. The latter two albums consist entirely of original songs.
Wayne T
Research by Nick Catford.
Wayne Thornhill started his career as a singer working the cabaret circuit in North West England. Concentrating on a small area allowed him to hold down a full time job while singing evenings and weekends. Although he was brought up listening to Country music (his father is Arthur Thornhill from West Virginia and one half of The Thornhills country duo) Wayne wasn’t a die-hard Country fan so when he launched his career in the mid-2010s he sung mainly chart covers but with a nod to Country (Mavericks, Eagles etc) always included in his act.
With the demise of covid and clubs coming out of hibernation, Wayne is once again in demand. He has a very full diary for 2024/3 and is already busier than expected. He puts that down in part to his real love of Country music. Although he admits he wasn’t always a Country fan he now listens to nothing but Country music and has a wide repertoire that allows him to cater for all clubs whether Country or line dance and his programme is always 100% Country music.
Wayne still takes occasional cabaret bookings and is also a member of the Thornhill’s Family Country Music Show. This includes solo sets from Wayne and his cousin Dan, a duo set from The Thornhills and the final set where all four of them get together. This family show is proving very popular and although available for festivals and clubs they only take limited bookings as Wayne and Dan give priority to their solo careers.
Plain Loco
Research by Nick Catford.
Plain Loco was formed by Steve Jay in 1990. The original line up was Steve Jay (bass, harmonica and lead vocals), John Henry Ford (pedal steel guitar), Tim Relf (drums) and Tony Caldwell (lead guitar and vocals). Steve began his career in the late 1960s spending seven years in pop band Capricorn. They won the world popular song festival in Japan in 1972 and had a No 4 hit in Japan. When Capricorn folded, Tony Caldwell asked Steve if he would deputise in the Gary Blackmore Band – this was his first taste of country music and he ended up staying for 8 years from about 1974 to 1981. He left to join comedy showband Sweet Illusion and when they folded in 1990 he formed Plain Loco. mmmm Tony Caldwell has played in many different bands since the 1960s most notably country band Colt 45 with John Rayner and fronted by the late Bob Stammers. After their demise in 1977, Tony joined the Gary Blackmore Band staying until 1981. He then joined the Jonny Young Band but spent a year with Spellbound in 1983 before returning to the JY Band. John Henry Ford (real name John Rayner aka John Knee-Levers) has had an equally long career. He first immersed himself in country music in the 1970s taking up pedal steel guitar which eventually saw him perform at Wembley Arena with Colt 45 before touring for seven weeks with George Hamilton IV. John went on to join Highway Shoes who were considered to be one of the best UK country bands in the late 70s. mmmmm Tim Relf had previously been drummer with the Gary Blackmore band but his time in Plain Loco was short and, later in 1990, he was replaced by Trevor Walter. Trevor had already seen pop success as a member of The Look (formerly The Kreed) which was formed in 1979 and fronted by Jonny Whetstone. The band’s debut single, I am the beat, peaked at No 6 in the UK singles chart in 1980. The Look never repeated this success and folded in 1983. Trevor then became a school teacher.
Plain Loco now had a settled lineup and quickly established themselves as a top class act working all over the UK at Country music clubs and major festivals. They also worked in Belgium and Holland. Their first two cassette albums were recorded with this line-up. The first, Alive and Kickin’, was a live recording released in 1993. It featured Dave Anderson on pedal steel as John Henry Ford was unwell and couldn’t make the gig. In 1994 Plain Loco contributed one track to a compilation album The Best of New British Country. Next came a studio album, Smokin’, released about 1995 and a cd album, Whose round is it anyway, recorded live at Harefield FC, also in 1995.
John Henry Ford left Plain Loco in 1996 and Steve invited his former bandmate, Geoff Eatwell from the Gary Blackmore band, to replace him. Geoff built his own Hawaiian lap steel when he was 14 and, whilst still at school, he converted it into a pedal steel. Having been taught to play by Ed Payne of the Ned Porridge Band, he joined his first band, The Mavericks. Having done some gigs with Roger Humphries and The Cherry Pickers in 1979 he became a professional musician.
His next band was the Gary Blackmore Band with Steve Jay and Tony Caldwell. He stayed with them for eight years till the band split up. Next he joined Vic Woodhouse and Lindsey St John in Hickory Lake followed by four years with George Moody and the Country Squires. After a period of ill health, Geoff gave up music and got a job in the concrete industry. He was eventually persuaded back to music and did some sessions with the Private Parts Band and, at one of their gigs, he got to play with Jeff Beck and Rod Stewart.
After being made redundant in 1992, he went back on the road full time with Band Named Sioux and stayed with them until he was offered the job with Plain Loco in 1996.
As with many Country bands, Plain Loco’s lineup has been quite fluid. Next to go in 1996 was drummer Trevor Walter. He was replaced by another experienced drummer and good friend of Wango Wiggins, Steve Dixon. Steve had been in a 7-piece function band called Soul Intention fronted by Paul Cox since the bands formation in 1992.
In 1996 there were plans for Plain Loco to become the backing band for Tony Rouse performing at major concert venues and festivals. Tony Rouse had made his name in London’s West End firstly in Les Misérables in 1992/93 and then as ‘Greaseball’ in Starlight Express 1994 – 1996. The collaboration was, however, short lived and they only ever did two gigs together before parting company. One of the gigs was at the Bottom Line in Shepherd’s Bush.
A new studio cd album called River Road followed in 1997. The album was 11 original songs, four written by Steve Jay, three by Steve Dixon, one co-written by Wango Wiggins and Geoff Eatwell and one co-written by Wango Wiggins and Billy Karloff.
Next to depart was Wango Wiggins in April 1997. Steve Jay has never had a problem finding top class musicians and Wango’s replacement was Tony Crooks.
Tony began playing guitar at the age of nine and ten years later he was working 4 nights per week all over the North West playing a diverse mix of pop, rock, blues, soul, whilst still holding down a day job. In 1986 he moved to London and joined The Kick, a new band formed by Leo Lyons a founder member of the late 60s Rock band Ten Years After. After eight years, The Kick disbanded but Tony and Leo continued to write songs together mostly for the Nashville market, having become interested in Country music over the years. With this new found love of Country, Tony was keen to find full time employment in a country band and eagerly accepted the job with Plain Loco.
In 1998 Geoff Eatwell left and was replaced by Billy Levin. As Billy is a guitarist, for the first time Plain Loco did not have pedal steel guitar in the lineup. In the early 1990s singer/songwriter Billy Levin had fronted his own band, The Hollywood Cowboys with his brother Tommy and prior to joining Plain Loco he was with Johnny Earle & Southern Star. At this time, Steve Dixon couldn’t make all the band gigs as he was still playing with Soul Intention, on these occasions the band played as a trio with Tony Crooks programming the drum tracks. Steve Dixon eventually left later that year and it was decided that Plain Loco would carry on as a trio.
In 1999 they recorded the CD album Blue Memory; this is still considered to be a milestone in British Country music. Again, it is an album of original songs; Billy Levin contributed five songs including Call me when it’s over and three, including the title song, were co-written by Tony Crooks. The album was recorded in Sean Kenny’s studio and featured Karl Brazil on drums; Karl is now in Robbie Williams’ and James Blunt’s band.
In mid-2001 Billy Levin left and Plain Loco became a duo. They remained busy on the club circuit but by 2009 they were becoming known as a line dance act playing mainly new material. This meant that some clubs that preferred more traditional Country stopped booking them. In order to cater for all tastes, Plain Loco reinvented themselves as the Loco Boys playing a wide range of pure Country music from the 1940s to the present day. Both duos functioned side by side and the new arrangement worked well as bookings increased.
Two more cd albums were released, Stick Together in 2012 and six of the best + 1 4 luck. Both were covers apart from Silver shadow a Steve Jay original song.
The duos continued until the end of 2013 when Steve decided to retire from full time gigs and he and Tony went solo. They still do the occasional gigs together either as The Loco Boys or Plain Loco and even come out as a trio if required with Cliff Weston on pedal steel. Steve and Tony have also been running line dance weekends with top Country acts since 1998.
After leaving Plain Loco, Tony Caldwell went back to the Jonny Young band and was often seen depping with other bands. He joined an American band, Eddie Choate and Texas Nightlife from RAF Lakenheath between 1999 – 2001. He finished his career with the Jonny Young band in 2008 and no longer plays. He is now a strength and conditioning coach at Aylesford Rugby Club in Kent. Tim Relf also played with the Jonny Young band until they came off the road in 2008. Having an interest in Country music, in particular the pedal steel guitar, John Henry Ford’s (Rayner) musical career changed direction after he listened to Marty Robbins’ album, Hawaii’s Calling Me. He joined a band called The Hawaiian Islanders and still plays bass with them.
After leaving Plain Loco, Trevor Walter worked with the Mike Scott Tracy band. He is retired from teaching and now plays with northern soul band the Hi Fi Sneakers. Steve Dixon stayed with Soul Intention until they disbanded in 2017 and was also a member of Gary Moore’s band in 2010. He and Paul Cox also played in a Free / Bad Company / Led Zeppelin tribute band called Fire and Water. Steve released a solo album a few years ago and now does occasional sessions and gigs. mmmm After Plain Loco, Wango Wiggins became a music teacher, session guitarist and composer of music for radio adverts and jingles. He is now retired from education but still plays occasional gigs and sessions. After leaving Plain Loco, Billy Levin formed Dartford Crossing but they were not keen on touring and quickly folded. In 2012 he was lead guitarist/vocalist in the reformed Porridge Country Band but only stayed for a year before leaving to concentrate on his own band Billy Levin and The Twang Daddies and now Billy’s Band; he is still busy writing. Geoff Eatwell hasn’t played since leaving Plain Loco. In 1998 Tony Rouse was back in Starlight Express playing Greasball (1998-99) and Swing (1999-00), He is now working as a soloist on the country circuit.
Stubby
Research by Nick Catford.
John Stubbs, better known to most people as Stubby has had a lifetime in the music industry stretching back to 1970 when, at the age of 16, he formed his first band called Circuit. They were a pop band with an emphasis on soul and Motown and once established they got a contract to work in the US air bases in Germany until Stubby was deported. Having returned to the UK in 1974 he formed a cabaret band called Mayfair and also worked in a couple of duos, guitar and drums but no backing tracks.
Their premature retirement was, however, short lived. In 1978 Malcolm teamed up with Jim Henshaw and John Stubbs who was now looking for a new band and they formed Captain Flint. Although primarily a soul band they were all fans of Dr Hook whose material provided the Country influence for the band. The following year saw further changes and Malcolm joined the Cumbria-based Dave Storey Band and by 1982 his interest in the recorded side of the music had taken more than a foothold and he set up a recording studio in Carlisle and engineered recordings for Maddy Prior and Rick Kemp of Steeleye Span, Michael Chapman and Martin Simpson (who recorded the soundtrack for the ITV children’s series Stookie).
After Captain Flint, Stubby formed Topper and Co, which he describes as ‘a really fun band; the rockiest, rolliest, drunkenist band ever’ – apparently they didn’t make much money but did they have a good time! It wasn’t long before Malcolm teamed up with Stubby again as Lemongrass Duo later in 1982 and they used backing tapes to produce the modern Country sounds of Rodney Crowell, Alabama, Willie Nelson, etc. This worked very well because by now Malcolm had seen the potential and had the facility to produce very good tapes so that it was possible to use reel-to-reel on stage rather than the poorer quality cassette.
Malcolm’s heart was however in Country music and it wasn’t to be long before Lemon Grass was revived as a band (note the name became Lemon Grass at this time rather than Lemongrass). Their first Country line-up comprised Malcolm Mason (keyboards, lead guitar and vocals), Mike Wilding (vocals and rhythm guitar) and Geoff Betsworth (pedal steel guitar and acoustic and electric guitars).
Geoff started his music career back in 1967 playing finger-picking style guitar in southern folk clubs and he played in various folk and folk rock bands. During 1967 he picked his guitar non-stop for 12 hours (sponsored) at a local pub which stayed open all day. His friends at the time swore it was because it was his turn at the bar and it was the only way he could think of to get out of it. By 1979 he was playing pedal steel guitar, depping with Campbell Reid and the following year he formed the Georgia Country Band with Dave Porter. After moving to Cumbria in 1982 he joined local band, Harper Valley and then, in 1985, he joined Lemon Grass. It wasn’t long before Mike Wilding was replaced by Terry Mills on lead vocals and rhythm guitar. At this time Lemon Grass worked mainly in the north of England and won Clubland Country act of the year in about 1987. With the revival of Lemon Grass, Stubby started a solo career using backing tapes and this proved popular and carried on until the end of 1989 when he was in demand again.
It soon became clear that Lemon Grass would have to travel further afield and, in particular, to the south of England if they wanted to get more work. Terry had his own business and couldn’t commit to life on the road so Malcolm brought in his old band mate, John Stubbs on lead vocals.
Mick Green’s colourful description of Stubby in British Country Music Roots in October 1991 seems very accurate … ‘If Malcolm is the technician of the band, Stubby must be the minder. Big, hairy and covered in tattoos, he presents a fearsome sight off-stage. Lemon Grass do not feature percussions in their stage line-up but my trusty dictionary describes percuss as to strike sharply and l‘d have a shrewd guess that this big guy could do this to perfection if required. Although within this brash, bold and, at times, outrageous frame is a voice of pure Country gold which is one of the greatest assets that Lemon Grass has – something that no technician in the world can reproduce.’ The line-up was Malcolm Mason (keyboards, lead guitar and vocals), John Stubbs (lead vocals and electric guitar) and Geoff Betsworth (pedal steel guitar and acoustic and electric guitars).
It was with Stubby and Geoff that Lemon Grass really went to the top of the British Country music scene and this is the line-up that most people would remember. For two years running they were voted top British trio in the Country Music Round-Up and they brought out three very successful albums. The first, Lemon Grass, which included Mike Wilding on harmony vocals was only available as a cassette. The other two, Taking It To The Limit (1991) and True Brit (1993), were cassette and cd. Taking It To The Limit had 20 tracks, 10 live and 10 studio. True Brit featured a Geoff Betsworth song – A Breath Is All It Takes – which was also released as a vinyl single. Its beautiful lyrics and heart-string tugging melody made it the number one Country single in the UK. The more humorous side of the band brought them success Stateside when Malcolm’s song, Bingo Cowboy, a rather wry look at those clubs which seem to fit the bands in between the bingo sessions, charted in the US.
In 1994 Stubby left Lemon Grass to pursue a solo career and Terry Mills came back as lead singer for a while. In 1996 Stubby joined Colin Ford in a new duo called Second Chance. Colin Ford was the lead singer and songwriter in Nashville Fever who were formed in Norfolk in the early 1980s. Nashville Fever quickly became one of the busiest bands on the club and festival circuit. In 1990 they shortened their name to Fever because most fans referred to them as The Fever and their style of music was more Texas than Nashville. In 1993 Colin Ford left the band when he needed vocal cord surgery and he was replaced by Jim Kean. After the successful surgery Colin formed a new band, Lost Legends which comprised Colin Ford (lead vocals and rhythm guitar), Les Evans (lead guitar). Roger Ottley (bass) and John Hughes (drums). By 1996 Lost Legends had folded and this led to a collaboration between Colin Ford and Stubby.
Second Chance lasted for six years, coming off the road in 2002 when Stubby joined his next band, the Corn Dogs with Cliff Weston. On leaving Medicine Bow, Cliff Weston joined Band Named Sioux, staying for 18 months before leaving to form the Corn Dogs trio alongside Kevin Blake and Shane O’Borne who both played lead guitar. The Corn Dogs were very well respected with three versatile multi-instrumentalists and three good singers, both harmonies and lead vocals. There were several changes in the line-up. Shane was, in time, replaced by Rick McKay and later by Stubby who stayed with The Corn Dogs for two years, eventually leaving to resume his solo career. His place in the Corn Dogs was taken by Nadine Somers which brought a change in name to The Corn Exchange.
Stubby’s next band was Sidewinder trio with Stu Payne and Andy Saphir. Stu Payne had been a member of Peterborough Band Circuit Judge but the band folded in July 2002 following Pat Judge’s sudden death. In August 2003 Stu joined Sidewinder, a trio that had been together for a few years. The line-up at this time was John Stubbs (rhythm guitar and vocals), Andy Saphir (lead guitar) and Stu Payne (keys and vocals). Andy left c.2005/6 and Stu and Stubby carried on as a duo until the end of 2008 when Stubby decided once again to resume his solo career. Following the demise of Sidewinder, Stu formed a duo called Gemeni with Gemma Fairweather and now works with Texas Tornados. Stubby has continued working as a soloist since then apart from a collaboration with Julie Dawn in Country Dawn duo in 2017. They still work together occasionally and are planning to record a cd. John Douglas was born and raised in Jersey where, in 1988, he started working the local Country clubs and hotels during the summer season. He assembled his first Country band there and played regularly at the Wolves Cave Club in St.John.
John lists his Country influences as Garth Brooks, George Strait and Alan Jackson and this is evident both in his singing style and his own compositions.
John Douglas
Research by Nick Catford.
John Douglas was born and raised in Jersey where, in 1988, he started working the local Country clubs and hotels during the summer season. He assembled his first Country band there and played regularly at the Wolves Cave Club in St.John.
John lists his Country influences as Garth Brooks, George Strait and Alan Jackson and this is evident both in his singing style and his own compositions.
Having a long-standing love of Country music and Country music people, Tony Ryan was at ease playing behind a vocalist or as an instrumental soloist. A well respected player, he appeared each year at the prestigious Festival of Steel Guitar at Newbury. Tony has played previously with Hobo and Wes Cardy, leaving the latter to join Southern Star.
Doug started his musical career early, playing classical piano from the age of six. He later moved effortlessly to drums and by this time was widely accepted as a master of his craft. He had previously been a member of Barry Westbrook’s Mean Business.
The new band quickly made a big impression on Country fans and promoters alike and was booked to appear at numerous festivals, including Basildon, Redbridge and Strumpshaw. As Country performers, the band was an instant success with audiences, especially in the south and by displaying their strong vocal, visual and instrumental talents in putting across energetic performances of modern Country music.
In 1993 they won the BCMA Award for Most Promising Newcomers.
A change of line-up in January 1994 brought Mike Spiller on bass. He was another experienced musician having played all types of music and he was also a talented songwriter. Previous Country bands include Hot Toddy (fronting Irene Leslie) and Jackson Queen and he also played for a short time with Albert Lee.
Later that year Southern Star became a five-piece with the arrival of Rufus Ruffell on lead guitar. Unfortunately Rufus’ time with the band was short. He left after six months due to other work commitments.
By 1995, John was unhappy with the way the band was progressing and when the opportunity arose to front a new five-piece he immediately left his own band and launched the new John Douglas Band.
Southern Star continued with a new front man, Johnny Earle.
The John Douglas Band was, in fact, the redundant Tracy Elsdon Band. With little warning, Tracy decided to retire from the Country scene and this left a ready made experienced band looking for a new frontman and John jumped at the opportunity. The line-up was John Douglas (lead vocals and rhythm guitar), Jim Weaver (lead guitar), Scott Newstead (keyboard), Billy Dyer (bass) and Ray Hailey (drums).
By 1997 there were a couple of changes with Jerry Jobson coming in on bass and Dave Unwin on keyboards. By the early 2000s, the John Douglas Band was a trio with John Douglas (lead vocals and rhythm guitar), Micky Byrne, formerly with the Julie Byrne Band on pedal steel guitar and Chris Harris on lead guitar.
Chris Harris has been playing guitar since he was 11. He was in a number of school bands around Romford, Essex which gave him a good opportunity to hone his skills as a guitarist. In his early career he was a prolific songwriter and quickly came to the attention of a number of producers and record labels. He set up his own studio where he recorded numerous musicians while working behind the scenes for years as a session player and songwriter. He worked extensively with top Australian record producer David Mackay who has worked with a number of established artists including Dusty Springfield, Bonnie Tyler and Eric Clapton.
Chris was a latecomer to Country music but after he saw a late night Garth Brooks concert on tv he began listening to a lot of different styles of Country music and quickly realised his future as a musician lay in that genre.
In 1996 he collaborated with Sarah Jory. In 1997 he won the international Songwriter of the Year award at the American Country Music Association awards.
Chris Harris first came to the public’s attention in 2002 when he joined the John Douglas band as lead guitarist. He stayed with the band for two years and left to form his own four-piece band, Southern Union.
He was replaced by Martin Donald on lead guitar. Jim Martin sometimes stood in for Micky Byrne on pedal steel guitar and Martin Donald on lead guitar if either of them were unavailable and Jim eventually replaced Micky as a permanent member of the band. Jim had also been a member Tracy Elsdon’s previous band, Ashanti in the early 1990s and had a career in Country music going back to the 1970s.
This line-up lasted for several years but Martin Donald was in demand as a guitarist and was also a guitar teacher and was always having to juggle commitments. Eventually he was forced to leave the band and John Douglas was able to recruit another top class guitarist Roger McKew.
Originally a Country guitarist, Roger was coaxed into the ‘mainstream’ entertainment world and over the years played with such household names as Joe Brown, Lonnie Donegan and Shakin’ Stevens to name but a few. Joining the John Douglas band brought him back to his Country roots.
The line-up lasted until 2007 when the sudden departure of Stig (Rob Tompsett) from Texas Tornados left a vacancy in that very busy band which was filled by Roger. With the demise of Southern Union in 2007, Chris Harris rejoined the John Douglas Band.
Throughout his career, John has always been a consummate entertainer with a charismatic and very visual presentation. A radio mic allowed him to move about the stage and into the audience at will and it was not unknown for him to climb on top of a stack of speakers while still singing.
In 2008 John Douglas decided to take a break from the Country scene and the John Douglas Band folded. Chris and Jim formed Harrison County duo at this time which lasted for three years.
John returned to the circuit as a soloist in about 2015 working clubs within easy reach of his Colchester home and he still gives a highly polished performance which always includes some of his own compositions. Former band member Jim Martin plays on many of his backing tracks.
Kenny Jr
Research by Nick Catford.
Craig Arnold came from a musical family, both his dad Kenny and his uncle Sid were musicians working in the Midlands.
His dad was known as Johnny Rivers and he fronted his own band in the early 60s working mainly in the Midlands. He shouldn’t, of course, be confused with the US singer of the same name who was also working in the 1960s. By the 1980s, Kenny Arnold had revived his career under his own name fronting a four-piece band called Ivory. Still based in the Midlands they won a number of Band of the Year awards playing mainly music from the 50s – 1980s.
Craig helped is father with Ivory for two years before joining the army in 1992. He was initially stationed in Germany but spent some time on an exchange posting to Fort Worth, Texas in the US. It is there that he was first introduced to Country music when a friend lent him a Garth Brooks album. Craig loved the way so many Country singers were also story tellers.
On his return to the UK in 1996, he joined a couple of bands as a singer, one of these was a 10-piece Commitments tribute band specialising in Atlantic soul (Otis Redding, Wilson Pickett) covers from the 1960s. Craig was the lead singer but after two years he was forced to give up singing to look after his son who was seriously ill.
After 12 years out of the music business and working as a transport manager for a shipping company, Craig’s wife Joanne knew that he missed singing and persuaded him to revive his musical career promoting his new love of Country music. He auditioned for BBC TV’s The Voice with a Garth Brooks song and made it to the last 50. This encouraged him to invest in the equipment needed to restart his musical career as a Country singer. He adopted the name Kenny Junior in memory of his late father and took to the road in 2016 as a soloist but also occasionally working with Paul Weston of The Westons’ family trio.
Kenny had only ever been a singer and didn’t play an instrument but he quickly found that as a soloist on the Country circuit he really need to so he taught himself to play rhythm guitar. He has a natural talent as a vocalist and he quickly took the circuit by storm and within his first 12 months on the road he received a CCN nomination for Newcomer of the Year in 2017.
Today Kenny works mainly as a soloist but occasionally still works in a duo with Paul Weston.
His wife Joanne runs the monthly Silver Dollar CMC at Bedworth, Warwickshire.
Hayley Oliver
Research by Nick Catford.
The youngest of five girls, Hayley Oliver was born in South London. Her musical influences, growing up, were mainly Country artists, listening to Dolly Parton, Emmylou Harris, Tammy Wynette and later Reba McEntire, Trisha Yearwood, Lorrie Morgan and other traditional Country music that her parents played. At the age of five, she was asked to sing solo in her school nativity play and went on to represent her school, Linden Lodge, in music festivals throughout the UK. At the age of 11, she was nominated to sing solo at the Royal Albert Hall (at that time, the youngest ever solo performer there) and this led to her making her first single, Saint Of The Orphans, in 1987; it was classed as folk and led to subsequent television appearances on Saturday morning breakfast shows The Wide Awake Club and Going Live and the BBC evening news programme London Plus. Two further early singles followed Andromeda Galaxy which was also classed as folk and Prayer For The World which was classical. With perfect pitch and vocal clarity and an ability to deliver a song in a way that touches the heart of the listener, Hayley’s success at such an early age came as no surprise and she soon knew she wanted a career in music but she first chose to finish her formal education. After leaving Linden Lodge School, she went to the Royal National College for the Blind in Hereford, taking diplomas in business administration and then went on to study at the University of Glamorgan, gaining a BA Honours degree in Business & Marketing.
In 2008 she met up with guitarist Lee Ellis who joined her in forming the six-piece Hayley Oliver Band in February 2009 to run alongside her solo career. The band comprised Hayley Oliver (lead vocals), Lee Ellis (lead guitar and vocals), Nigel Nesbitt (bass and vocals), Wayne Lee (keyboards and vocals), Scott Gladman (rhythm guitar) and Julian McLaren (drums). Wayne Lee is Albert Lee’s son.
During 2008 and 2009 she collaborated with Nashville producers, resulting in her second solo album, I Can Still Dream, released in October 2009, with original material provided by various writers from across the world. In February 2010, Another Lonely Night, a single from the album topped the Country Hotdisc Charts which featured on Country Music People and Up Country magazines. It stayed at the top of the British & Irish Independent Chart for six weeks and was also No 1 on the main Top 40 Chart. On 7th February 2010, Hayley was made the Sunday Spotlight artist on BBC Radio 2 and when her song Be Love was featured in Maverick magazine it was described as ‘An authentic Country sound from a fresh and breezy British artist’. During those years Hayley performed regularly with various artists and bands.
In 2010 The Hayley Oliver Band released a cover songs project with the release of the live album, Naturally which was recorded in two days. Hayley needed to showcase her talents on the live circuit and with two albums recorded in quick succession she needed a way to get the music across to her wide and varied audience. This album produced two chart-topping positions on the Country Hotdisc Charts with the release of the singles, Tell Me Why, written by Karla Bonoff, which was a hit for Wynonna Judd, and I’m A Little Bluer Than That, written by Irene Kelley and Mark Irwin which was recorded by Kelley on her album, Simple Path and also by Alan Jackson on his album, Drive. With this third chart No 1 from three releases, the band becomes the most successful British act ever to appear on Hotdisc. No other UK act has managed three number ones.
Hayley and the band were invited to go to Nashville in November 2010, fulfilling one of her long held dreams, and there, they represented the UK, taking part in a WSM Radio event, which put on an international show of six Country acts at the Loveless Café. The show was broadcast live in HD via the internet. They returned to Nashville again in 2011 and played at the Nashville Palace. Several presenters on CMR Nashville praised Hayley and the band. Stuart Cameron said ‘Really sprung onto the scene the last two years. It is predicted by many that Hayley and her talented musicians will be flying the British flag for Country music for many years to come and there are not many who would argue with that’. Jackie Storrar, recording artist and presenter of CMR’s The Country Cafe said ‘A big congratulation to Hayley and her band, what a year 2010 is turning out to be’.
In late 2012, the band released Arbinger Grove, with guest appearances by Albert Lee, Gerry Hogan and John Permenter. The album was critically acclaimed as being of international standard.
The band won two BCMA awards in 2010; the Horizon award for best British Newcomer and Most Successful Single for I’m A Little Bluer Than That. The following year the band lost out to Gary Perkins & The Breeze for Band of the Year , the band were however nominated again in 2012 and in three consecutive years, 2011, 2012 and 2013. Hayley was nominated as female vocalist of the year. In 2013 they picked up another Most Successful Single award, this time for Hand That Rocked The Cradle. By 2014 conflicting commitments led to Hayley and the band members’ decision to disband. After their successful last show at the 2014 Truckstop Festival in Denmark, Hayley decided to focus on a slightly different path involving guitarist, Harley Dave, with a more ‘rootsy’ Americana approach.
The unplugged show proved a success, both in small venues and larger theatres. In 2015 Hayley unveiled her new five-piece band line-up on the main stage at the Americana International Festival, gaining rave reviews and started taking select bookings while continuing to develop the acoustic show. The new band were Hayley Oliver (lead vocals and rhythm acoustic guitar), Harley Dave (electric lead and acoustic guitars), Jim Martin (pedal steel and electric guitar), Chris Dunn (bass) and Jon Keys (drums)
In 2016, after a short spell in Texas with Harley Dave playing acoustic gigs in Austin and being welcomed into the Luckenbach ‘Picker’s Circle’, Hayley returned to the Truckstop Festival, Denmark, with the new band. In 2017, Hayley and Harley guested with The Fabulous Texadillos at Pullman City Harz, Germany and hope to take the band back to Germany, one day.
2018 and early 2019 saw Hayley and the band playing Warners, Pontins and some independent Country music events but also still playing some clubs, either solo or with the band. Then came covid and lockdown which put a halt to all live music.
During lockdown Hayley decided to dust off her guitar and get back into playing it, which resulted in her fronting the band with her guitar when the restrictions were relaxed and live gigs started up again. In July, 2021, the band performed at Studley Castle (Warners). She is also experimenting with duo appearances in clubs with Harley Dave. The first of these was at the Harlow CMC in Essex where Hayley had been booked as a solo but on the night the first set was solo then Harley joined her on stage playing lead guitar while Hayley played rhythm.
Black Steel
Research by Nick Catford.
Black Steel duo was formed in early 2011 although both Bob Schwarz and Jim Martin were already familiar faces to many Country fans.
Jim Martin first started playing electric guitar in 1968 when he was 16. In those days, he was a rock and blues musician quickly joining his first band Premonition who were a 5-piece.
With the demise of Premonition c1971/2, Jim’s next band was a 5-piece pop/rock band called Sting. They comprised Graham Khan (lead vocals and rhythm guitar), Jasper Scott (keyboard and vocals), John Cooper (lead guitar), Jim Martin (bass) and Frog Goddard (drums). The band lasted until 1979 when some band members wanted a change of direction from rock to Country. John, Frog and Jim formed Stampede and brought in Tony Draper on vocals and rhythm guitar. In 1980 Stampede got a record deal with SRT Productions. Jim decided to learn pedal steel guitar for an album. By the time the album was released a few months later he was sufficiently proficient to play on three of the tracks. Various line up changes followed, Robbie Bearns replaced John Cooper on lead guitar and Jim went fully onto pedal steel guitar with Alan Newstead coming in on bass.
With the demise of Stampede in the mid-1980s, Jim joined Tracy Elsdon’s band Ashanti bringing with him Robbie Beams from Stampede. Ashanti comprised Tracy Elsdon (lead vocals and rhythm guitar), Robbie Bearns (lead guitar), Jim Martin (pedal steel guitar), Darren Juniper (bass) and Ray Hailey (drums). During this time, Jim was also a regular dep with Steve Mitchell and Shiloh. Although never a member of the band he did spend a lot of time playing with them. He also worked with a re vamped version of Ian Fox’s Highway Shoes, and also with bands Tawny and Gypsy. Gypsy were Sue Hennessey (lead vocals), Terry Worrledge (lead guitar), Jan Woodhouse (keyboard), Karl Garrett (bass), Jim Martin (pedal steel guitar) and Frog Goddard (drums). Gypsy later evolved into Jackson Queen finally bowing out in 2009.
In about 1990, Jim joined his next band Mean Business fronted by Barry Westbrook. There were several changes of personnel over the years but the line up in 1991 was Barry Westbrook (lead vocals and rhythm guitar), Jim Martin (pedal steel guitar), Toby Chapman (keyboards and vocals) – Toby has since played with many top bands including Spandau Ballet in 2015 and ABC in 2016, Tony Skey (bass) and Doug Lang (drums) – Doug is now a member of blues band Absolution. In 1995 some session work took Jim to Nashville where he played some shows with the short lived but critically acclaimed Country rock band Union Jack.
Following Jim’s departure from Mean Business in 1998 he had short stints with Longshot fronted by Glyn Long and Marietta Station: Lois Clark (vocals), Jim Martin (pedal steel guitar), Sara Curran (keyboards) and Alan Weight (bass). Between 1999 and 2001 Jim was involved with two successful touring theatre productions, both produced by Mervyn Conn. ‘Stand by Your Man’ (the Tammy Wynette story), and ‘Queens of Country’, a musical portraying the songs of Tammy Wynette, Dolly Parton, and Patsy Cline.
In the early years of the millennium Jim joined the John Douglas Band (trio) and then spent three years with Chris Harris in the duo Harrison County. Chris and Jim lived three hundred miles apart so when Chris had to take time off for personal reasons it was time for Jim to move on to his next venture Black Steel.
The other half of the story: Southern Breeze was formed in Cambridgeshire in 1978. The original line up comprised. Pete Jeary (lead vocals and acoustic guitar), Tony Kolleng (lead guitar), John Kollop (bass) and Trevor Holland (drums). Tony had previously been in a non-country band called Tramp. Shortly after the band was formed, Tony’s brother Mick (lead guitar) brought the band up to a five-piece. When Southern Breeze decided to record an album in 1978 Pete Jeary commented that he wanted to have steel guitar on the album. While discussing this over a few beers Tony Kolleng told him “you buy it, I’ll play it”. A week later when the band got together for a rehearsal Pete brought along a pedal steel guitar and true to his word Tony agreed to learn how to play it. Despite seeking help from other steelies Tony ended up teaching himself listening continually to the best US steel players like Ralph Mooney. Six weeks later although he had only learnt the basics he felt sufficiently competent to play steel on two of the tracks on the album. As with many bands at that time the line up was somewhat fluid. Lead singer Pete Jeary left and was replaced by Tony Kolleng’s long time friend Bob Schwarz. Bob didn’t (and still doesn’t) play an instrument but he was a good singer and came in to front the band.
John Kollop also left and was replaced by Tony’s other brother Peter. As Mick played lead guitar and was a second lead singer, Tony was able to concentrate on pedal steel guitar. A third line up change some years later saw the departure of drummer Trevor Holland who was replaced by Kevin Smith. Southern Breeze provided backing for Tex Withers when he was in the UK. They worked mainly in East Anglia playing the clubs, festivals, and the many American airbases where they were always well received.
Southern Breeze continued until about 1990 after which Tony Kolleng formed Speed Limit duo with his partner Angie Clark. Tony and Angie are currently still performing as Speed Limit although they are now concentrating on their country holiday business. After the demise of Southern Breeze, Bob Schwarz formed Tennessee Whiskey.
As with many bands there were several changes of personnel over the years but the line-up in 1994 when they played the Colchester Festival on Mersea Island, Essex was Bob Schwarz (lead vocals), Ron Pit (lead guitar), Terry Mayhew (bass and vocals) and Merv Gooding (drums). When Tennessee Whiskey disbanded, Bob and Ron carried on as Double Whiskey duo. Sometimes Double Whiskey worked as a trio reviving Tennessee Whiskey, with Jim Martin coming in as the third member on pedal steel guitar. The duo finally called it a day in 2010 when Jim and Bob formed Black Steel.
Although Black Steel are now in their 11th year and remain busy Jim quite often plays with other acts, as a dep musician, and his work can be heard on several albums by other artists including McKenZie, Darren Busby, Country Company and Rosie Horne and he has recorded backing tracks for John Douglas and Paul Wright Tracks. Lockdown gave him the opportunity to be involved with the Dropbox Cowboys project that through remote recording produced a lovely album of some great songs and also raised a good sum for Captain Tom’s charity
After three years off the road, Chris Harris came back as a soloist and despite living in South Wales he has a very full diary. Before covid he occasionally teamed up with his old friend Jim Martin as Southern Union Duo. Black Steel occasionally work as a trio, usually this is with Alby Parker who comes in as a second guitarist and vocalist, who has also written some great songs, which the trio include in their set.